House in Hatogaya Schemata Architects

2015-09-09 02:00
架构师提供的文本描述。我们的客户从他父亲手中接管了这座2层的木屋,并委托我们进行装修。这位客户在小学时代就住在这所房子里,后来租了很长一段时间。它是在社会和人口增长时期建造的,当时没有人想象会出现人口减少导致的“空缺”等目前的社会问题。这所房子的设计是为了在有限的空间内提供尽可能多的私人房间。此外,这一设计是由一位建筑师在他父亲的指导下完成的,他父亲的强烈意图反映在整个房子里。每个房间都有不同的味道,有着独特的细节和独特的窗户形状。积聚如此强烈的意志力或“爱”对房子感觉有点沉重。为了减轻这种沉重的负担,我们去掉了一些空间部件,整理出了一些具有共同特征的组件,并创造了一种完整感-这是一种新形式的“爱”-我们打算在这座房子里呈现。
Text description provided by the architects. Our client took over this 2-story wooden house from his father and commissioned us to work on the renovation. The client lived in this house during his elementary school days, and it had been rented for a long time afterwards. It was built during the time of social and population growth when nobody imagined current social issues such as “vacancy” resulted from population decline would arise. The house was designed to provide as many private rooms as possible within the limited space. In addition, the design was executed by an architect under his father’s directions, and his father’s strong intentions were reflected all over the house. Each room had a different taste, with particular details and uniquely shaped windows. Accumulation of such strong intentions or “love” for the house felt a bit too heavy. In order to alleviate such heaviness, we removed some of spacial components, sorted out some components with common characters, and created a sense of integrity-  which is a new form of “love” - we intend to present in this house.
 © Kenta Hasegawa
(3)长谷川甘田
 Floor Plan

                            
 © Kenta Hasegawa
(3)长谷川甘田
由于预算有限,我们无法修改现有的窗口。相反,我们把每个独特的窗口都镶上了内墙,像一件艺术品一样重新配置它。我们在第二层的房间里打了一层,制造了一个“空隙”,把所有被关着门分开的房间连接起来。“空”介于一楼、阁楼和二楼之间,重新配置整个房子的空间关系。“空隙”还起到光井的作用,通过南墙的开口分配自然光。
We could not modify the existing windows, due to the limited budget.  Instead we framed each unique window with an interior wall, re-configuring it like a piece of artwork. And we punched out a floor of a second floor room to create a “void” connecting all rooms  which had been separated behind closed doors. The “void” mediates between the first floor, the mezzanine, and the second floor, re-configuring spatial relationships throughout the house. The “void” also functions as a light well distributing the natural light through openings on the south wall. 
 © Kenta Hasegawa
(3)长谷川甘田
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

                    

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