架构师提供的文本描述。我们本来想设计一座半埋的建筑。工程开始后，在4米深的地方找到了一个地基，我们不得不把大楼抬起来，但掩盖底层的办法仍然存在。

Text description provided by the architects. We originally wanted to design a semi-buried building. After starting the project, a foundation was found at 4m depth and we had to lift up the building, but the solution to mask the ground floor remained.

 © Arthur Tintu

C.Arthur Tintu

因此，我们没有在街道上筑篱笆(sos.cotroceni)，而是画了一个长的植物保持者，在私人空间和公共交通之间进行调解。显然它只剩下一楼了.这种方法给了我们与栅栏和花园的各种元素和联系。

So instead of building fences to the Street (sos.Cotroceni) we drew a long plant-holder which makes mediation between private space and public traffic. Apparently it remains only 1-st floor. This approach has given us various elements and connections with fences and gardens.

 © Arthur Tintu

C.Arthur Tintu

我们有一场游戏，把强健的构造线融入建筑物的构图中。在城市园林之间建造一座半可见的建筑，有助于与植物园下坡的构成空间相协调。

We got a game that takes strong tectonic line into the building’s composition. The idea of a building semi-visible, between urban gardens, helps to harmonize with the composition space of Botanic Garden downhill.

绿松石是一种非常接近我们最初想要的颜色(铜色)，在冬季的…中提供了一款精致的游戏。白色的部分和折射被看作是雪切割。

Turquoise is a color that is close to what we wanted originally (copper patina) and offers a refined game in the winter… where white parts and refractions are seen as snow cuts.

 © Arthur Tintu

C.Arthur Tintu

垂直立体分割是为了保持建筑物的清醒。虽然这座建筑代表了一台精密的计算机，但我们已经为这座大楼的各种功能做好了准备，这些功能可能会随着时间的推移而改变，而

Vertical stereotomy is introduced to maintain building soberness. Although the building represents a sophisticated computer, we have prepared this building for various functions, which may change over the years without changing its architecture…

 © Arthur Tintu

C.Arthur Tintu