架构师提供的文本描述。这座26层楼高的综合体位于苏联时代著名的演员疗养胜地的领土上，占据了地块的上层梯田。

Text description provided by the architects. The twenty-six storey complex is situated on the territory of the famous in Soviet times Actor health resort, occupying the upper terrace of the plot.

 © SPEECH architectural office

演讲建筑办公室

浮雕的急剧下降直接影响了它的建筑和构图设计：建筑物的布局就像一个拉长的落差，就像“从斜坡上流下来”一样。它的活力被建筑群的轮廓所放大：它逐渐向大海倾斜，因此演员银河在每一层都会降低，在城市的天际线上创造出一条壮观的弧线。

The sharp drop in relief directly affected its architectural and compositional design: the layout of the building resembles an elongated drop, as if "flowing down" the slope. Its dynamism is amplified by the complex’s silhouette: it tapers towards the sea, so that Actor Galaxy lowers with each floor, creating a spectacular arc in the city’s skyline.

 © Alexey Naroditskiy

亚历克西·纳罗迪斯基

雕塑的体积是突出的梯田障碍沿侧面运行，作者塑造了一个起伏的形式。有趣的是，这种“波浪”从一层又一层地移动，使表面“活跃”，就像在温暖的海风中荡漾。

The sculptural volume is emphasized by the terrace barriers running along the side facades, which the authors shaped in an undulating form. Interestingly, this "wave" is shifted from floor to floor, making the surface "active" and as though rippling from the warm sea breeze.

 Ground Floor Plan

度假胜地的主题被复杂的白色所强化-凭借动感的形式和尖尖的“鼻子”，雪白的体积在索契的全景中明显突出，就像一艘即将驶向大海的游轮。

The resort theme is reinforced by the white color of the complex – by virtue of the dynamic form and the pointed "nose," the snow-white volume distinctly stands out in the panorama of Sochi, resembling a cruise ship which is about to go out into the open sea.

 © Alexey Naroditskiy

亚历克西·纳罗迪斯基

该综合体的内部布局是围绕着两个中庭展开的。较大的一个位于“滴”的内部-它有一个复杂的，角形的形状，覆盖着半透明的超耐用薄膜(顺便说一下，这种创新材料首次在俄罗斯的住宅设施中使用)，而较小的中庭有一个三角形的形状，位于“船”的船头。

The internal layout of the complex is developed around two atriums. The larger one is located in the interior of the "drop" – it has a sophisticated, angular shape and is covered with ETFE, a translucent ultra-durable film (by the way, this innovative material has been used in a residential facility for the first time in Russia), and the smaller atrium has a triangular configuration and is located in the bow of the "ship."

 © Alexey Naroditskiy

亚历克西·纳罗迪斯基

由于浮雕的下降，中庭处于不同的层次：较大的中庭被视为全景电梯所在的综合体的主要公共空间，未来这一空间将容纳商店、咖啡馆和艺术品，而它的“弟弟”实际上只是一个入口大厅，为居住者提供一个独立的入口，供有较大公寓的住户使用。

Due to the drop in relief, the atriums are on different levels: the larger one is treated as the main public space of the complex where the panoramic elevators are located, and in the future this space will house shops, cafes, and art objects, while its "younger brother" is actually just an entry hall providing a separate entrance to the building for occupants with the larger apartments.

建筑群公共空间的室内设计也以白色为主。的确，在大的中庭里，不仅墙壁和走廊的屏障，而且支撑着半透明天花板的薄金属桁架都是白色的。白天，这个空间作为一个背景，不断变化的光和阴影的发挥，在晚上，它被照亮在不同的水平。

The interior design of the complex’s public spaces is also dominated by the color white. Indeed in the large atrium not only the walls and gallery barriers but also the thin metal trusses supporting the translucent ceiling are all in white. During the day this space serves as a backdrop for the ever-changing play of light and shadows, and in the evening it is illuminated at different levels.

 © Alexey Naroditskiy

亚历克西·纳罗迪斯基