© Tamas Bujnovszky

(Tamas Bujnovszky)

架构师提供的文本描述。Szentkút朝圣者中心位于匈牙利东北部地区马特拉山附近的Mátraverebély村。由于附近泉水的圣水，朝圣者已经参观了近900年。许多人对水的神奇力量深信不疑。在第十八章。一座巴洛克教堂和修道院建在温泉附近。

Text description provided by the architects. The Szentkút Pilgrim Center is located in the North-East region of Hungary, in the Matra-mountains, near Mátraverebély village. The place has been visited by pilgrims for almost 900 years because of the sacred water of the nearby springs. Many beleives in the miracle power of the water. In the XVIII. century a Baroque church and monastery was built near the springs.

 © Tamas Bujnovszky

(Tamas Bujnovszky)

 Floor Plan

 Courtesy of Tamas Nagy

1930年前后增加了一座室外祭坛和礼拜场所，以及一座朝圣者宿舍。七年前，方济各会(Franciscan Order)决定开发这座建筑群，翻新历史地标建筑，并为游客建造新的建筑/每年约200.000座。建筑综合体包含七个元素。

An outdoor altar and worship place was added around 1930, plus a dormitory building for pilgrims. Seven years ago the Franciscan Order – who is running the place now – decided to develop the complex, renovate the historical landmark buildings and build new ones for visitors /approximatelly 200.000 per year/. The building complex contains seven elements.

 © Tamas Bujnovszky

(Tamas Bujnovszky)

第一个是翻修过的巴洛克教堂和修道院。教堂由十九年代末加入的元素打扫。世纪，新的地板路面，长凳和新的LED照明被安装。早XX。世纪祭坛被永恒的、简单的石头祭坛所取代。修道院进行了更激进的干预：更换所有的门窗、屋顶结构、内外铺路，为僧侣的牢房增加浴室。一个新的庭院是为僧侣设计和建造的，它遵循古老的修道院花园的模式：它被一条有盖的开放的走廊包围着。整个结构是由混凝土和木材组成的。

The first is the renovated Baroque church and the Monastery. The church was cleaned by elements added in the late XIX. century, new floor pavings, benches and new led lighting were installed. Early XX. century altars were replaced by timeless, simple stone altars. The Monastery went through a more radical intervention: replacing all the doors and windows, roof structure, paving both inside and outside, adding bathrooms to the cells of the monks. A new courtyard was designed and built for the monks, it follows the ancient pattern of cloister gardens: it is surrounded by a covered-open corridor. The whole structure is made of concrete and wood.

 Floor Plan

第二个项目元素包括重建露天礼拜场所，包括新的石头路面，新的长凳，新的石头祭坛和新的照明。支撑山坡的高高的石墙被加固，一家商店建在支柱后面，出售宗教纪念品。所有的楼梯、栏杆、桥梁都进行了重新设计和重建。新的马赛克是由一位耶稣会僧侣艺术家MarkoRupnik在室外祭坛上制作的。

The second project element contains the reconstruction of the open-air liturgical place with new stone pavings, new benches, new stone altars and new lightings. The high stone walls supporting the hillside was strengthen, a shop was built behind the buttress, selling religious souvenirs. All the stairs, balustrades, bridges were redesigned and rebuilt. New mosaic was made above the outdoor altar by a Jesuit monk artist, Marko Rupnik.

 Courtesy of Tamas Nagy

塔马斯·纳吉(Tamas Nagy)

第三个因素是在三十年代建造的朝圣者的房子的全部重建。酒店配有25间带浴室的双人房，外加一家带有大型露台的餐厅。与修道院毗邻的是一座新图书馆，位于二楼，供僧侣使用。这座大楼的所有门窗也都被更换了。通过滑动阴影系统，可以创建新的外观。

The third element was the total reconstruction of the pilgrim’s house built in the thirties. It contains 25 double rooms with bathrooms, plus a restaurant with a large terrace. Adjacent to the monastery, a new library is located ont he second floor for the monks. All the doors and windows were replaced in this building too. With a sliding shading system a new facade could be created.

 © Tamas Bujnovszky

(Tamas Bujnovszky)

第四，第五和第六工程要素形成了一个近300米长的机翼在周围的山脚下。这是一座绿色屋顶建筑，内有一个供游客使用的大型厕所大楼、一个可容纳200人的多用途房间和三个供朝圣者使用的宿舍。在这些建筑物中，房间是为8-14人设计的。所有的建筑物都被一条开放的走廊包围着，用一个长长的遮阳木结构包裹着。

The fourth, fifth and sixth project elements form an almost 300 m long wing in the foot of the surrounding mountain. It is a green roof building containing a large toilet complex for the visitors, a multipurpose room for 200 people and three dormitory buildings for pilgrims. In these buildings the rooms were designed for 8-14 persons. All the buildings are surrounded by an open-covered corridor, wrapped by a long shading wooden structure.

 Courtesy of Tamas Nagy

塔马斯·纳吉(Tamas Nagy)

 Floor Plan

 Courtesy of Tamas Nagy

塔马斯·纳吉(Tamas Nagy)

第七个项目是接待楼。

The seventh project element is the Reception Building.

它的位置在建筑群的入口，在神圣和亵渎区的边界。它的灵感来自于这个独特的位置。圣晶圆是由比萨饼大小，薄片由面粉和水制成.除去不同尺寸的晶片后，会留下一个穿孔板，通常被认为是废料。接待室的设计是从这个穿孔盘的改造中得到的-象征着基督的缺乏。这座建筑坐落在一个倾斜的场地上：当弯曲的接收侧围绕着一个半圆形的到达广场时，该建筑的穿孔“空气侧”正在离开地面，由不同长度和直径的柱支撑，这是承载规则所要求的。到达一侧有一个可以达到以下功能的拱廊：厕所、宗教纪念品商店、艺术画廊和有会议室的信息中心。

It is positioned at the entrance of the complex, at the border of the sacred and profane zone. Its inspiration comes from this unique position. Sacred wafer is made of a pizza-size, thin disc made of flour and water. After removing the wafers of different sizes, a perforated plate remains, which is usually considered waste material. The plan of the Reception Building is gained from the transformation of this perforated disc – symbolising the lack of Christ. The building is sitting on a sloping site: while the curving reception side surrounds a semi-circular arrival square, the perforated „air-side” of the building is leaving ground, supported by columns with different length and diameter as loadbearing rules demanded. The arrival side is bounded by an arcade from which the following functions can be reached: toilets, a religious souvenir shop, an art gallery and an information center with a conference room.

 Courtesy of Tamas Nagy

塔马斯·纳吉(Tamas Nagy)

所有的步行街都铺满了灰色的石头，树木被弯曲的石凳包围着。采用高压喷射法对露天木结构进行处理.

All the pedestrian areas are covered with gray stone paving, the trees are surrounded by curved stone benches. The open-air wood structures are treated with high pressure injection. 

 Courtesy of Tamas Nagy

塔马斯·纳吉(Tamas Nagy)

Architects Tamas Nagy

Location Mátraverebély, Szentkút, 3077 Hungary

Category Cultural Center

Area 15523.0 sqm

Project Year 2015

Photographs Tamas Bujnovszky