House of Dior Seoul Christian de Portzamparc
2015-10-25 19:00
GFRP Fa ade Development DPJ
GFRP Façade Development DPJ & Partners, Architecture Design Base Structural Engineer CS Structural Engineering GFRP Façade Quality Control Bureau Veritas Lighting Designer L’Observatoire International Main Contractor Kolon Global Corporation GFRP Façade Sub-contractor Design Base Metal Façade & Curtain Wall Sub-contractor Iljin Unisco Manufacturers Loading... More Specs Less Specs
© Nicolás Borel
c.Nicolás Borel
架构师提供的文本描述。我希望这栋建筑能代表迪奥,反映克里斯汀·迪奥的作品。所以我想要表面流动,就像裁缝机柔软的,机织的白色棉布。这些表面飞向天空,像在运动中一样起伏,由几条线交叉而成,是由长模制的玻璃纤维壳制成的,与飞机的精密装配在一起。
Text description provided by the architects. I wanted the building to represent Dior and to reflect Christian Dior’s work. So I wanted the surfaces to flow, like the couturier’s soft, woven white cotton fabric. These surfaces, which soar into the sky and undulate as if in motion, crossed by a few lines, are made from long moulded fiber glass shells, fitted together with aircraft precision.
© Nicolás Borel
c.Nicolás Borel
© Nicolás Borel
c.Nicolás Borel
在首尔,四边形的建筑与大道保持一致,所有的建筑都被国际知名时装品牌占据,这座建筑显得格外突出,像是对迪奥(Dior)的大型雕塑式的致敬,邀请每个人走进去。
In Seoul, where the quadrangular buildings align with the avenue, and which are all occupied by leading international fashion labels, the building stands out like a large sculptural tribute to Dior, inviting everyone to step inside.
© Christian de Portzamparc
克里斯蒂安·德波赞帕尔c
入口处是一种现代柳叶刀拱门,两个金属网面相交,与服装的比喻一致。一旦进入,客户做出一连串的发现-这是一个典型的内部设计彼得马里诺。
The entrance, where two shells come together, is a sort of modern lancet arch, in which two metal mesh surfaces cross in line with the clothing metaphor. Once inside, the customer makes a succession of discoveries – a feature typical of the interiors designed by Peter Marino.
鲍赞巴克
Christian de Portzamparc
© Nicolás Borel
c.Nicolás Borel
Architects Christian de Portzamparc
Location 464 Apgujeong-ro, Gangnam-gu, Seoul, South Korea
Category Store
Local Architect / Project Manager DPJ & Partners, Architecture
Area 4408.0 m2
Project Year 2015
Photographs Nicolás Borel, Christian de Portzamparc
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