架构师提供的文本描述。德黑兰就像一面镜子，让那些声称自己已经忘记了很多年的城市的人们知道，这是一种被称为“质量”的含义，这种质量可以被置于进化概念的类型中，这种概念可以通过建筑物及其用户在那段时间的交流来评估。

Text description provided by the architects. Tehran acts as a mirror to people who claim the city about something that they had forgotten for many years, that is an implication called quality, The quality could be placed in the genre of evolutionary concepts which could be evaluated by the communication of the building and it’s users during the time.

建筑有两个相互关联的空间属性，分别界定了建筑的内部和外部，在这两个方面之间形成有意义的关系是建筑责任的一部分。室内空间中总会有一些部分受到外部的影响，这两者共同构成了城市空间，我们体验到了这一点。

There are two interrelated spatial qualities, defining each building, Interior and Exterior and it is a part of architecture’s responsibilities to form a meaningful relationship between these two aspects. There are always some parts of the interior spaces which are influenced by the exterior and these two together form the urban spaces, we experience.

 © Parham Taghioff

.Parham Taghioff

该项目从建筑与城市的基本关系转向内外互动，试图更好地界定建筑与城市的质量。不仅为用户的需求提供了一个答案，而且这座建筑的目的是与外部观察者建立联系。

This project shifts from a basic relationship between the building and the city to an interaction between the inside and outside in attempt to establish a better definition of the quality of the building and the city. Not only provides an answer for the needs of the users, but also this building intended to create a connection with the exterior observers.

 Floor Plan

营造一个平静多变的城市立面，提高室内空间的质量，是设计项目两个立面的主要理念。北侧和南侧的建筑以不同的方式为使用者、市民和城市确定了变化和平静的品质。

Creating a calm and varying urban facade and enhancing the quality of the interior spaces are the main concepts of designing the two facades of the project. The building in both north and south sides defines the qualities of variation and calmness for users, citizens and city in different ways.

 © Parham Taghioff

.Parham Taghioff

在工作时间，为了防止南方强烈的阳光照射，南面的立式百叶窗。这些百叶窗在建筑物内创造了舒适的光线和阴影。这不仅使室内空间更加舒适，而且这些百叶窗还创造了一个结合在一起的立面。此外，在萨达特阿巴德大道(Saadat Abad Boulevard)项目前面的公园里，它也向参观它的人隐瞒了不必要的细节。这个公园在形成项目的南立面概念方面起着很大的作用。南面的一些部分已被推入室内，以便在工作时间内为建筑物的使用者打开一个完美的公园景观。公园里的人们仍然是宁静的，融入了建筑的立面，这就是为建筑内外提供宁静的品质。

To prevent the sharp southern sun light during the working hours the vertical louvers are used in the southern facade. And these louvers create a comfortable light and shadow inside the building. And not only make the interior spaces more comfortable but also these louvers create an incorporated facade. Furthermore it conceals the unnecessary details of the building from the people who visit it from its main view, in the park that is in front of the project in Saadat Abad Boulevard. This park has a great role in forming the concept of the southern facade of the project. Some parts of the southern facade have been pushed inside in order to open a perfect view of the park for the users of the building during the working hours. And the people in the park still visit calm and incorporated facade; this is the quality which provides peacefulness to the interior and exterior of the building.

 © Parham Taghioff

.Parham Taghioff

当人们在每一步向大楼移动时，他们将获得更多关于它的细节。因此，南面立面的形式和设计在不同的角度给游客以不同的形象。当从萨达特阿巴德大道参观这座建筑时，它似乎是一种坚固的形式，宽阔的洞口向公园望去。而当建筑物从南面的正面被参观时，更多的开口出现了，但当它从另一边造访时，建筑似乎又变得更加坚固，在这个视野中，破碎的天际线会引起人们的注意。因此，这些不同视角的图像创造了一个活跃的城市立面。

When people move towards the building in each step they will obtain more details about it. So the form and the design of the southern facade of the project give different images to the visitors in different perspectives. When the building is visited from Saadat Abad Boulevard it seems to be a solid form with wide openings looking towards the park. And when the building is visited from the front of the southern facade more opening are appearing but when it is visited from the other side the building seems to be more solid again and in this view the broken sky line will catch eyes. So this variety of images in different perspectives creates an active urban facade.

 © Parham Taghioff

.Parham Taghioff

有时是北面；闭上眼睛，远离喧闹的城市，在寂静的帷幕下照顾建筑。有时看一眼这座城市的木球后面。北立面的木质表面可以说是使用者和城市之间的对话；这些表面可以根据使用者的需要而变化到数千种形式，这使它在内部和外部都是如此令人印象深刻。

Sometimes the northern facade; close its eyes from the noised city and take care of the building behind a curtain of silence. And sometimes glance at the city behind its wooden eyeballs. The wooden surfaces of the northern facade could be described as the dialogue between the users and the city; these surfaces could change up to thousands of forms by the needs of the users and this makes it so impressible by inside and outside.

北立面是由南面的类似模块设计的，它将向城市隐瞒不必要的建筑细节。在开口的前面，木质表面是可旋转的，这些表面可以0，45和90度的三个角度旋转。当然，室内空间的自然光不仅可以通过打开和关闭旋转百叶窗来控制，而且这也会在需要的时候创造一个巨大的私人室内空间。

The northern facade is designed by the similar modules of the southern facade and it will conceal the unnecessary details of the building from the city. In front of the openings the wooden surfaces are rotatable and these could be rotated in three angles of 0, 45 and 90 degrees. And of course not only the natural light of the interior spaces could be controlled by opening and closing the rotational louvers but also this would create a great private interior space in the times that is needed.

 © Parham Taghioff

.Parham Taghioff

变化与和平是在这座建筑内部空间与外部空间的辩证关系中形成的品质。与室内空间一样，这些品质也可以从外部来观察和理解。

Variation and peacefulness are the qualities which are formed in the dialectic of interior and exterior spaces in this building. And as the same as the interior spaces, these qualities could be observed and comprehended from the exterior.

 © Parham Taghioff

.Parham Taghioff

城市立面的平静是通过垂直百叶窗隐藏不必要的细节而获得的，而内部空间则是由南方公园的宽阔开口和北面通过旋转百叶窗来控制光线和干扰景观而产生的。

The calmness, in urban facade is obtained from concealing the unnecessary details by vertical louvers and in the interior spaces takes place by the wide openings viewed to the park in the southern part and in the northern facade it happens by rotating louvers to control the light and disturbing sights.

 © Parham Taghioff

.Parham Taghioff

在项目的两个正面使用的百叶窗给室内和外部空间提供了一个积极的质量。当游人的位置发生变化时，南面给他们带来不同的形象，北面的形态变化也给建筑带来了辩证的品质，它同时形成了建筑的内部和外部，为建筑、使用者和城市之间的关系创造了一个积极的语境。

The louvers used in the both facades of the project give an active quality to the interior and exterior spaces. When the location of the visitors change, the southern facade gives different images to them And also the form variation in the northern facade brings a dialectic quality to the building which simultaneously forms the interior and the exterior that create an active context for the relationship between the building, the users and the city.

Architects Mohsen Kazemianfard - fundamental approach architects

Location Sa'adat Abad, Tehran, Tehran, Iran

Category Office Buildings

Architect in charge Mohsen Kazemianfard

Design Team Parima Jahangard, Mona Razavi, Shadi Farokhi

Area 1300.0 m2

Project Year 2015

Photographs Parham Taghioff