© Parham Taghioff

.Parham Taghioff

架构师提供的文本描述。Valiahdi商业综合体位于卡拉季最繁忙地区的中心地带，位于一条车辆-行人大道上。考虑到该地区行人数量大，设计团队必须建立一个多维立面，从不同角度尊重观察者，并在建筑物和城市之间建立密切联系。

Text description provided by the architects. At the heart of one of the busiest zones of Karaj, Valiahdi Commercial Complex is located in a vehicular-pedestrian boulevard. Taking into account the high volume of pedestrians in the area, it was important for the design team to create a multidimensional facade which respects the observer from various angles and creates an intimate connection between the building and the city.

 © Deed Studio

C.Deed Studio

在现有的街道网络和城市环境的启发下，创建了一个几何网格，并对其进行了修改，以优化视角。这个几何图形在顶部和底部逐渐从负值变为正卷，在这些部分产生了两个主要的空隙。然后，这些空隙形成了主入口和顶上两层的阳台。新的几何进一步发展，以创造一个重复的模块，定义了外部外观和内部空间。这些模块还起到隔膜的作用，控制南方的阳光照射。

Inspired by the existing street network and urban context, a geometrical grid was created which was later modified to optimize the viewing angles. This geometry gradually transforms from negative to positive volumes at the top and bottom, creating two major voids at these sections. These voids then form the main entrance and the balconies on the top two floors. The new geometry was further developed to create a repetitive module defining both the exterior façade and the interior spaces. These modules also act as diaphragms, controlling south sunlight exposure.

 © Babak Toosipour

巴巴克·图西穆尔

立面上的多维度性也在建筑物、城市和观察者之间创造了动态的视觉联系，因此观察者的感知在走向或反对建筑物时发生变化。这种感觉也受到阳光变化的影响，在白天的正面形成一个动态的光和阴影图案。

Multidimensionality on the façade also creates a dynamic visual connection between the building, the city, and the observer, so that the perception of the observer varies while moving toward or against the building. This perception is also affected by the sunlight variations, resulting in a dynamic light and shadow pattern on the façade during the day.

在传统波斯建筑奥罗西的启发下，彩色玻璃被用来进一步发展动态存在光和阴影的思想，并提高室内气氛的质量。此外，该技术还通过捕捉大部分产生的热量，帮助控制了南侧过度曝晒所产生的热量。在两个玻璃层的内面使用了玻璃污渍，使该系统具有很高的耐久性，不受外界影响。

Inspired by Orosi from the traditional Persian architecture, stained glass was used to further develop the idea of the dynamic presence of light and shadow and to enhance the quality of the interior atmosphere. Moreover, this technique helped to control the heat generated by the excessive sun exposure on the south side by catching most of the generated heat. Vitray stains were used on the inner side of the two glazing layers making the system highly durable against external influences.

 © Babak Toosipour

巴巴克·图西穆尔

传统波斯建筑的两种象征色彩是砖和绿松石。喀什的古集市就是一个很好的例子，从低地的砖(代表地球)逐渐过渡到穹顶上的绿松石(代表天空)。在这个项目中，两种颜色之间的变化是根据外观的波动而确定的。凹面段的砖色浓度较高，凸面段的绿松石色浓度较高。

The two symbolic colours in the Traditional Persian Architecture are brick and turquoise. The ancient bazaar in Kashan is a great example where there is a gradual shift from brick in lower parts (representing earth) to turquoise up at the dome (representing sky). In this project the shift between the two colours was established based on the fluctuations on the façade. There is a more concentration of the brick colour at the concave sections whereas a more concentration of the turquoise colour at the convex sections.

 © Pooyeh Nouryan

(Pooyeh Nouryan)

在一些内部表面，透明和半透明玻璃是使用平行于外墙玻璃。这使得大多数的中间空间在白天有自然的照明.

In some parts of the interior surfaces transparent and semi-transparent glasses were used parallel to the façade glazing. This allows most of the mid-spaces to have natural lighting during daytime.

Architects Hooba Design Group

Location Karaj, Alborz, Iran

Category Office Buildings

Architect in Charge Hooman Balazadeh

Design Team Meisam Ehsanian- Mohsen Tahmasebi- Parima Jahangard

Managers Niusha Mirzayi, Bahram Afsari

Area 5500.0 sqm

Photographs Parham Taghioff, Pooyeh Nouryan, Babak Toosipour, Abbas Havashemi, Deed Studio