Fortress of Backyards Supersterz + .tmp architekten

2015-10-22 11:00

 © Krischner & Oberhofer

© Krischne

架构师提供的文本描述。当代艺术和文化节‘Steirischer Herbst’是一个游牧民节，每年在奥地利格拉茨市的一个不同的空缺地点定居。2014年，它占领了巴洛克宫，当时主要用作警察总部，附近有一个移民拘留中心。

Text description provided by the architects. The contemporary art and culture festival ‘steirischer herbst’ is a nomad festival, settling each year in a different vacant location in the city of Graz, Austria. In 2014, it occupied a baroque palais, at the time mainly used as police headquarter with an adjacent Migration Detention Center.

 © Krischner & Oberhofer

© Krischne

Supersterz.tmp Architekten的介入强化了艺术节的主题-‘我不喜欢.分享：它装备了节日中心的第二个闪亮的正面，折叠从街道通过一条通道，围栏自己的后院在庭院的街区。这一近乎与世隔绝的姿态同时也是一种寻路系统，吸引人们并将他们吸引到这个空间中来-从而产生了一种矛盾心理，反映了这个负担沉重的警察总部与作为积极节日中心的人们之间的矛盾。

The intervention introduced by Supersterz + .tmp architekten amplifies the leitmotif of the festival – ‘I prefer not to... share’: It equips the festival center with a shiny second facade, folding from the street through a passage, fencing its own backyard in the courtyard of the block. This bordering, isolating gesture is at the same time a wayfinding system, attracting people and drawing them into the space – thus creating an ambivalence that reflects the contradiction of this burdened police headquarter with the use as a positive festival center.

后院的本质常常是一种安慰-小资产阶级的藏身之所，自由主义者的最后手段，修补者的舞台，允许不受干扰的个人仪式和习惯的做法。知识、工具和参与只与志同道合的人分享，而不是更多的公众分享.

The nature of a backyard is very often a comforting one - the hideout of the petty bourgeois, the last resort of libertines, arena for tinkerers, allowing for the undisturbed practice of personal rituals and habits. Knowledge, tools and engagement are shared only with like-minded people, not a larger public.

 © Krischner & Oberhofer

© Krischne

类似的事情似乎发生在节日中心的后院：开放空间，邀请来自不同后院社区的几个主角开始一个非正式的实验，把秘密和非正式的人浪漫化：一个有着自己的规则和规则的地方。瓦楞纸金属后面的车库，再加上从棚屋或仓库找到的物品，在有意设计和现成的垃圾之间画出一个倾斜的图像。

Similar things seem to happen in the backyard of the festival center: Opening the space and inviting several protagonists from different backyard communities starts an experiment of informality, romanticizing the clandestine and the informal: A place with its own codes and rules evolves. Garages behind corrugated metal, combined with found objects from sheds or storage yards, paint a tilted image between intentional design and trashy ready-made.

 © Krischner & Oberhofer

© Krischne

在室内空间方面，后院的回忆被带入巴洛克式的宫殿：从棚屋或汽车上可以知道的材料和建筑方法，以及奇形怪状的白色单色椅子，作为临时酒吧、咖啡馆和舞池的家具。

For the interior spaces, reminiscences of the backyard are brought into the baroque palais: Materials and construction methods known from sheds or carports and odd white monobloc chairs work as furniture for the temporary bar, café and dance floor.

 © Krischner & Oberhofer

© Krischne

在这个节日的背景下，游客和后院主角之间的界限变得模糊，创造了繁忙的互动，并允许轻松的娱乐。然而，警察总部的存在却成为一个潜在的提醒：这个被认为是专属天堂的地方是完全不同的：一个被建造的现实，一个后院的堡垒。

In this setting of the festival, the borders between visitors and backyard protagonists get blurred, creating busy interaction and allowing for unburdened amusement. The presence of the police headquarters however becomes a latent reminder that this assumed exclusive paradise is something completely different: A constructed reality, a fortress of backyards.