架构师提供的文本描述。费拉拉以南，在波河富饶和精心修剪的平原上，在果园中，矗立着新的Berluti制鞋厂和它的豪华制鞋学校。

Text description provided by the architects. South of Ferrara, on the fertile and meticulously manicured plain of the Po River, amidst orchards, stands the new Berluti manufacture and its school of luxury shoemaking.

 © Arnaud Schelstraete

阿诺德·谢尔斯特莱特(Arnod Schelstraete)

建筑的概念源于双重逻辑：使场地的工业、技术和基础设施符号学的一部分消失，并赋予信封充满活力和活力，以减少其质量。没有控制亭，烟囱，或机器可以看到突出的建筑物，尽管重要的需要强大的通风/抽水，以及需要抗震加固，因为该地区的重要地震风险。

The concept for the building is derived from a dual logic: to make part of the site’s industrial, technical and infrastructural semiology disappear, and to endow the envelope with a vibrant and kinetic presence in order to diminish its mass. No control booths, smokestacks, or machinery can be seen protruding from the building, despite the important need for powerful ventilation / extraction as well as the need for anti-seismic reinforcement due to the important seismic risks of the area.

 © Arnaud Schelstraete

阿诺德·谢尔斯特莱特(Arnod Schelstraete)

因此，工业功能根本没有表现出来；费拉雷的车间不是工厂，而是真正的制造。手的智慧和手势的传递在对建筑细节的关注中得到了回应。

Thus, the industrial function simply does not show through; the workshop in Ferrare is not a factory, but rather a genuine manufacture. The intelligence of hands and the transmission of gestures are echoed in the care taken with the details of the building’s construction.

 © Arnaud Schelstraete

阿诺德·谢尔斯特莱特(Arnod Schelstraete)

Berluti的身份已在讲习班的架构中进行了背景化和转录。木材是建筑的主要材料，随着时间的推移，它的外墙将形成一层薄片。不同的部分，天然的红色雪松支架在侧方立面上有节奏地重复，从地面升起，形成一个遮阳器，使车间向平原的景观大范围开放。这种未经处理的雪松会随着年龄的增长逐渐变成银灰色。

The identity of Berluti has been contextualized and transcribed in the architecture of the workshop. Wood is the dominant material of the building whose façades will develop a patina over time. Variable sections, the brackets in natural red cedar are rhythmically repeated across the lateral façades, which rise up from the ground to form a sun breaker, broadly opening up the workshop to the landscape of the plain. This untreated cedar will gradually turn a silvery gray as it ages.

 © Arnaud Schelstraete

阿诺德·谢尔斯特莱特(Arnod Schelstraete)

雄伟的，在树脂树林中形成的连锁光束的网格，把编织的阴影像巨大的花边一样投射到内殿的中心，把所有的空间连接和分布在一起，把所有的工艺、技能和诀窍结合在一起：从切割到缝纫，从抛光到原型，把手的智慧和手势的传递放在制造的核心。

Grandiose, with its grid of interlocking beams in resinous woods, projecting woven shadows like gigantic laces into the heart of the nave, the agora connects and distributes all the spaces, and brings all crafts, skills and know-how together : from cutting to sewing, from the polishing to prototyping, by placing the intelligence of the hands and the transmission of gestures at the heart of the manufacture. 

 © Arnaud Schelstraete

阿诺德·谢尔斯特莱特(Arnod Schelstraete)

建筑师们注意到并共谋制造豪华鞋所指的做法，他们用山毛榉而不是雪松包覆室内外墙，向用于制鞋和鞋树的木料眨眼。

Attentive to and complicit in the practices that the manufacture of luxury shoes implies, the architects have used beech rather than cedar for the cladding of the interior façades, in a wink to the wood utilized in the forms for making shoes and in shoe trees.

 © Arnaud Schelstraete

阿诺德·谢尔斯特莱特(Arnod Schelstraete)

Architects Barthélémy Griño Architectes

Location Ferrara, Province of Ferrara, Italy

Category Factory

Area 8700.0 m2

Project Year 2015

Photographs Arnaud Schelstraete