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卡塞尔·比提

架构师提供的文本描述。艾伦·杰克·科蒂埃(Allen Jack Cottier)大胆、雕塑般的将悉尼市中心一座1060平方米的仓库改建成一座私人住宅，巧妙地使用游艇技术制造了一个私人睡舱。该项目被列入2015年10月宣布的享有盛誉的世界建筑节颁奖典礼的入围名单。

Text description provided by the architects. Allen Jack+Cottier’s bold, sculptural conversion of a 1060 sqm two level inner city Sydney warehouse into a private residence cleverly uses yachting technology to create a private sleeping pod. The project is shortlisted for the prestigious World Architecture Festival Awards, announced in October 2015.

 Long Section

长剖面

该项目由澳大利亚公司艾伦杰克科蒂埃改造，现有两层仓库面积为1060平方米。建筑物的各个部分被彻底改造，引入光和空间连接这两层，包括4间卧室，居住空间，大型商业优质厨房，音乐室，游泳池和露台。

This project by Australian firm Allen Jack+Cottier converted an existing two-level warehouse of 1060 sqm. Sections of the building were radically altered to introduce light and spatially connect the two levels, incorporating 4 bedrooms, living space, large commercial quality kitchen, music room, a swimming pool and a terrace.

 © Castle+Beatty

卡塞尔·比提

艾伦·杰克·科蒂埃(AllenJackCottier)的客户已经找了一段时间了。与悉尼许多有抱负的业主不同，这位客户并不痴迷于一套能看到海港或大海的房子。相反，他想要创造一个适合他在音乐、娱乐和拜访朋友方面的兴趣的内部领域。内城仓库在20世纪初作为食品制造厂开始生产，后来被用作家具厂。

Allen Jack+Cottier’s client had been searching for an inner city warehouse type building for some time. Unlike many aspiring home owners in Sydney, the client was not obsessed by a house with a view of the harbour or the ocean. Rather, he wanted to create an internal realm, suited to his interests in music, entertaining and visiting friends. Inner City Warehouse started life as a food manufacturing factory in the early 1900s, and was subsequently used as a furniture factory.

 First Floor Plan

一层平面图

在仓库中最重要的插入物是睡荚，或者，洞穴，在一楼。这是业主的私人套房，作为一件雕塑坐在主要的生活空间，它的内部体积滚滚之间屋顶桁架。旧仓库的正交几何的外星形态创造了新的空间，但并没有减少仓库中的空间感。

The most significant insertion in the warehouse is the sleeping pod or, cave, on the first floor. This is the owner’s private suite that sits as a piece of sculpture in the main living space, its internal volumes billowing between the roof trusses. The alien form to the orthogonal geometry of the old warehouse creates new spaces but does not diminish the sense of space in the warehouse.

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玻璃增强泡沫结构是自我支撑和站立在原来的地板上，就像一件家具，尽管是一个相当大和沉重的。吊舱有一个睡眠空间，一个大床整合到外壳，一个日间衣柜/娱乐单元和一个浴室。它的墙壁/天花板都是喷涂低VOC白色树脂，地板的睡眠空间是大格式的皮革瓷砖和成套地板是完成像游艇甲板在认证柚木木板。

The glass reinforced foam structure is self-supporting and stands on the original floor like a piece of furniture albeit a rather large and heavy one. The pod contains a sleeping space, with a large bed integrated into the shell, a day wardrobe/entertainment unit and a bathroom. Its walls/ceiling are all sprayed low VOC white resin, the floor to the sleeping space is of large format leather tiles and the ensuite floor is finished like a yacht deck in certified teak boarding.

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吊舱的外面也是用白色树脂完成的，反射白天和晚上变化的光线，在LED照明镜裙上漂浮。表面被用作投影图像的屏幕，用于背景娱乐事件。

The outside of the pod is also finished in white resin, reflecting the changing light of the day and at night floats on an LED illuminated mirror skirt. The surface is used as a screen for projected images to backdrop entertainment events.

 © Castle+Beatty

卡塞尔·比提