Ode to Osaka Manthey Kula

2015-08-21 05:00

 © Manthey Kula

(Manhe Kula)

架构师提供的文本描述。建筑师斯维尔·费恩参加1970年在大阪举行的世界博览会斯堪的纳维亚展馆的竞赛，这是挪威国家博物馆建筑收藏的一部分。费恩提出了一种呼吸式结构，将斯堪的纳维亚自然的图像投射在扩张和收缩的墙壁上，但这一提议并没有赢得竞争，也从未实现。

Text description provided by the architects. Architect Sverre Fehn’s competition entry for the Scandinavian pavilion at the World Fair in Osaka 1970 is part of the Norwegian National Museum – Architecture’s collection. Fehn’s proposal of a breathing structure where images of Scandinavian nature was to be projected on the expanding and contracting walls did not win the competition and was never realized.

 © Manthey Kula

(Manhe Kula)

膨胀结构在Fehn的生产中被认为是不典型的，但是柔性、运动结构的标志性图像仍然有其力量。

The inflated structure is considered to be atypical in Fehn’s production, but the iconic images of the flexible, moving structure still have their power.

作为激活其收藏策略的一部分，博物馆委托建筑师ManheKula开发一个概念，以实现SverreFehn的竞争进入。任务是非常开放的：我们设想的是一个有效的规模模型。然而，开发该项目以便将其建在博物馆展馆内的想法-这是费恩最后一次建造的作品-是很早就提出的，并得到了博物馆的支持。

As part of a strategy for activating its collection the museum commissioned architects Manthey Kula to develop a concept for some kind of realization of Sverre Fehn’s competition entry. The task was very open: What was envisioned was a functioning scale model. However the idea to develop the project in order to have it built inside the museum pavilion – which is Fehn’s last built work – was presented quite early and supported by the museum.

 © Manthey Kula

(Manhe Kula)

展览中的安装是一个设计过程的结果，在这个设计过程中，必须解决和整理有关建造件的解决办法及其与最初竞争项目的关系的重要问题：涉及技术问题、形式和材料问题、几何问题、大小和地点问题，以及最终涉及展览内容的问题。

The installation on show is a result of a design process where important questions concerning the solution of the built piece and it’s relationship to the initial competition entry had to be addressed and sorted out: The questions concerned technical issues, matters of form and material, geometry, size and siting, and eventually that of exhibition content.

现在可以在博物馆里体验到的不是SverreFehn为大阪世界博览会所做的项目。这是一个当代装置的基础上，并尊重他的想法呼吸空间。它是一个由气闸建筑和充气移动空间组成的结构。所有细节都是为了拆卸和重新安装而制定的.展览空间上没有任何物体。

What can now be experienced in the museum is not Sverre Fehn’s project for the Osaka World fair. It is a contemporary installation based on, and honoring his idea of a breathing space. It is a structure consisting of an airlock building and an inflated moving space. All details are developed in order for the installation to be dismounted and re-erected.  There are no objects on show – only space.