架构师提供的文本描述。可视化和动画工作室斜视/歌剧渲染现实每天。SIBLIING为其新的澳大利亚总部所做的调整强化了这一特点：物理空间及其在工作场所的数字二重融合。

Text description provided by the architects. Visualisation and animation studio Squint/Opera render reality every day. SIBLIING’s fit-out for their new Australian headquarters reinforces this trait: physical space and its digital doppelganger confluence in the workplace.

 © Christine Francis

(克里斯蒂娜·弗朗西斯)

新办公室通过安装自定义钢网格，使用建模软件的线框空间作为实时基础设施。工作空间是从这个矩阵中分割出来的，它提供了一种空间划分和隐私感，同时保留了整个工作室的视图。每个工作站都可以由其居民使用专门设计的屏幕、钩子和容器、固定物或个人物品目录进行定制。在窗户附近，栅格形成了一个室内走廊，工作人员可以聚集在一起-坐在贴图的明亮蓝天座位上。其他的凳子都有一个人造的蓝色和紫色的水磨石表面。

The new office uses the wireframe space of modelling software as real-time infrastructure through the installation of custom-steel grid-mesh. Work spaces are carved out of this matrix to provide a sense of spatial division and privacy while retaining views across the entire studio. Each workstation can be customised by its inhabitant with a catalogue of specifically designed screens, hooks and containers for plants, stationary or personal belongings. Near the windows the grid forms an indoor verandah where staff can meet in various clusters – sitting on bitmapped bright-blue sky seating. Other stools throughout have an artificial blue and purple terrazzo surface applied.

 Floor Plan

种植构成了一个重要的部分，与生物友好型空间-带来的外部因素，在提高工作场所的满意度。种植盒内有爬虫点击进入空间框架，这将固化的空间，因为他们成长。在展示室，一个LED水培系统在种植上投下洋红色的光，参考斜视/歌剧的标志，并在空间上投下更多的人为元素。

Planting forms an important part of the space with biophilia – bringing elements of the outside in – enhancing workplace satisfaction. Planting boxes containing creepers click into the space frame, which will solidify the space as they grow. In the presentation room, an LED hydroponic system throws magenta light on the planting, referencing the Squint/Opera logo, and casting a further element of artificiality over the space.

 © Christine Francis

(克里斯蒂娜·弗朗西斯)

物理世界和数字世界之间的滑动和小故障可能为人类的感知提供新的世界。这是表现和现实之间的交汇点，在这一点上，用户的意义就产生了。

The slippages and glitches between the physical and digital world may offer new worlds to human perception. It is this point of intersection between representation and reality where meaning for the user is made.

 © Christine Francis

(克里斯蒂娜·弗朗西斯)