La Casa di Andrea studio duearchitetti

2015-10-02 15:00

 © Simone Bossi

西蒙尼·博西

架构师提供的文本描述。我们第一次参观这所房子后，本能地画了一幅快速而合成的门廊草图。几乎是必需的。我们想抓住房子的精神。我们想立即找到我们项目的种子。

Text description provided by the architects. A quick and synthetic sketch of the entrance portico was instinctively drawn after our first visit to the house. Almost as a necessity. We wanted to catch the spirit of the house. We wanted immediately to find the germ of our project.

 © Simone Bossi

西蒙尼·博西

这套公寓位于18世纪晚期一座美丽的建筑的三楼/最后一层。细剂量的历史引用定义了外观。墙壁上覆盖着温暖的黄色。安德里亚陪着我们谈论房子。他带我们参观了不同的房间。他一个接一个地打开已经关了很久的百叶窗。柔和的冬季灯光展现了一个真实的，均匀的空间，分为有家庭尺寸的房间；许多漂亮的门，带有两个百叶窗和黄铜手柄，标志着从一个环境到另一个环境的过渡。高高的木制天花板正在激励着我们未来的规划解决方案。

The apartment is on the third / last floor of a beautiful late 18th century construction. Finely dosed historical references define the façade. A warm yellow color covers the walls. Andrea accompanies us while talking about the house. He shows us the various rooms. One by one he opens the shutters which have been closed for a long while. A gentle winter light reveals an authentic well-proportioned space, divided into rooms with domestic dimensions; a lot of beautiful doors, with two shutters and brass handles, mark the transition from one environment to another. Tall heights of the wooden ceilings are inspiring our future planning solutions.

 Floor Plan

该计划是由纵向和对角线轴，通过房间，继续在周围花园的绿色开敞。我们本能地理解，我们的项目必须通过区分现有环境来加强它。共同的路线必须是优雅。

The plan is governed by longitudinal and diagonal axes which pass to the rooms to continue beyond the openings in the greenery of the surrounding gardens. We understand instinctively that our project has to enhance the existing context by distinguishing it. The common line has to be elegance.

 © Simone Bossi

西蒙尼·博西

因此，混凝土地板的均匀性成为由阴影设计的图像以一种循环不同的方式运动的表面。它们在清晨很长，很有侵扰性，在中午左右被标记为短。它是一个连续的表面，伴随着我们在所有的环境中，对话以一种互补的方式与木制天花板。

The homogeneity of the concrete floor becomes therefore the surface where images designed by the shadows are moving in a cyclically different way. They are long and intrusive in the early hours of the morning and short and marked around noon. It is a continuous surface which accompanies us in all the environments dialoguing in a complementary way with the wooden ceiling.

 © Simone Bossi

西蒙尼·博西

除了阳台外，所有的窗户都很大，都是均匀地分布在房子的三面。在北方所有房间里，光线均匀而持续地进入，用蓝色给空气着色。另一方面，一个巨大的移动阴影的优雅温暖了房间的东部和南部。这是少数几所房子的特权。

The windows, large and all equal, except from the veranda, are distributed evenly on three sides of the house. The light enters uniformly and constantly in all the northern rooms coloring the air with blue. On the other hand the elegance of a large moving shadow warms up the rooms placed to the east and to the south. It is a privilege reserved for few houses.

 © Simone Bossi

西蒙尼·博西

榆树的柔软和垂直的纹理在入口处欢迎我们。我们会在图书馆和厨房再找到它。它是一种美丽而珍贵的材料，因为它的颜色，它的质地和它的年代，并为此混凝土增强了自然性。

The soft and vertical grain of the elm wood is welcoming us at the entrance. We will find it again in the library and in the kitchen. It is a beautiful and precious material for its color, its texture and its age and for which the concrete enhances the naturalness.