架构师提供的文本描述。罗吉沙龙是一家紧凑型的美发沙龙，紧邻堪培拉纽亚克顿西施开发酒店。

Text description provided by the architects. Evoking a journey of renewal, the Roji Salon is a compact boutique salon adjoining Hotel Hotel in the NewActon Nishi Development in Canberra. 

 © Ross Honeysett

罗斯·蜜塞特

日本茶道以传统的“罗吉”之道为隐喻，标志着日常生活与静修的分离。这一设计颂扬了与沙龙仪式相关的静修与更新的感觉。“罗吉”的概念后来被顾客采纳为沙龙身份。

Embracing the metaphor of the traditional ‘roji’ path leading to the teahouse in the Japanese tea ceremony, which marks the separation between the everyday world and the retreat, this design celebrates the sense of retreat and renewal associated with the salon ritual.  The ‘Roji’ concept was subsequently adopted by the Client as the salon identity.

 Floor Plan

从酒店休息室进入，租赁被认为是一次过渡性的旅程，通过引入原始物质和自然照明来唤醒他们的感官，这是一次让用户在瞬间内生活的过渡之旅，这是通过三个关键区域实现的。

Entered from the Hotel Hotel lounge, the tenancy is conceived of as a transitional journey inviting the user to live within the moment, by awakening their senses through a strategic introduction of raw materiality and natural lighting.  This is achieved over 3 key zones. 

 © Ross Honeysett

罗斯·蜜塞特

黑染的OSB进入区是酒店和沙龙之间的间隙阈值区。在三月工作室之前，由现有的酒店钢门的大扫描定义，这一区域包含了暗染的小厨房形式，这些小厨房被整合在敞开的门和定制的接待处之后，它以杆子为支点，最大限度地利用空间。这优雅地流入了较轻的造型区域。阿金进入了一个石化的空间。这是一个软灰色彩色胶合板墙和天花板包裹表达肋骨，特色综合造型站和照明“天窗”。丰富的斑点口香糖口音在造型长椅，灯光和镜子显示，突出的时刻感官激活。

The dark stained OSB entry zone is an interstitial threshold zone between the Hotel and the Salon. Defined by the large sweep of the existing Hotel Hotel steel gate by March Studio, this zone contains the dark stained forms of the kitchenette integrated behind the open gate and custom reception desk which pivots on a pole to maximise space.  This flows elegantly into the lighter styling area.  Akin to a petrified space, this is defined by a soft grey stained plywood wall and ceiling wrap with expressed ribs, and features integrated styling stations and lighting ‘skylights’.  Rich spotted gum accents at the styling benches, light and mirror reveals, highlight moments of sensory activation. 

这一序列的高潮是宁静的软木内衬的盆地地区，在自然的阳光和沉思的框架下，可以看到外部景观美化的种植园床。软木墙上的舷窗，在三月工作室之前，可以看到现存的钢铁和玻璃大理石墙，并被轻轻点亮，以便在晚上照亮酒店的气室。

The sequence culminates in the tranquil, cork lined basin area, animated by natural sunlight and a contemplative framed view onto external landscaped planter beds.   Portholes in the cork wall, reveal glimpses of the existing steel and glass marble wall by March Studio, and are gently lit to provide a glowing trace through to the hotel airlock in the evening.

 © Ross Honeysett

罗斯·蜜塞特

房子的后面是隐藏在嵌板的天然胶合板盒与快速展示盒。嵌套在造型区，这个体积划定的门槛之间的造型和盆区。

Back of house spaces are concealed within a panelised natural plywood box with express display boxes.  Nested within the styling area, this volume delineates the threshold between the styling and basin areas.

 © Ross Honeysett

罗斯·蜜塞特

除了租赁，固定的玻璃店面到酒店的空气锁内提供诱人的一瞥。表达的书架在嵌套的房子后面的角落提供了一个视觉的“雕塑枢轴”来设计一个从最初的框架从气室一瞥到入口的视觉再现的接近序列。

Beyond the tenancy, the fixed glass shopfront to the Hotel Hotel airlock offers inviting glimpses within.  Expressed shelves on the corner of the nested back of house volume provide a visual ‘sculptural pivot’ to choreograph an approach sequence progressing from the initial framed glimpse from the airlock to a visual reoccurrence at the entry.

 © Ross Honeysett

罗斯·蜜塞特

将这一点与现有的钢闸门、木材格子和玻璃大理石钢墙相结合，反映了对参与周围环境的社会和公共方面的承诺。

Combining this with integration of the existing steel gate, timber lattice and glass marble steel wall reflects a commitment to engaging the social and communal aspects of the surrounding environment. 

 © Ross Honeysett

罗斯·蜜塞特

与在沙龙中使用有机和可持续的头发产品相类似，沙龙的材料调色板主要是木材和软木制品，带有可持续的水基污渍。

Mirroring the use of organic and sustainable hair products in the salon, the material palette of the salon is predominantly timber and cork products, with sustainable water based stains.