© Ronald Tilleman

罗纳德·蒂尔曼

架构师提供的文本描述。阿姆斯特丹梵高博物馆是荷兰最受欢迎的博物馆之一。越来越多的游客需要这些建筑的智能解决方案，这些建筑是由Rietveld(1973)和Kurokawa(1999)设计的。该设计包括对黑泽明1999年在阿姆斯特丹建造的建筑物椭圆翼的进一步阐述的大致轮廓。Kisho Kurokawa建筑师事务所是由已故的Kisho Kurokawa创立的公司，是1999年成立的临时展览部门的设计师，为新的入口大厅准备了设计草案。汉斯范希斯维克建筑师然后阐述了这一点，以创造一个解决方案，在现有的机翼和新的结构形成一个令人惊讶的新的整体。

Text description provided by the architects. The Van Gogh Museum in Amsterdam is one of the Netherlands’ most popular museums. The ever-growing stream of visitors required intelligent solutions for these buildings, which were designed by Rietveld (1973) and Kurokawa (1999). The design consists in broad outlines of a further elaboration of the elliptical wing of the building that Kurokawa had built in Amsterdam in 1999. Kisho Kurokawa Architect and Associates, the firm founded by the late Kisho Kurokawa and designer of the temporary exhibitions wing opened in 1999, prepared the draft design for the new entrance hall. Hans van Heeswijk Architects then elaborated on this to create a solution in which the existing wing and the new structure form a surprising new whole.

 © Luuk Kramer

卢克·克雷默

博物馆馆长阿克塞尔·鲁·杰格(Axel Rüger)说：“把我们的大门搬到博物馆大门的工作进展得很顺利。”“它已在严格的18个月期限内交付，而且是按预算交付的。”全玻璃门厅具有高质量的结构工程和系统.这里有一个宽敞、光线充足的门厅，有衣帽间和一家改造过的博物馆商店。更好的通道、更好的物流和更多的空间将使我们的游客受到比以前更热烈的欢迎。此外，这种安排更适合升级后的博物馆-其所有文化机构现在都有面向广场的入口，透明建筑和最先进的玻璃结构丰富了梵高博物馆和博物馆。“

“Work to move our main entrance to Museumplein has gone very well,” says museum director Axel Rüger. “It has been delivered within the tight eighteen-month deadline, and on budget. The all-glass entrance hall features high- quality structural engineering and systems. There is a spacious, well-lit foyer with cloakrooms and a revamped museum shop. Improved access, better logistics and more space will allow us to give our visitors a much warmer welcome than before. Moreover, this arrangement better suits the upgraded Museumplein – all its cultural institutions now have their entrances facing the square.The transparent building with its state-of-the-art glass structure enriches both the Van Gogh Museum and Museumplein.”

玻璃建筑的现状：玻璃作为建筑材料，新的入口建筑是荷兰最大的玻璃结构，其中玻璃片(梁和毛料)和双玻璃单元是建筑́的主要结构单元。这是在透明结构和玻璃作为一种结构材料的技术革新方面向前迈出的重要一步。在荷兰，从来没有比这更长的结构玻璃鳍：12米。为了保证屋面的整体稳定性，将玻璃片与钢结构连接起来。他们作为一个整体在一起工作。

State of the art glass constructions: glass as construction material The new entrance building is the largest glass structure in the Netherlands in which glass fins (beams and mullions) and double glass units are elements of the building ́s main structure. This is a major step forward in the technical innovation of transparent structures and for glass as a structural material. There has never been a longer structural glass fin in the Netherlands: 12 meters. For the overall stability of the roof, the glass fins have been connected to the steel structure. They are working together as one structure.

 © Luuk Kramer

卢克·克雷默

玻璃窗̧ADE，屋顶和楼梯弯玻璃̧ADE是由冷弯双层绝缘玻璃单元组成。这意味着在安装过程中，矩形玻璃板已经在现场成型.总面积约650平方米。FAÇADE有20个玻璃鳍，它们都是独一无二的。最长的̧翼长9，4米。

Glass façade, roof and staircase The bent glass façade is composed of cold bent double laminated insulated glass units. This means the rectangular glass panels have been shaped on-site during installation. The total area is approximately 650 sqm. The façade has 20 glass fins which are all unique. The longest façade fin is 9,4 meters.

 Ground Floor Plan

玻璃屋顶，总面积约600平方米，主要几何形状是一个角度为16，5度的贝壳。有30个玻璃屋顶鳍，所有独特的长度和一个优化的高度，以突出形状的弯曲屋顶。屋顶上最长的玻璃翅片(也是荷兰最长的结构玻璃鳍)有12米长。玻璃楼梯由三层夹层玻璃拱支撑，将最高的荷载从楼梯上转移出来，并稳定楼梯。由于这个玻璃拱门，钢的数量保持在最低限度，楼梯可以看作是一个透明的家具。

The glass roof with a total area of approximately 600 sqm has as main geometry a shell under an angle of 16,5 degrees. There are 30 glass roof fins, all unique in length and with an optimized height to accentuate the shape of the curved roof. The longest glass fin in the roof (also the longest structural glass fin in the Netherlands) has a length of 12 meters. The glass staircase is supported by a triple laminated glass arch which transfers the highest loads from the stairs and also stabilizes the staircase. Because of this glass arch, the amount of steel is kept to a minimum and the staircase can be seen as a transparent piece of furniture.

 © Ronald Tilleman

罗纳德·蒂尔曼

LED照明已经整合在玻璃楼梯的台阶上。“我们确保新的入口大厅变得轻盈宽敞，有很多玻璃。我们想要捕捉阳光的气氛，你可以在梵高的许多绘画中看到这一点。我们为玻璃屋顶开发了一个独特的支撑结构，你几乎没有注意到。当你进入时，你会想：整个玻璃建筑是如何支撑的？你所经历的是光，空间和概述。清晰是非常重要的，也许是最重要的；你必须意识到博物馆是一座公共建筑，每天都有成千上万的游客，很多外国人也经常第一次来。你需要提供清晰的信息。游客们不想错过任何东西，他们需要立即了解该走哪条路，博物馆有多大，他们需要多长时间才能看到它。当他们感到自在的时候，他们就会呆得更久，并且喜欢回来。“汉斯·范希斯维克

LED lighting has been integrated inside the glass stair steps. “We ensured that the new entrance hall has become light and spacious with lots of glass. We want to capture the sunny atmosphere, which you see reflected in many paintings of Van Gogh. We developed a unique support structure for the glass roof, which you hardly notice. As you enter, you will wonder: How is that entire glass building supported? And what you experience is light, space, and overview. Clarity is extremely important, maybe the most important; you have to realize that a museum is a public building where every day thousands of visitors, many foreigners also, often come for the first time. You need to provide clarity. The visitors don’t want to miss anything; they need to understand immediately which way to go, how big the museum is and how long they will need to see it. When they feel at home and at ease they will stay longer and love to come back.” Hans van Heeswijk

Architects Hans van Heeswijk Architects

Location Museumplein 6, 1071 DJ Amsterdam, Netherlands

Category Extension

Architect in Charge Gerrit Rietveld, Joan van Dillen, Johan van Tricht

Renovation Rietveld Building Martien van Goor

Project Team Jasper Druijven, Richard Gouverneur, Stephanie Haumann, Hans van Heeswijk, Rob Hulst, Ronno Stegeman en Boaz van der Wal

Area 15175.0 m2

Project Year 2015

Photographs Ronald Tilleman, Luuk Kramer

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