架构师提供的文本描述。让参观者参与展览空间与展出物品之间的互动过程的潜力问题通常决定展览的设计方式。这是任何展览在其组织和安排中都应解决的问题。

Text description provided by the architects. The question of the potentials of including the visitor in the participatory process of the interaction between exhibition space and items on display usually determines the way in which an exhibition is designed. It is a question that any exhibition should address in its organization and arrangement.

 © Ana Gregorič

(Ana Gregorič)

本次展览的设计涉及参观者作为展览空间的积极参与者的体验。在某种程度上来说，布局的目的是鼓励观众集中参与，引导他们通过一系列不同的氛围，在展览空间本身。该设计是建立在描绘，创造了几个，较小的氛围，在一个更大的空间。这些房间可以一个接一个地进入，就像我们通过住宅公寓狭窄的走廊在较大的房间之间移动的方式一样。

The design of this exhibition deals with the experience of the visitor as an active participant in the exhibition space. Put in somewhat general terms, the layout aims to encourage concentrated participation on the part of the viewer by guiding them through a series of different »ambiences« within the exhibition space itself. The design is based on delineation, the creation of several, smaller ambiences inside a larger space. The rooms can be entered one after the other, similar to the way in which we move between larger rooms through narrow corridors in a residential apartment.

 © Ana Gregorič

(Ana Gregorič)

这个住宅项目的主题来源于展出的工艺品的选择，首先是用于前柜的瓷器，接着是日常和卫生用的瓷器，以及那些与更亲密的卧室用途有关的瓷器，然后再回来。构成这些房间的墙壁由实心黄铜型材组成，并使用黑色螺纹填充。这些墙浮在地板上，给人以轻盈透明的印象。线的使用暗示了最早的装饰粘土容器的方法之一：将线印在新鲜的黏土中，以创造一种特殊的、装饰性的质地。

The theme of this residential program derives from the selection of artefacts on display, beginning with the kind of porcelain used in antechambers, continuing on with porcelain objects intended for daily and sanitary use as well as those pertaining to a more intimate, bedroom purpose, and then returning back again. The walls forming these rooms consist of solid brass profiles and use black threads as filling. These walls float above the floor and give the impression of lightness and transparency. The use of thread alludes to one of the first methods by which clay vessels were decorated: thread was imprinted into fresh clay in order to create a specific, ornamental texture.

 Floor Plan

展览的设计避免了观众对其内容不感兴趣，而忽略了所提供的历史洞察力。它鼓励我们在精神上现身，通过要求在所有离散的环境中行走，它可以近距离地看到博物馆藏品中一些最重要的瓷器。

The design of the exhibition prevents the viewer from rushing uninterested through its content and missing out on the historical insight on offer. It encourages us to be mentally present and by demanding the walk through all of the discrete »ambiences«, it enables an up-close view of some of the most important porcelain objects in the museum’s collection.

 © Ana Gregorič

(Ana Gregorič)

Architects presledek

Location Ljubljana, Slovenia

Category Temporal Installations

Design Team Vid Zabel, Barbara Žunkovič

Area 450.0 sqm

Project Year 2015

Photographs Ana Gregorič