架构师提供的文本描述。维也纳BB总部的室内设计是以独特和独特的公司设计为基础的。该设计受bb的CI启发，将机动性和旅行的概念转化为体系结构。

Text description provided by the architects. The interior design of the ÖBB headquaters in Vienna is based on a unique and distinctive corporate design. Inspired by the CI of the ÖBB the design translates the notion of mobility and travel into the architecture.

 © Paul Ott

保罗·奥特

因此，对BB的CI中的线元素进行了新的解释，并将该新算法作为关键的设计工具。INNOCAD与UnitedEverything合作，设计了该项目的核心；一个长3.6公里的可移动屏幕横跨所有23层楼，显示了一次穿越奥地利的精致航程，具有分区、大气和声学特性。这一独特的设计描绘了风景画的感化和移动，将其描绘成一系列的视觉感觉，包括在屏幕上加速和减速。

As a result, the line element of the ÖBB’s CI was newly interpreted and this fresh algorithm was used as a key design tool. Working with United Everything, INNOCAD designed the heart of the project; A 3.6 km long, movable screen spanning all 23 floors, showing an exquisite voyage through Austria and featuring zoning, atmospheric and acoustic qualities. This unique design depicts the rythmization and mobility of passing landscapes as a sequence of visual sensations both accelerating and decelerating across the screens.

 Floor Plan

该概念的功能策略旨在反映对交流的需求，特别是自发交流的需求，目的是创造一个现代的工作环境，同时，该空间通过一个明显定义的结果空间来认识到隐私和集中的必要性，并明确划分功能区，以满足非常不同的需要。

The functional strategy of the concept is intended to reflect the much increased demand for communication, especially spontaneous communication, with the aim to create a modern working environment.  At the same time, the space recognizes the need for privacy and concentration through a visibly defined resultant space with clear-cut zoning of functional areas for very different needs.

 © Paul Ott

保罗·奥特

随着地板设计，一个清晰的主题和大气的移动空间出现，作为一个开放的通信区域在中间地带。反之亦然，由于它的触觉，地板覆盖层与工作空间中的这种运动有明显的不同，在结构上也反映了这种私人氛围。在工作环境中，屏幕被用作移动区域和侧房之间的过滤器。一方面，移动和交互被暗示，另一方面是温暖。柔软和放松与良好的声学相结合，提供了一个理想的集中区域。

Together with the floor design, a clear thematic and atmospheric charged space of movement arises acting as an open communication area in the middle zone. Vice versa, with its haptic, the floor covering differs clearly from this movement in the communication area in the workspace and mirrors this private atmosphere structurally as well.  In the working environment, the screen is used as a filter between the movement area and the side rooms.  At one hand movement and interaction are implied and on the other hand warmth, softness and relaxation are paired with excellent acoustics providing an ideal area for concentration.

 © Paul Ott

保罗·奥特

开放和封闭的交流区域，以及退避区都位于中间地带，以建立一个交流中心，避免与集中工作重叠。即使在多功能的天空前厅，这一设计概念仍在继续。纺织房间分隔器使不同的分区和互动与照明和图形产生不同的气氛。

Open and closed communication areas, as well as retreat areas are positioned along the middle zone, to create a communicative center and to avoid an overlapping with focused working. Even in the multi-functional Sky Lobby this design concept continues. The textile room divider enables variable zoning and interaction with lighting and graphics generating diverse atmospheres.

 © Paul Ott

保罗·奥特

一种与铁路相关的艺术和抽象图形可以通过改变颜色的RGB光进行修改。视光色而定，图形因色彩的中和而改变。图形图像根据光线开始移动和变化，并根据事件动态或静态地使用。

A railway related artistic and abstract graphic can be modified with color changing RGB light. Depending on the light color, the graphic changes by the neutralization of the colors. The graphic image starts to move and changes according to the light and is used both statically or dynamically dependent on the event.

 © Paul Ott

保罗·奥特