架构师提供的文本描述。这座房子位于门多萨市以南的乌科山谷的葡萄园房地产项目中。它是为一个打算在那里度过丰收季节的厄瓜多尔家庭设计的。在同一地点，也有一个葡萄园，有不同的品种，将生产葡萄酒陈年在房子的酒窖。

Text description provided by the architects. The house is located in real-estate project of vineyards in the Uco’s Valley, south of the city of Mendoza. It was designed for an Ecuadorian family who plans to spend the harvest season there. At the same site there is also a vineyard with different strains that will produce wine to be aged in the House´s wine cellar.

 Courtesy of A4estudio

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这是一个传统的节目：一个很大的空间，包括客厅，餐厅，厨房和面向西方的画廊。三间套房卧室、阅读区、酒窖、车库和服务区。

It is a traditional program: a large space with living, dining room, the kitchen and the gallery facing west. Three suite bedrooms, reading areas, wine cellar, garage and service areas.

 Courtesy of A4estudio

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 Floor Plan

 Courtesy of A4estudio

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第一是思考建筑在这样的景观中的意义，我们想到的是安第斯山脉之前的广阔疆域。它是一个从远处可以看到建筑物作为葡萄园景观元素的地方。我们试着对这种状况敏感，想出一个能抵抗人类感知、亲近和触觉的项目，以及与风景相关的、遥远而模糊的感觉。我们想到了一个能理解这两个尺度的元素，它的形状可以成为景观的一部分。

The first was to reflect on the meaning of architecture in such landscapes, we are thinking about the vast territory preceding the Andes Mountains. It is a place where buildings can be seen from the distance as landscape elements over the vineyard. We try to be sensitive to this condition and think of a project that can resist the human perception, close and haptic; and the perception related to the landscape, distant and blurred. We thought of an element that understands these two scales, where its shape can be part of the landscape.

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第二种是考虑就近的位置。葡萄园的作物在夏季几乎达到2.50米高，遮住了近距离的视野。这项工作的目的是确定房屋的立足点：一个混凝土平台，它是土壤的一部分，与其材料性质相同；在这个平台上涂上一片生锈的混凝土，保持同样的矿物状态。

The second was to think of the placing, in relation to proximity. The vineyards crops reach almost 2.50m high in summer blocking close views. The operation was to define a base where the house stands: a concrete podium which is part of the soil, sharing its material nature; and a concrete piece rusted steel coated over this podium, that keeps the same mineral condition.

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与地面接触的第一层是盲目的，有约束的，有控制的自然光。它建立入口，包含酒窖和服务区。在这层地面上，有一个挖出的混凝土实体，一个棱镜，五个棱镜，是房子的开口：四个大的水平洞口，指向每个基点。它们每一个都是根据它所观察到的景观部分来设计和校准的，然后在房子的中心有一个垂直的开口，一个从地面穿过房子的露台，连接地面和天空。

The first layer in contact with the ground is blind, restrained, with controlled natural light. It builds the access, contains the wine cellar and service areas. On top of this ground layer stands an excavated concrete solid, a prism with five that are the openings of the house: four large horizontal openings oriented to each cardinal point. Each of them is designed and calibrated regarding the portion of landscape it looks at; and then a vertical opening in the center of the house, a patio that throughs the house from the ground, connecting ground and sky.

这个项目是从这些深的洞口组织的，露台是经验的枢纽，混凝土基础是房屋必要的外部扩展区域。

The program is organized from these deep openings, the patio being the pivot of the experience, and the concrete base as the necessary expansion exterior area of the house.

 Courtesy of A4estudio

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由于乌科山谷的天气极端：温度范围宽，夜晚凉爽，白天阳光明媚，所以房子从枢轴旋转了45度，以尽量减少过度阳光的影响，尤其是在西部。确定常见的生锈金属涂层也是需要隔离房屋以确保适当的气候行为的结果。

Because the weather in the Uco’s Valley is extreme: wide temperature range, cool nights and sunny days, the house was rotated 45 degrees from the cardinal axes to minimize the impact of excessive sunlight, especially west. Defining the common rusty metal coating is also a consequence of the need to isolate the house to ensure appropriate climatic behavior. 

地下室的混凝土模板是用6英寸松木制成的，与上面精致的钢模板混凝土和涂有月桂木的大开口形成了对比。

The basement’s concrete formwork is made of 6-inch pine timber, contrasting the upper’s subtle steel formwork concrete and the large openings coated in laurel wood.

 Courtesy of A4estudio

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Architects A4estudio

Location Tunuyán, Argentina

Category Houses

Architect in Charge Juan Manuel Filice, Leonardo Codina Architects

Area 510.0 sqm