架构师提供的文本描述。第十届“宣言”，欧洲当代艺术双年展，在圣彼得堡的国家遗产博物馆举行。在馆长Kasper K nig的监督下，Manifesta 10是Hermitage最近翻修的总参谋部大楼的第一个大型当代艺术展。

Text description provided by the architects. The 10th edition of Manifesta, the European Biennial of Contemporary art, took place in the State Hermitage Museum in St. Petersburg. Supervised by curator Kasper König, Manifesta 10 was the first big contemporary art exhibition in the Hermitage's recently renovated General Staff Building.

 Courtesy of Ira Koers + Roelof Mulder

Ira Koers Roelof Mulder提供

参观两年一次始于总参谋部大楼入口大厅，概述了过去40年来最重要的录像艺术作品。由雷纳德·舒马赫(RainaldSchumach)和纳塔莉·霍约斯(NathalieHoyos)从著名和受人尊敬的私人和公共艺术收藏品中选出的“无环基诺”(Unlued Kino)是由雷纳德·这些以时间为基础的媒体，通常在博物馆中单独播放，并被汇编成四部为Manifesta 10制作的独立视频节目。

A visit to the biennial started in the entrance hall of the General Staff Building with an overview of the most important video art works from the past four decades. Unlooped Kino, the programme of video art works, was selected by Rainald Schumacher and Nathalie Hoyos of Office for Art (based in Berlin) from well-known and respected private and public art collections. These time-based media, which as a rule are shown individually and in the context of a museum, were compiled into four autonomous video programmes for Manifesta 10.

为了让公众入口大厅的视频节目看得更清楚、更方便，艾拉·科尔斯(Ira Koers)和罗洛夫·穆德(Roelof Mulder)设计了半开放、独立的电影院：四间带显示器的密室、一扇窗户和两张长凳，两边都有门大小的开口。事实上，开口是连接在长凳上的，这样人们就可以坐下来，在播放视频的时候不必互相传球就可以走过去。

To make the video programmes in the public entrance hall visible and accessible, Ira Koers and Roelof Mulder designed half-open, freestanding cinemas: four intimate rooms with a monitor, a window and two benches with doorway-sized openings at either end. The fact that the openings were attached to the benches allowed people to take a seat and move over without having to pass one another while the video was playing.

 Courtesy of Ira Koers + Roelof Mulder

Ira Koers Roelof Mulder提供

大厅里的人也可以透过窗户洞口看到房间后壁的影像。LED显示屏挂在隐藏电缆和技术设备的双层墙上。双面墙的外部缩进，为录象室及其节目的标题创造了一个框架。

People in the hall could also see the video images by looking through the window openings cut into the back walls of the rooms. The LED screen was hung on a double wall that concealed the cables and technical equipment. The outside of the double wall was indented to create a framework for the title of the video room and its programme.

 Courtesy of Ira Koers + Roelof Mulder

Ira Koers Roelof Mulder提供

录象室被设计成一个用松木制成的套件，在不损害门厅的情况下，可以很容易地安装起来。与表面涂上清漆的表面相比，室内涂上了一种纯颜色的颜料。内部光滑的完成反映了移动视频图像的颜色和光线，不断地改变着内部的外观。视频图像和观众在房间和周围成为安装在入口大厅的一部分。

The video rooms were designed as a kit made out of pinewood that could easily be set up without harming the entrance hall. In contrast to the exteriors, which were covered in clear varnish, the interiors were impregnated with a pure coloured pigment. The satiny finish of the interiors reflected the colour and light of the moving video images, continually changing the look of the interiors. The video images and the spectators in and around the rooms became part of the installation in the entrance hall.

 Courtesy of Ira Koers + Roelof Mulder

Ira Koers Roelof Mulder提供

Architects Ira Koers, Roelof Mulder

Location State Hermitage Museum, Dvortsovaya ploshchad', 2, Sankt-Peterburg, Russia, 190000

Category Pavillion

Project Year 2015