哈利利和帕普接受了不断改变办公室文化的跨学科交流，制定了一项与明确的职能顺序或安排无关的计划。这一概念意味着新的空间形式“与循环和活动的线性概念无关”。

Embracing the interdisciplinary exchanges that continually change office culture, Khalili and Pap have formulated a plan not tied to an explicit order or arrangement of functions. The concept suggests new spatial forms “untethered to linear conceptions of circulation and activity.”

 Circulation Diagram. Image Courtesy of Parsa Khalili

循环图帕萨·哈利利的形象礼貌

设计理念的基础是曲线化，这是建筑物流动空间和水晶形态的隐喻，这体现在地面、地台和塔楼的条纹区域，以及其中的部分。(鼓掌)

The design philosophy was based on curvilinearity, a metaphor of the building’s flowing spaces, and crystal formations, evidenced in the striated regions of ground, plinth, and tower, and the sections lying therein.  

桥墩的抬高在地面产生了各种各样的公共广场，并保持了釜山车站地区高度的步行性。会上仔细考虑了如何保持开放的观点和取用点。动脉连接汇合在地点的中心，创造了“桥墩底部和塔脚之间的景观和交换区”。

The raising of the plinth generates a variety of public plazas at ground level and preserves the highly pedestrian nature of the Busan Station area. Careful consideration was made to keep views and points of access open. Arterial connections converge at the center of the site, creating “a zone of spectacle and exchange between the base of the plinth and the foot of the tower.”

 Night View Rendering. Image Courtesy of Parsa Khalili

夜视渲染。帕萨·哈利利的形象礼貌

大楼梯通向梯田，增加公共空间，并提供各种以枢纽为基础和邻近的功能和便利设施，包括火车站的主干道。梯田是围绕着桥墩的内部空间组织起来的，其中包括一个大厅，它可以作为一个单一的内部，也可以被分割成更小的区域，以获得更大的特殊性。

The grand staircase leads to a progression of terraces, increasing public space and offering access to a variety of hub-based and adjacent functions and amenities, including the main concourse of the train station. The terraces are organized around the interior space of the plinth, which includes a great hall that can be used as a single interior or split into smaller areas for greater specificity.

 Canyon Rendering. Image Courtesy of Parsa Khalili

峡谷渲染。帕萨·哈利利的形象礼貌

塔内有一堆开放式办公室，与多个双高中庭截然不同，旨在激发创意交流和促进公共空间。这座建筑物的高度使人们可以看到北港和周围城市的景色。

The tower contains a stack of open plan offices, made distinct with multiple double-height atria intended to inspire creative exchanges and promote public space. The building’s height allows for views across the North Port and of the surrounding city.

 Interior Rendering. Image Courtesy of Parsa Khalili

内部渲染帕萨·哈利利的形象礼貌

作为釜山国际建筑文化节的一部分，10月8日星期四宣布了比赛的获奖者。获奖作品的完整列表可在这里查阅。

Winners of the competition were announced Thursday, October 8, as part of the Busan International Architectural Culture Festival. The full list of winning entries is available here.

建筑师Parsa Khalili，ATELIERPAP位置釜山站建筑师，负责Bence Pap客户釜山都市区，大韩民国2015年面积0.0平方米项目

Architects Parsa Khalili, ATELIERPAP Location Busan Station Architect in Charge Bence Pap Client Busan Metropolitan City, Republic of Korea Area 0.0 sqm Project Year 2015