Myung Flims是一家相对年轻的电影制作公司，他制作并发行了许多有争议的电影和热门电影，从很久以前发行的“联系人”到最近的“建筑101”。可以说，这是一家电影制作公司，在我们贫瘠的电影业中取得了一些成功。

Myung Flims is a relatively young film production company who made and released many controversial films and hit films from ‘The Contact’, which was released quite a long time ago, to recent ‘Architecture 101’. It can be said to be a film production company that made some success stories in our infertile film industry.

 © Jong Oh Kim

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他们在白州再次选择了这一地点，并不打算建造一座只具有电影制作功能的建筑。

They, who selected the site again in Paju, did not intend to build a building with only the functions of filmmaking.

 First Floor Plan

一层平面图

为了改善我国恶劣的电影制作环境，他们试图建立一所电影制作学校，并将其功能纳入其中，尽量容纳多功能的表演空间和向外界开放的集展厅，并希望在大楼内有一家有点豪华的餐厅。

To improve the harsh film making environment in our country, they tried to make a film making school and put the functions in it, tried to accommodate multipurpose space of performance and gathering and exhibition hall open to outsiders, and also wanted to have a somewhat luxurious restaurant in the building.

 © Jong Oh Kim

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此外，他们不仅要为个人建造住房，而且要为将要建立的电影学校的学生和长期游客建造宿舍和客房，因此不能从建筑物的角度来处理这些生产、消费、文化和住宅的复杂功能。它的本质是设计一个小城市，在现实世界中建立一个叫做电影的想象和虚构(也许是欲望)的世界并不是一件容易的事情。

Also, they wanted to not only build housing for individuals, but also wanted to include dormitory and guest rooms for students of to be established film school and long term visitors, so these complex functions with production, consumption, culture, and residence could not be approached from the dimension of a building. The essence was to design a small city, and it was not an easy task to establish the world of imagination and fiction (or maybe desire) called movie in the real world.

 Second Floor Plan

二层平面图

为了打破以车辆为中心的不合理道路系统的界限，我积极采用了“白居书城”指南中随机设置的以行人为导向的内部道路，将整块土地分成两部分，使这条道路贯穿于这座小城市的中心广场，让任何人都能自由地相遇、停留和分离。这个广场有可与邻近土地紧密相连的道路，而在弯曲的道路旁，一个有树木的公园被建造成这个小城市的公共区域。

To break down the limit of irrational road system designed centered on vehicles, I actively adopted the internal roads of pedestrian oriented randomly set in the guideline of Paju Book City, divided the entire mass into two parts, made this road penetrating the center as main square of this small city for anyone to freely meet, stay, and part. This square has access roads for close connection with adjacent lands, and beside the curved road, a park with trees is made to make public area of this small city.

 © Jong Oh Kim

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该质量分为两个部分，连接在顶部的桥梁和甲板，通过垂直移动路径观察和响应在这个小城市内的广场和道路上的活动。而且，透明的玻璃墙围绕着广场的主体表面，里面的大部分活动都暴露在外面，这样就形成了一个富饶的生活景观。

The mass divided into two parts are connected by bridge and deck at the top to watch and respond to the activities made in the square and road inside this small city through vertical movement path. Also, transparent glass walls are erected around the surface of the main mass facing the square and the most of the activities inside it are exposed to outside, so a landscape of bountiful life will be made.

 Third Floor Plan

三层平面图

里面更像是一座城市。在不同功能的空间被定位的内部，像道路一样的小径穿透，到处都有小公园和休息空间。当然，所有这些都与外界有着密切的关系，而且是相互开放的。

Inside is more like a city. Inside where the spaces of various functions are positioned, paths like roads penetrate, and there are small parks and resting spaces here and there. Of course, all of these have close relationship with outside and are open to each other.

 © Jong Oh Kim

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顶层的住宅是私人区域，隐私尽可能得到保护。在这种情况下，家庭创造的世界也是一个社区，因此也有几个层次的空间在里面。因此，这一建筑空间层的多样性是非常大的。混凝土本身是一种结构材料，同时也是外部的一种饰面材料。

The residence at the top is private area and the privacy is secured as much as possible. Also in this case, the world made by family is also a community, so there are also spaces with several layers inside. Therefore, the diversity of the layer in this building space is very big. The concrete itself is a structure material and also the finish material outside at the same time.

 Fourth Floor Plan

四层平面图

混凝土是罗马人发明的一种材料，它有2，000年的历史，但没有任何其他有诚意的财产材料。在我看来，造物主的技术和忠诚、大自然赋予的条件和时间形成的过程，以及对结果的等待，总是被视为某种宗教仪式。

The concrete is a material invented by Romans, and it has a history of 2,000 years, but there is no other material of property having such sincerity. The technique and faithfulness of the makers, conditions given by nature and the process of forming made by time, and the waiting for the result are always seen to me as somewhat religious ritual.

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如果细节处理做得很好，这种材料会随着流动时间的变化而变化，如果需要的话，它几乎可以永久存在。它是永久性的，但每次都有变化。这不是一座虚幻但一直梦想的建筑物的目标吗？

This material changes with holding the flowing time as it is if detail treatment is well done, and if desired, it can exist almost permanently. It is the building permanent but changes by each time. Isn’t it the goal of a building which is vain but always dreamed of?

安德烈·巴赞还说，电影是一部具有客观性的作品，是一张及时完成的瞬间照片。所以它更适合电影制作公司的建筑。

Andre Bazin also said that movie is a work having objectivity of momentary photograph completed in time. So it fits even more for a film production company building.

 © Jong Oh Kim

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这座建筑总是以不断变化的景观而存在。它坚定地站在地面上，但建筑只是一个基础设施，在这样坚实的基础设施基础上，像城市一样的景观经常会被添加到这座建筑中，并且会被改变。

This building always exists as a changing landscape. It is standing firmly on the ground, but the building is only an infrastructure, and based on such firm infrastructure, city like landscape will be frequently added to this building and will be changed.

当景观积累，甚至建筑和时间的变化，这个小城市最终成为一座建筑。建筑不是由建筑师建造的。我相信居民创造的景观就是建筑物。也许，就像电影导演无意中由第三方摄像机拍摄的电影一样，确保现实的客观性是一部真实的电影，也可能是一座真正的建筑。

And when the landscapes are accumulated and changes even the building and time goes, this small city finally becomes a building. Building is not made by an architect. I believe that the landscape made by the residents is the building. Perhaps, like a movie made by a 3rd party camera that is not intended by the movie director, the ensuring of the objectivity of reality is a real movie, and maybe a true building.

 © Jong Oh Kim

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因此，这座建筑本身就是一座小城市和一部电影。

Therefore, this building is a small city and a movie by itself.

Architects IROJE Architects & Planners

Location Paju-si, Gyeonggi-do, South Korea

Category Dorms

Architect in Charge Seung H-Sang

Area 1644.0 sqm

Project Year 2015