© Leonardo Finotti

莱昂纳多·芬诺蒂

架构师提供的文本描述。在罗马神话中，爱吉是一个深海王国，淡水和海洋之神海王星在那里恢复了他的能量。这是一个什么东西都干扰他的地方，同时他也知道表面上发生的一切。

Text description provided by the architects. In the Roman mythology, Aigai was a kingdom of deep-sea, where Neptune, god of freshwater and the sea, restore his energies. It is a place where anything disturb him and at the same time he knows all what happens on the surface.

Acqua Spanadae或Salut per Aqua-至今仍不清楚SPA一词的词源来源。这是一个事实，有5.000年的历史，非常好地记录了我们与水的关系，在水生仪式，身体治疗或精神净化。这一历史与中东的历史有着不可分割的联系，自那时以来，在追求健康、平衡和放松的过程中，这是我们与自然关系的一个重要组成部分。

Acqua Spanadae or Salut Per Aqua – It still remain uncertain the etymological origin of the word SPA. It is a fact that there are 5.000-year history very well recorded about our relationship with water in aquatic rituals of body treatment or spiritual purification. This history is inseparably linked with that in Middle East, and since then is an important part of our relation with nature in the pursuit for health, balance and relaxation.

 Axonometric 2

（几何学上）轴测法的 2

水疗中心被设计成一个城市绿洲。冥想，宁静和放松的地方。这个地方的建设寻找一个不同的宇宙春天，不一定是相对于“外部宇宙”，而是为了寻求平衡和静止，通常忽略在我们日常居住的地方。

The Spa is designed as an urban oasis. A place of meditation, serenity and relaxation. The construction of this place looks for a different universe spring, not necessarily in opposition to the “exterior universe”, but in search for an equilibrium and stillness, usually disregarded in the places we inhabit day-to-day.

作为硬币，这面墙有两面。关闭的墙不仅仅是一道防御性的墙。如果一方面它可能看起来是对抗，它是有目的改善一个强烈和明确的意图与城市的关系。另一方面，它是一堵欢迎墙，是内部组织的墙，是从外部潜移默化的微妙之处。

As coins, there are two sides to this wall. Wall that closes is not only a defensive wall. If on the one hand it may seem confrontation, it is purposeful to improve a strong and clear intention of relation with the city. On the other hand, it is a welcoming wall, of internal organization, of imperceptible subtlety from outside.

它从地面稍微升高，利用城市法律规定的倒退，为集体和个人提供了一个过渡空间，考虑到原来720平方米地块的拐角条件。在混凝土的外观，细腻的纹理，作为一个中介的皮肤。它的框架宽瓷砖板和大型垂直花园。拐角处那堵绿色的大墙，把它包裹起来，伸展到地块的另一边。建筑面积为1.200平方米，分布在地下、上部空间和半地下层之间，其中车库和设施室被放置在其中。

Slightly raised from the ground, it takes advantage of the setting back imposed by the urban laws to provide a transition space between the collective and the individual, in view of the corner condition of the 720sqm original plot. The façade in concrete, finely textured, works as a mediating skin. It frames the wide ceramic tile panel and the large vertical garden. The large green wall round the corner, where it wraps and stretch to the other opposite side of the plot. The constructed surface area of 1.200sqm is distributed among the ground floor, the upper volume, and a semi-underground floor, where the garage and facilities rooms are placed.

 © Leonardo Finotti

莱昂纳多·芬诺蒂

水疗中心由一座人行桥进入，从花园开始-公共使用和接待-穿过一个反射池，并上升到大型瓷砖面板旁边的平台上。在对面的拐角处，有一扇玻璃门通往接待室，在那里，一个带有反射池的小型露天露台为房间提供了必要的光线。灯光使美丽戏剧化。风和雨进入绿洲，限定了生活的细微差别。建筑是一种通过人们可以感受到大自然的方式。

The Spa is accessed by a footbridge, which starts from the garden -of public use and reception-, cross a reflecting pool, and rises onto the platform developed beside the large ceramic tile panel. In the opposite corner, a glass door gives access to the reception room, where a small open-air patio with a reflecting pool covering all its extension, provides de necessary light to the room. Light dramatizes the beauty. Wind and rain enters the oasis and qualify the nuances of life. Architecture is a way through people could feel the nature.

巴勃罗·涅鲁达(PabloNeruda)写到了“天井是一个美妙的地方，地球和太阳在中午相遇”。何塞·路易斯·博尔赫斯也这么做：“天台，天空…频道露台是天空流进房子的斜坡“。使天井成为一个特殊位置的是几何比例的适当选择和它所设想的综合功能。

Pablo Neruda wrote about the poetics of the Patio “The patio is a wonderful place, where the Earth and the Sun meet at the midday”. José Luis Borges do it too: “Patio, channel of sky… The patio is the slope down which sky flows into the house”. What makes a patio a special place is the appropriate choice of is geometrical proportions and the integrating function for which it is conceived.

 © Leonardo Finotti

莱昂纳多·芬诺蒂

在主楼层，穿过顾客更衣室后，有内部灯光露台，舒适的等候和放松区，有花园和倒影池。在最大的庭院中，有一个大游泳池，一个宽的放松空间，保护和遮阳。总共有七个治疗室。其中六个在一楼，另一个在楼上(有单独的入口)，提供按摩和特殊浴室。

In the main floor, after crossing the customers changing rooms, there are the internal light patios, comfortable waiting and relaxation areas, with gardens and reflecting pools. In the largest of all the patios there is a big pool, a wide relaxing space, protected and shaded. In all, there are seven treatment rooms. Six of them in the ground floor and the other one in the upper floor (with separate entrance), where massages and special baths are offered.

 © Leonardo Finotti

莱昂纳多·芬诺蒂

同样重要的是治疗，与外部和大自然的关系是可能的，在爱盖是由12个设计的露台。有了倒映的水池和花园，任何庭院都像另一个。通常我们会原谅那种认为天空也是自然的感觉。在圣保罗这样的大都市里，大多数人与自然的关系可能是第一个也是唯一的关系。

Also important for the treatments, the relation with the exterior and the nature was possible in Aigai was made possible by the 12 designed patios. With reflecting pools and gardens, any patio is like another. Usually we forgive the perception that sky is also nature. In metropolises like São Paulo could be the first and only relation that most people have daily with nature.

 © Leonardo Finotti

莱昂纳多·芬诺蒂

Architects figueroa.arq

Location R. dos Macunis, 397 - Vila Madalena, São Paulo - SP, Brazil

Category Spa

Architect in Charge Mario Figueroa

Area 1200.0 sqm

Project Year 2014

Photographs Leonardo Finotti, Nelson Kon

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