Parish Church of the Celestial Queen 4 plusz Építész Stúdió

2015-08-20 05:00

设计团队Katalin Konyha，Andrea Staniszewski，Noemi Szikszai Engineering Kistály Klíma Plusz Kft。构造地形图97 Kft。景观设计师开放空气设计Kft。电气顾问工作室NG BT。制造商装货.。多规格少规格

Design Team Katalin Konyha, Andrea Staniszewski, Noemi Szikszai Engineering Kristály Klíma Plusz Kft. Structure Terraplan 97 Kft. Landscape Architect Open Air Design Kft. Electrical Consultant Studio NG Bt. Manufacturers Loading... More Specs Less Specs

 © Albertszki Tamás

(Albertszki Tamás)

架构师提供的文本描述。天堂女王教区教堂在布达佩斯Szent István广场的一座折中建筑中得到了新的位置。由于地方政府和宗教团体之间的一项协议，天主教牧师搬进了埃克尔·费伦克音乐学校的大楼。这座U形建筑的前立面几乎没有装饰，房间也在等待救援。

Text description provided by the architects. The Parish Church of Celestial Queen got its new place in an eclectic building at the Szent István square in Budapest. As a result of an agreement between the local government and the religious community, the Catholic parsonage has moved into the building formerly housing the Erkel Ferenc Music School. Little decoration remained from the former facade of the U-shaped building and the rooms were also waited for rescue.

 © Albertszki Tamás

(Albertszki Tamás)

传统上与牧师有关的基本计划-牧师的住所和办公室，宗教教育教室，图书馆，宴会厅和留宿游客的空余公寓，现在被安置在现有的主楼内，主楼有两个侧翼，面向侧翼。我们的计划是根据旧照片恢复大厅的原有状态，并将循环系统用一个新的现代化建筑翼包围起来。

The basic scheme traditionally associated with the parsonage – the parson’s quarters and office, the classroom for religious education, the library, the banqueting hall and a spare apartment for visitors who stay here – are now housed in the existing main building featuring two lateral wings that face the yard.Our plan was to restore the original condition of the bulding according to old photos and to enclose the circulation system with a new, modern building wing.

 Ground Floor Plan

山墙屋顶的新翼包含了多功能的社会空间。楼上的会议室部分唤起了一种传统的房屋形式，而朴素明亮的室内则创造了一个当代的神圣空间。

The gable-roofed new wing involves the multifunctional social spaces. The section of the assembly room on the upstairs invokes a traditional house form, while the plain, bright interior creates a contemporary sacred space.

 © Albertszki Tamás

(Albertszki Tamás)

由于新翼体现了天主教会向更广泛的公众开放的雄心，这种将结构向内转动的配置将两码不同的人物分隔开来。两个院子都成了大楼的顶上部分。底层接待处通过大跨度的桥梁将和平的前场和建好的后院连接起来，无论是视觉上还是物理上都是如此。

As the new wing embodies the ambition of the Catholic Church to open up for the wider public, this configuration of turning the structures inward separates two yards of different characters. Both yard becomes elemetal part of the building. The ground-floor reception area connects the peaceful front and the built-around back yard by a wide-span bridging both visually and physically.

 © Albertszki Tamás

(Albertszki Tamás)

大面积的玻璃暴露事件发生在老树站在花园的中心，使他们可以看到，甚至从门厅。通过理解和遵循现有房屋的逻辑，促进了新旧之间的交流。

The large expanses of glass exposes events taking place around the old tree standing in the centre of the garden so that they are visible even from the foyer. Communication between the old and the new is facilitated by understanding and following the logic of the existing house.

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AA节

机翼以其屋顶形状和材料来区别。新翼的浅灰色板岩与白色纤维水泥盖适合现有的石膏表面。会议室的嬉戏-实际上是匈牙利刺绣图案-穿孔的立面溶解了对称的构图，并给出了一个不断变化的外观。

The wings are distinguished by its roof shapes and materials. The new wing’s light grey slate with white fiber cement cover fits the existant plaster surfices. The assembly room’s playful – actually hungarian embroidery pattern – perforated facade dissolves the symmetric composition and gives a facade an ever-changing view.

 © Albertszki Tamás

(Albertszki Tamás)

作为一个公共的，神圣的建筑意味着对一个社区产生影响。它涵盖了实用性、可用性以及它在环境中的信息。随着旧部分的修复，透明的新翼及其谨慎的色彩和材料，天后教区教会展现了一个诱人的社会和虔诚的空间。

Being a public, sacred building means having an effect on a community. It covers practicality, usability as well as the message of it in the surroundings. With the restoration of the old parts, the transparent new wing and its discreet colors and materials the Parish Church of Celestial Queen presents an inviting social and reverent space.