© Albano García

c.阿尔巴诺·加西亚

架构师提供的文本描述。这个项目沉浸在皮纳玛的树林中。尊重它的环境和利用意见，房子试图保护和采纳它的周围环境。

Text description provided by the architects. The Project is immersed among the woods in Pinamar. Respecting its environment and taking advantage of the views, the house tries to preserve and adopt its surroundings.

 © Albano García

c.阿尔巴诺·加西亚

以材料结构问题为重点，对混凝土与木材的匹配进行了研究，提出混凝土作为确定工程空间构造结构的材料。三个支撑隔板，彼此线性地躺在一起，支撑着楼板地板，而这些楼板又悬挂在上梁上。这种结构，由于其尺寸和质地的差异，决定了空间，同时限制了公共部门的开放植物并使之最大化。这就产生了空间在极限上完全空泛的现象；考虑到整个细木工可以完全打开，从而形成一个连续的半覆盖区域。森林是房子的极限。

Focusing on the material-structure matters, the project looks into the concrete-wood matching, suggesting concrete as the material which defines the space-tectonic structure of the project. Three supporting partitions, lying linearly with each other, support the slab floors which in turn hang from the superior beams. The structure, with its dimension and texture differences, defines the space and at the same time limits and maximizes the open plant in the public sector. This gives rise to the phenomenon of a space completely ethereal in terms of limits; given that the whole joinery can be opened completely thus building a continuous semi-covered area. The forest is the house’s limit.

 Floor Plan

另一方面，木材是用来创建所有卷和分区的材料，它是定义可能从这个环境中产生的限制的元素。这些界限是模糊的，被操纵的。它们可以被筛选、封闭、移动、分离，从而定义与环境的关系。

On the other hand, wood is the material used to create all the volumes and partitions and it is the element which defines the possible limits which might arise from this environment. These limits are blurred, manipulated. They can be sifted, closed, moved, separated, and so defining relations with the environment.

 © Albano García

c.阿尔巴诺·加西亚

这所房子在功能上设置了从露台到露台的庭院附属物的通道，这意味着街道扩张的连续性。这个露台把工作室和公共空间分开，包括起居室、餐厅、厨房和烧烤区。在一楼，卧室的空间定义是由潮湿地区和木制隔板的位置决定的。同时，这一层可以进入俯瞰森林的天文台甲板。

The house functionally sets the access from a patio appendicular to the terrace, which suggests continuity of the street expansions. This patio divides the studio sector and the public space, made up of a living and dining room, kitchen and grill sector. On the first floor the bedrooms are spatially defined by the location of the wet areas and the wooden partitions. At the same time, this level has access to an observatory deck overlooking the forest.

从公共空间到私人空间的转变是通过垂直循环进行的，它通过光和视觉方面的不同感觉来引导主体。同时，一件完全由木材制成的作品遍布整个工程，适合于混凝土结构，并根据具体情况将不同层次的储藏室和架空雷电联系起来。

The transition from the public to the private space is made through a vertical circulation which takes the subject through different sensations as regards light and visuals. At the same time, a piece totally made of wood goes all over the project, fitting into the concrete structure and relating the different levels with storage places and overhead lightning depending on the conditions.

 © Albano García

c.阿尔巴诺·加西亚

这个项目似乎是负面的，研究了楼下世界(公共)和楼上世界(私人)之间的现象和物质关系。从具体的结构到木接缝(下楼在外面，楼上在室内)，该项目提出了这一对应点，强调了支撑和支撑的区别，作为一棵树，表达了保护空间的遮挡元素。

Almost as if it were a negative, the project looks into the phenomenical and material relation which arises between the downstairs world (public) and the upstairs world (private). From the concrete textures to the wooden joineries (closing downstairs in the exterior and upstairs in the interior) the project presents this counterpoint, emphasizing the difference between the supported and the supporting, as a tree expressing the elements which shelter the protected space.

 © Albano García

c.阿尔巴诺·加西亚

Architects ATV arquitectos

Location Pinamar, Argentina

Category Houses

Architect in Charge Federico Azubel, Ignacio Trabucchi, Walter Viggiano

Architects Project Team Karina Pafundi, Damián Parodi

Area 450.0 sqm

Project Year 2014

Photographs Albano García