架构师提供的文本描述。Len Lye中心是新西兰唯一的艺术家博物馆，其设计深受Len Lye的生活、思想、作品和作品的影响(1901年7月5日至1980年5月15日)。

Text description provided by the architects. The Len Lye Centre is New Zealand’s only single artist museum and its design is deeply influenced by the life, ideas, writings and work of Len Lye (5 July, 1901 – 15 May, 1980).

 © Patrick Reynolds

帕特里克·雷诺兹

是莱自己在1964年说过“伟大的建筑与伟大的艺术相得益彰”，这是一句格言，它为帕特森协会设计的阿蒂波迪安神庙的方法和形式提供了信息，这座圣殿是他的作品所在。

It was Lye himself who said in 1964 that “great architecture goes fifty-fifty with great art,” a maxim that has informed the approach and form of the Patterson Associates-designed Antipodean Temple that houses his work.

 Third Floor Plan

三层平面图

碱液对寺庙很感兴趣，在构思整体设计时，从古典世界的“万宝宫”或“伟大的殿堂”，以及波利尼西亚的形式和思想中汲取灵感，似乎在美学和历史上都是恰当的。这些也影响了莱，他毕竟是客户。

Lye was fascinated with temples and in conceiving the overall design it seemed aesthetically and historically appropriate to draw inspiration from the “megarons,” or great halls, of the classical world, as well as Polynesian forms and ideas. These also influenced Lye and he is, after all, the client.

 © Patrick Reynolds

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为了以一种新的方式实现这一点，我们采用了我们所谓的“系统方法论”，以一种整体或适应性的方式发展了我们的思维。这意味着，我们使用的不是比例或美学，而是在项目环境的生态学中使用模式来驱动设计元素。

To do this in a new way, we developed our thinking in a holistic or adaptive way, using what we call “systems methodology.” This means that rather than using proportion or aesthetics, we use patterns in the ecology of the project’s environments to drive the design elements.

 © Patrick Reynolds

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例如，在当地使用不锈钢制造的闪闪发光的柱廊̧ade-Taranaki的“本地石头”-将Lye的动力学和光的创新以及该地区的工业创新联系在一起。通过这样做，我们庆祝他的作品给他的幸运礼物。

For example, the shimmering, iridescent colonnade façade, manufactured locally using stainless steel - Taranaki’s ‘local stone’ - links both Lye’s innovations in kinetics and light as well as the region’s industrial innovation. By doing this we celebrate the fortunate gift of his works to Taranaki.

 © Patrick Reynolds

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柱廊创造了一个剧院幕布，但有三个不对称的横冲直撞的侧面，导致了一种前厅，称为“叉角”在古希腊。这是由画廊组成的大型黑麦作品。从上面看，柱廊的顶部边缘创造了一种koru形式，显示博物馆的波利尼西亚影响，作为会议场所，或码头，Len Lye。

The colonnade creates a theatre curtain, but with three asymmetric ramped sides, leading to a type of vestibule, known as “pronaos” in Ancient Greece. This is formed by the gallery holding the large Lye works. Viewed from above, the colonnade’s top edges create a koru form, displaying the Museum’s Polynesian influences as the meeting house, or wharenui, for Len Lye.

 © Patrick Reynolds

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柱廊的队伍变成了门廊，宣布主廊是一种梅加隆，也是码头；莱的灵感作品所引用和代表的神灵和祖先。

The procession of the colonnade morphs into a portico, announcing the main gallery as a type of megaron but also functioning as a wharenui; the deities and ancestors referenced and represented by Lye’s inspirational work.

 © Patrick Reynolds

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传统上，寺庙最神圣、最私密的部分，“阿迪顿”，位于离入口最远的地方。这里有Len Lye档案馆，而被称为“opisthodomos”的“国库”则回顾了进入下面的人们。

Traditionally, the most sacred and private part of a temple, the “adyton,” is located at the point furthest from the entrance. Here is housed the Len Lye archive, while the ‘treasury,’ known as the “opisthodomos,” looks back to the people entering below.

 Second Floor Plan

二层平面图

该项目与现有规模较小的戈维特·布鲁斯特美术馆(GovettBrewster)有着良好的联系，该画廊本身已经从该市退役的传统影院中进行了改造。综合设施是不可分割的，有一个圆形循环，让游客能够欣赏变化的博物馆和画廊展示在一个灵活和共享的结构。

The project respectfully links into the smaller existing Govett Brewster Art Gallery, which itself has been retrofitted from the city’s decommissioned heritage cinema. The combined facility is undivided, with a circular loop allowing visitors to appreciate the changing museum and gallery displays within one flexible and shared structure.

 © Patrick Reynolds

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在圆环上，光线是通过柱廊中的光圈画出来的，这些光在人行道上形成了移动的光模式，这也许是一种被动的动力学建筑形式。

On the circular loop, light is drawn inside through the apertures in the colonnade, and these create moving light patterns on the walkway, perhaps a form of passive kinetic architecture.

 © Patrick Reynolds

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我们希望这一设计挑战纯现代主义在当代思想中的主导地位。古典主义已经过时了几十年，伦莱博物馆寻求延伸现代主义语言的意义。创造出比包豪斯传统更清晰、更胜利、更欢庆的空间，但也比轴心生成的建筑更有说服力和流畅性。

We hope the design challenges the dominance of pure modernism in contemporary thought. Classicism has been unfashionable for many decades and the Len Lye Museum seeks to extend modernist language with meaning. Creating space that is more lucid, triumphant and celebratory than Bauhaus traditions, but also more cogent and flowing than axis-generated architecture.

Architects Patterson Associates

Location New Plymouth, New Zealand

Category Museum

Project Year 2015

Photographs Patrick Reynolds

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