House m_p Fabrizio Foti architetto

2015-09-27 09:00

 © Peppe Maisto

佩佩·梅斯托

架构师提供的文本描述。这座房子位于一个缓坡的地形上，山顶朝南，其下游的边缘与格格不入的鲍利的橡树林分支相接。

Text description provided by the architects. The house is located in a terrain with a gentle slope, on top of a hill facing south, whose margins downstream meet the oak forest offshoots of the feud Bauly.

 © Peppe Maisto

佩佩·梅斯托

从这座房子被选定的地点，你可以看到四个要点：南到与诺托接壤的农业国帕拉佐洛·阿克里德(Palazzolo Acreide)；北边是市中心，还有伊布里高地，埃特纳山就是在那里加冕的；东边是Serravetrano高原；西边是茂密的橡树林。

From the site, which was chosen for the location of the house, you can look towards the four cardinal points: south to the agriculture country of Palazzolo Acreide, bordering Noto; north, towards the city center and to the Iblei’s highlands, where mount Etna is crowned; east towards the Serravetrano’s plateau; west, toward the Bauly’s thick oak forest.

 Master Plan

这座建筑由三个长方形的建筑组成，形成一个开阔的庭院，朝南向森林望去，北面还有一个小的私人花园。第一具尸体，入口，包括厨房和车库。厨房通过设有倾斜通道的柜台与客厅进行通信。

The building consists of three rectangular bodies arranged to form an open courtyard, looking south towards the forest, and a small private garden to the north. The first body, the entrance, contains the kitchen and the garage. The kitchen communicates with the living room through a counter equipped with a tilting passage.

 © Peppe Maisto

佩佩·梅斯托

第二个主体，整个建筑的中心，是起居室，一个双高的空间，俯瞰上层，两侧有一个画廊，有一个图书馆，一个书房和一个读书区。紧邻画廊的是一间客房，由一间浴室和一间通过敞开的窗户与客厅空间相连的办公室提供服务。客厅中的一个大烟囱，除了是住宅空间最具代表性的元素和特征外，也是供应和分配的枢纽要素。烟囱的身体，实际上，脱离了进入睡眠区，并通过楼梯，它确保与画廊和客房的上层连接。

The second body, central to the whole building, houses the living room, a double-height space, from which overlooks the upper level, a gallery on two sides, where there is a library and a study and reading area. Adjacent to the gallery, a guests room, served by a bathroom and an office room that communicates with the living room space through an open window. A large chimney in the living room, in addition to being the most representative element and characterization of the domestic space, is the hinge element of the provision and distribution. The body of the chimney, in fact, disengages the access to the sleeping area and, through the stairway, it ensures the connection with the upper level of the gallery and guests room.

 © Peppe Maisto

佩佩·梅斯托

第三个身体里有卧室和厕所。主卧室，引领着睡眠区的身体，向南朝森林望去，四周环绕着一个巨大的方形滑动门。

The third body contains the bedrooms and toilets. The master bedroom, leading the body of the sleeping area, looks south towards the forest, surrounded by a large square sliding door.

 Floor Plan

地下室、建筑物的主体和楼顶被设计成一个单一的单色有机体。地下室与地面高度相连，位于西侧，与房屋入口处相对应，通过一条长廊，而在南面，与庭院相对应，则显示出其厚度与面对花园之间的中介关系。

Basement, body and the head of the building are designed as a single monochromatic organism. The basement is connected with the ground altitude, on the westside, in correspondence of the house entrance, through a promenade, while to the south, in correspondence of the courtyard, shows its thickness in the mediation with facing garden.

 © Peppe Maisto

佩佩·梅斯托

 © Peppe Maisto

佩佩·梅斯托

一个大座位：房子的地下室在离花园高度45厘米的地方升起。庭院朝向花园的极限，就像一次大的静坐。法院分别位于东面和西面，与厨房外的广告相连，旁边紧邻着睡觉的区域。这两个身体的正面是对称和相似的形状，都有，作为床头板解决方案，在底部的边缘，提供地区的阴影和伴随的乡村景观。在西侧，与厨房前面的头部相对应的龙葵包括一棵棕榈树，它的长茎将叶子从建筑物的顶部拉出来。棕榈是一种与财产和伊布莱领土相异的蔬菜元素，它的存在标志着房屋及其居民的存在。从远处可以探测到的紧急情况。

A large seat: the basement of the house rises the court 45 cm from there garden height. The limit of the court toward the garden, is then, like a big sitting. The court is bounded on the east and west, respectively, from ad outside kitchen completed with a pergola and the wall adjoining the sleeping area. The front of the two bodies are symmetrical and similar in shape, both have, as headboard solution, on the edge of the base, the splays that provide areas of shade and accompanying views of the countryside. The pergola which corresponds to the head in front of the kitchen, on the west side, includes a palm, whose long stem brings out the foliage over the top of the building. The presence of the palm, vegetable element alien to the context of the property and the Iblei’s territory, marks the presence of the house and its inhabitants. An emergence detectable from distance.

 © Peppe Maisto

佩佩·梅斯托

 © Peppe Maisto

佩佩·梅斯托

客厅通过滑动门与南院和北方花园直接沟通。当窗户完全打开时，客厅的两侧都存在着内外不解的连续性，住宅空间的边界被投射到感知能力的极限。景观成为住宅的侧面景观，是住宅空间建设的一种造型和形而上学的事实。这座房子用橡树林和橄榄树林来展示伊布利亚战役的现实。

The living room communicates directly, through the sliding doors, with the south court and the north garden. When the windows are completely open, on both sides of the living room, there is non-solution continuity between inside and outside and the boundaries of domestic space are projected to the limit of perceptibility. The landscape becomes the side scene of the house, a plastic and metaphysical fact of the domestic space construction. The house stages the reality of the Iblea’s campaign with the oak forest and olive groves.

 © Peppe Maisto

佩佩·梅斯托

客厅容量的南面较高，与俯瞰客厅的阅览室相对应，其特点是有圆形的有机玻璃条穿过墙壁，在白天，走廊的黑暗中隐隐约约地反射光线。夜间，灯光条件发生逆转：室内照明被投射在庭院外，通过有机玻璃栏杆，从而使招股说明书成为繁星的天空。

The high southern front of the living room volume, which corresponds, inside, with the reading room overlooking the living room, is characterized by the presence of round Plexiglass bars that pierces the wall introjecting discreetly, during the day, the light in the darkness of the gallery. during the night, the lighting condition is reversed: the interior lighting is projected outside in the courtyard, through the Plexiglas bars, thus enlivening the prospectus as a starry sky.