Making Space for Making Art Sutherland Hussey Harris

2015-09-14 02:00
 Courtesy of Sutherland Hussey Harris
萨瑟兰·赫西·哈里斯(Sutherland Hussey Harris)
架构师提供的文本描述。爱丁堡雕塑工作室(ESW)是一个为艺术家提供基地的组织,提供工作室、展览空间、工作坊和住宿。
Text description provided by the architects. Edinburgh Sculpture Workshop (ESW) are an organisation that offers a base for artists, providing studios, exhibition spaces, workshops and accommodation.
 Courtesy of Sutherland Hussey Harris
萨瑟兰·赫西·哈里斯(Sutherland Hussey Harris)
在过去的15年里,我们一直与ESW公司密切合作,帮助他们筹集资金,将他们的旧铁路棚搬出,搬进一个新的、有用途的设施。我们分两个不同的阶段进行这项工作,分别代表两个不同的资金来源:一个是通过可公开获取的资金来源,如彩票基金,另一个是通过艺术奖-匿名捐款300万英镑,用于爱丁堡的一座艺术建筑。
Over the past 15 years we have been working closely with ESW to assist in their campaign to raise funds to move out of their draughty old railway shed and into a new, purpose built facility. We have done this in two distinct phases, representing two separate funding sources; one through publicly accessible sources such as the Lottery Fund and the second through the Arts Prize - an anonymous donation of £3m for an arts building in Edinburgh.
 © Keith Hunter
基思·亨特
这两个阶段代表了对“艺术建筑”硬币的对立面的探索。第一,艺术创作的封闭、实用、凌乱的一面,以及画廊的开放性、可接近性和外向性。他们分别是比尔·斯科特雕塑中心(第一阶段)和创意实验室(第二阶段)。
The two phases represent an exploration into the opposite sides of the ‘arts building’ coin. One, the hermetic, practical, messy side of the making of art and the open, accessible and extrovert of the gallery. They are The Bill Scott Sculpture Centre (Phase 1) and The Creative Laboratories (Phase 2) respectively.
 Ground Floor Plan

                            
第一阶段是一座紧凑型建筑,包括金属、石头、木材和混合媒体工作室,30间“阁楼”工作室坐落在顶层,在街道上提供一系列面向公众的服务,以及两个独立的艺术家住所。
Phase 1 is a compact building containing metal, stone, wood and mixed media workshops with 30 ‘garret’ studios sitting on top and a series of public facing services at street level as well as two autonomous artists lodgings.
 Courtesy of Sutherland Hussey Harris
萨瑟兰·赫西·哈里斯(Sutherland Hussey Harris)
这代表了该组织的内部需要,代表了负责思考和创造空间的艺术家的内部需要,也代表了教育设施,这些设施为公众参与雕塑和艺术提供了有针对性的创作方案。
This represents the internal needs of the organisation, and of the artist with the thinking and making spaces accounted for, as well as educational facilities which maintain ESW’s focussed creative programmes for the public to engage with sculpture and the arts.
 Exploded Axonometric
爆炸轴测
这第一次建造,使新南威尔士大学能够从邻近场地上破旧的棚屋中缓减下来,腾出土地用于第二阶段,这是一座完全不同的建筑。
Building this first allowed ESW to decant from their dilapidated shed on the adjacent site, freeing up the land for Phase 2 which is an altogether different building.
 © Sam Proctor
萨姆·普罗克特
在京都仁济寺的启发下,12个外部雕塑海湾由优雅的混凝土桥墩隔开,两侧是一个沉陷的庭院的两侧,还有一家公共咖啡馆和实验室组成了其余的两面。这紧邻一条新的公共路线,从街道到以前废弃的铁路切割-现在是爱丁堡绿色环线网络的一个关键组成部分。
Twelve external sculpture bays divided by elegant concrete piers flank two sides of a sunken courtyard inspired by the Ryoan-ji Temple in Kyoto, with a public cafe and the laboratories themselves forming the remaining two sides. This adjoins a new public route from street level down into the previously abandoned railway cutting - now a forming a key component in Edinburgh’s green link cycle network.
 © Keith Hunter
基思·亨特
自行车路径的主要立面是砖瓦和金属屏风,指的是工业过去可以窥见庭院的地点,向公众展示了向公众展示的过程,并鼓励路人在其中进行探索。
The main elevation to the cycle path is clad in brick and metal screens, a reference to the sites industrial past that allows glimpses into the courtyard, revealing the process of making to the public and encouraging passersby to explore within.
 Section DD
DD节
这一序列由一个28米高的凸轮车完成,留给未来来访的艺术家们去解读,既可以作为门户,也可以作为更广阔的城市的明灯。
The sequence is completed with a 28m tall campanile, left for interpretation by future visiting artists, acting as both a gateway and as a beacon visible to the wider city beyond.
 Courtesy of Sutherland Hussey Harris
萨瑟兰·赫西·哈里斯(Sutherland Hussey Harris)
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Architects Sutherland Hussey Harris
Location 25 Hawthornvale, Edinburgh, Edinburgh EH6 4JT, United Kingdom
Category Exhibition Center
Area 2900.0 sqm
Project Year 2015
Photographs Keith Hunter, Sam Proctor

                    

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