© Sergio Grazia

塞尔吉奥·格拉齐亚

架构师提供的文本描述。这个项目包括建造两个200个座位的讲堂和教学空间，这是一个成功改造城市街区法院的机会。它展示了一个使用者、居民、游客或过客适当的城市场所，满足了功能感和美感之间的一致性和简洁性的要求。这座城市法院位于第16区凡尔赛大道143号，隶属于巴黎笛卡尔大学(University Paris Descartes)，它被视为一个拥挤的空间，它是由占据整个法院的停车场地面上的建筑物和神殿堆积而成的。它的转变所面临的挑战在于能否将它变成一个理想的功能空间。

Text description provided by the architects. This project which includes the construction of two 200-seats lecture halls and teaching spaces, was an opportunity to realize a successful transformation of a city block court. It reveals an urban place which users, residents, visitors or passers appropriate; and meets the requirements of coherence and simplicity, between functional and aesthetic sense. The urban court, addressed the 143, avenue de Versailles in the 16th district and belonging to the University Paris Descartes, was seen as a crowded space, resulting from an accumulation of buildings and shrines on top of a parking floor occupying the whole court. The challenge of its transformation lay in the ability to turn it into a functional desirable space.

 © Sergio Grazia

塞尔吉奥·格拉齐亚

新建筑的紧凑和极简定义，其设计的简单性，完成水平和材料的选择，旨在加强自己的身份，在巴黎人大厦的中心，一个形象让人联想到车间-谷仓。这种结构反映在最大限度的优化上，对结构、监管和经济方面的限制作出了反应。

The compact and minimalist definition of the new building, the simplicity of its design, the level of finish and the choice of materials, aim to strengthen the own identity in the heart of Parisian block, with an image reminiscent of workshop-barns. The architecture, reflected by maximum optimization, responds to structural, regulatory and economic constraints.

 © Sergio Grazia

塞尔吉奥·格拉齐亚

为了尽量减少现有泊车位对基础设施的影响，我们必须稍为增加车流量。采用金属标准元素的施工系统，允许跨越大跨度和上层建筑的一些壮举。在南面，圆形剧场的顶部是悬挑在底层的空间，这为教室和办公室提供了免费的空间。

To minimize the impact on the infrastructure of the existing parking, we had to make a slight elevation in volume. The construction system with metal standardized elements, allows the crossing large spans and some feats of the superstructure. To the south, the top of the amphitheater is cantilevered over the ground floor spaces, which gives free spaces for classrooms and offices.

 Floor Plan

为了控制运营和具体设施的成本，同时也要遵循工地所施加的限制条件，我们将公共场所分成一层，让他们进入并步行-所有这些都是向公众开放的。相反，所有的技术安装室都设在顶部，在屋顶下，使公众看不到和无法进入。这种分配释放了宝贵的空间，在底层，使其透明和连续的甲板。

In order to control the costs of the operation and specific facilities, but also to go the way of the constraints imposed by the site, we made accessible and walk-all open to the public areas by grouping them into ground floor. Conversely, all the technical installations rooms are housed at the top, under the roof and made invisible and inaccessible to the public. This distribution frees up precious space on the ground floor, to make it transparent and continuous with the deck.

 © Sergio Grazia

塞尔吉奥·格拉齐亚

虽然环境的发展最初是在项目之外进行的，但我们设法通过提出统一的木材处理来整合项目预算，目的是将房间的内部空间扩展到法院，使之成为一种生活和欢乐的空间。

Although the development of the surroundings was initially outside the program, we managed to integrate the project budget by proposing uniform treatment of wood, which aims to extend the interior space of the rooms to the court which becomes a space of life and conviviality.

在圆形剧场的设计中，我们寻求最优的布局，更紧凑的平面和海拔。每个竞技场由八层高九排组成。从屏幕上的房间后面的距离显着减少，受益于更好的能见度和约14.5米的投影距离。台阶的宽度为0.90m，每个座椅的宽度为0.56m。第一排距离桌子5.0米，残疾人在房间下部的轴线上占据五个座位。能见度的水平和垂直角度受到尊重。内围护结构、微穿孔钢盘和穿孔木板的选择和定位，保证了声学的舒适性。

In the design of amphitheaters we sought optimal layout, more compact in plan and elevation. Each amphitheater consists of eight tiers high and nine rows. The distance from the back of the room on the screen is significantly reduced, benefit from better visibility and a distance of about 14.5m projection. The width of the steps is 0.90m and each seat has a width of 0 .56m. The first row is 5.0m from the table, the disabled occupy five seats in the axis of the lower part of the room. The horizontal and vertical angles of visibility are respected. The acoustic comfort is ensured by the choice and positioning of the inner envelopes, micro perforated steel tray and perforated wooden panels.

 © Sergio Grazia

塞尔吉奥·格拉齐亚

所有礼堂的围护结构均由钢制托盘元件制成，增强透气保温，热幅比低，相移不少于12小时。采暖、通风和冷却圆形剧场由独立的单元热泵式空气/空气提供。这些热力系统包括一个用于更新和空气处理的舱室、一个用于从废气中回收能源的抽提室和一个技术舱分组和制冷部件调节机构。

All auditoriums envelope is made of steel tray elements with reinforced breathable thermal insulation having a low thermal amplitude ratio and ensuring a phase shift of not less than twelve hours. Heating, ventilation and cooling amphitheaters are provided by independent units heat pumps type air / air. These thermodynamic systems consist of a compartment for renewal and air treatment, an extraction compartment for energy recovery from exhaust air and a technical compartment grouping and refrigeration components regulatory bodies.

 © Sergio Grazia

塞尔吉奥·格拉齐亚

该高效换热器，允许第一次热回收的暖气.这些热量是在新鲜空气中传递的。然后通过热泵的运行来完成回收。在夏季，制冷循环发生逆转。这种系统的优点是，与一组制冷产品相关的传统加热解决方案相比，它们产生了能源性能。

The high-efficiency heat exchanger, allows a first heat recovery the warm extract air. These calories are transferred fresh air side. Recovery is then completed by the operation of the heat pump. In summer, the refrigeration cycle is reversed. The advantage of such systems is that they generate the energy performance compared with a traditional heating solution associated with a group of refrigeration production.

 © Sergio Grazia

塞尔吉奥·格拉齐亚

Architects AZC

Location 143 Avenue de Versailles, 75016 Paris, France

Category University

Design Team Cyril BERTHELET, Fabien BARGUE, Bertrand SUVELIER

Partners Batiserf, Louis Choulet, Bureau Michel Forgue, VS-A, Batiss, Altia

Area 906.0 sqm

Project Year 2014

Photographs Sergio Grazia