© Jorge Silva

(Jorge Silva)

架构师提供的文本描述。Filamentario教堂的建筑理念是创建一个游行方案，这是一条周边路线，有利于宗教礼拜的预备集会；以祭坛为结束的传统、轴向和有限的方案被颠倒过来，创建一个以祭坛为构成中心的游行队伍。

Text description provided by the architects. The architectural concept of Filamentario Chapel is to create a processional scheme, a perimeter route that favors the preparatory gathering for religious worship; the traditional, axial and finite scheme, which ends at the altar, is reversed to create a procession that considers the altar as the center of the composition.

 © Jorge Silva

(Jorge Silva)

礼拜堂的位置理想化了缺席和在场的二元性；它是一座建筑，它被建造，但也被掩埋。这就像一项考古发现，迫使我们进行一次向下的旅程，得到的回报是从后面进入，保持心房交叉作为项目的轴心。

The location of the chapel idealizes the duality of absence and presence; it is a building that is constructed but is also buried. It is like an archaeological find that forces us to make a downward journey, rewarded with the surprise of accessing from the back to keep the atrial cross as the axis of the project.

 © Jorge Silva

(Jorge Silva)

祭坛历史上位于队伍的末尾，它被重新安置在项目的几何中心，在心房交叉的脚下，以加强体积互补的神秘性，从而把十字架变成顶峰，成为所有二元性的起源。围绕十字架的下行和周边路线是预备游行，在内中庭有他们的第二个沉思站，入口的院子里溅满了信仰的喷泉，然后伴随着洗礼堆，作为通往内部道路的前导。

The altar, which is historically positioned at the end of the procession, is relocated to the geometric center of the project, at the foot of the atrial cross, to reinforce the mystical character of the volumetric complementarity and thus turn the cross into the summit and the origin of all dualities. The descending and perimeter routes around the cross are preparatory processions with their second contemplative station in the inner atrium, the entrance courtyard is splashed with the fountain of faith and in turn accompanies the baptismal pile as a preamble to the path inside.

 Ground Floor Plan

越过礼拜堂的门槛，第二次把十字架放在前面，身体和虚幻的二元性得到了加强；北墙的庞大性与破碎的南墙的轻盈形成了鲜明的对比；这些易碎、尖晶晶的金属元素几乎是昙花一现，不仅与混凝土墙形成对比，因为它们的质量和重量比，而且还因为相对细丝的垂直性，其几何形状和比例与混凝土墙的结构相反。

Beyond the threshold of the chapel and with the cross at the front for a second time, the duality of the corporeal and ethereal is reinforced; The massiveness of the north wall contrasts with the lightness of the fragmented south wall; These fragile and spiky metal elements, almost ephemeral, not only contrast with the concrete walls due to their massiveness and lightness ratio but also due to the verticality of the opposed filaments, with the same geometry and proportion, as the texture of the concrete walls in the opposite direction.

 © Jorge Silva

(Jorge Silva)

此外，这些脆弱的细丝，使内部充满光，编织了外部边缘和覆盖空间之间的密切关系。光增强了它的存在，并揭示了缺席的体积，这是物质性和虚幻性是一体和相同的一种表现形式。

Moreover, these fragile filaments, which flood the interior with light, weave a close relationship between the outer edges and the covered space. The light enhances its presence and reveals the volume of absence, a manifestation that the corporeal and ethereal are one and the same.

 © Jorge Silva

(Jorge Silva)

在小径的高度，隐藏在北墙内，是光的小教堂；一个短暂的空间，小教堂内的一个小礼拜堂，标志着队伍的高潮。当少数光线进入空间时，压倒性的黑暗有了充分的意义，成为高度对立的元素，并赋予内部光的神秘本质以最高的价值。

At the height of the path, hidden inside the north wall, is the chapel of light; a brief space, a chapel inside the chapel, which marks the climax of the procession. The overwhelming darkness takes its full meaning when the few rays burst into the space to become highly contrasting elements and give supreme value to the mystical essence of interior light.

 © Jorge Silva

(Jorge Silva)

这是一个信仰的地方，在那里，光是以包含、变换、同化和散发二元成分的形式体现出来的，以寻求完美的平衡；肉体和空灵相互陪伴，以达到一种语言，在那里物质和精神是协调的，形成一个单一的艺术和隐居空间。

This is a place of faith where the light is embodied in forms that contain, transform, assimilate, and emanate a composition of dualities in search of the perfect balance; The corporeal and the ethereal accompany each other to achieve a speech where the material and the spiritual are harmonized to form a single space of art and seclusion.

 © Jorge Silva

(Jorge Silva)

Arquitectos Divece Arquitectos

Ubicación Tlajomulco de Zúñiga, Jalisco, Mexico

Equipo de Proyecto Paolino Di Vece Roux y Francisco Morales Dufour

Año Proyecto 2015

Fotografías Jorge Silva