The House of Architect Alexey Ilyin Alexey Ilyin

2015-11-29 06:00

 via Dmitry Chebanenko

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架构师提供的文本描述。在莫斯科郊外的普希金区，亚历克西·伊林为自己和他的家人建造了一座私人住宅。这座小屋完全是用木头建造的，这种材料的自然自给自足成为设计的主要主题之一。

Text description provided by the architects. Outside of Moscow in the Pushkin district Alexey Ilyin has built a private house for himself and his family. The cottage is made entirely of wood, and the natural self-sufficiency of this material became one of the key themes of the design.

 via Dmitry Chebanenko

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平房的布局是一个拉长的长方形，建筑师把它横放在长方形的地块中间，在标准规定的最小距离上从篱笆上倒退。这样，这十英亩的土地在视觉上被分割成两个不相互依赖的区域：一个小的前花园和后面的一个院子。面对小屋是一个小客房和一个整洁的工具棚伪装在栅栏。

The cottage's layout is in the shape of an elongated rectangle, and the architect has placed it crosswise and in the middle of the rectangular plot, setback from the fence at the minimum distance dictated by standards. In this way, the ten acres are visually split into two non mutually-dependent areas: a small front garden and a yard in the back. Facing the cottage is a small guest house and a tidy tool shed camouflaged by a fence.

 Ground Floor Plan

 First Floor Plan

一层平面图

主楼有两层，但从大多数角度看，这是看不见的。这是因为几乎所有的顶层区域都被天窗照亮，而山墙屋顶的坡度是最小的。在主立面的悬垂下，完全空白的木质表面在进入地块时，视觉上令人印象深刻，甚至从街道上也是如此，产生了一种完全内向的感觉。放大这幅图像的还有百叶窗，所有的窗户都是由与正面相同的木头制成的，并以同样的浅灰颜色绘制。百叶窗紧贴关闭所有开口。在这种封闭的形式下，这座房子看起来就像一个完美的平行建筑，如果不是因为它两端的露台和正门的深方壁龛(有玻璃的门也有百叶窗)。

The main house has two floors, but from the majority of perspectives this cannot be seen. This is due to the fact that almost all of the top-level areas are illuminated by skylights, while the slope of the gable roof is minimal. Under the overhang on the main facade, the completely blank wooden surfaces are visually striking upon entering the plot of land, and even more so from the street, creating a feeling of a totally introverted volume. Also magnifying this image are the shutters, which for all windows are made from the same wood as the facades, and painted in the same light gray color. The shutters snugly close all openings. In such an enclosed form the house would have looked like a perfect parallelepiped, if not for the terraces at both its ends and the deep square niche of the main entrance (the glazed door also has shutters).

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房子的内部布局是沿着两个轴线的交汇处建造的：纵向放置的是起居室和工作室，每一间都面向自己的露台，横向是门厅和前面的楼梯。就在前门对面，建筑师放了一扇小窗户，向外看花园：即使是从街道上看，这个有效的观景口也是清晰可见的。

The internal layout of the house is built along the intersection of two axes: placed longitudinally are the living room and studio, each facing its own terrace, and crosswise is the entrance hall and the staircase located in front of it. Directly opposite the front door the architect put a small window looking out into the garden: even from the street this effective viewing opening is clearly visible.

 via Dmitry Chebanenko

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主题的单色设计的正面和开放/密切是由亚历克西伊林精心开发，在他的所有内部的家庭以及。没有橱柜的家具，只有内置的，作为墙壁的视觉延续。这种技术使得即使是相当小的卧室显得宽敞，同时强调了客厅和工作室的最大效果。建筑师本人承认，在实际执行这一设计中，最困难的部分是将墙壁、地板和天花板的板连接起来，而不使用传统的紧固角，这些角被认为是任何木质内部的造型、木板和檐板的必要条件。在这个房子里，所有这样的交汇处都是用特别准备好的角度条来处理的。至于室内的调色板，所有房间的装饰都是相同的灰色(只有几个色调比正面的色调要亮)，作为罕见的彩色色调的完美背景，比如橙色沙发或黄色花盆。

The themes of a monochrome design for the facades and the openness / closeness was meticulously developed by Alexey Ilyin in all the interiors of his home as well. There is no cabinet furniture, only built in, serving as a visual continuation of the walls. This technique allowed for the even quite modest in size bedrooms to appear spacious, while emphasizing to the best effect the dimensions of the living room and studio. The architect himself admits that the most difficult part in the practical implementation of this design was joining the boards of the walls, floor, and ceiling without using traditional fastening corners which are deemed essential for moldings, planks and cornices of any wooden interior. In this house all such junctions have been taken care of with the use of specially-prepared angled bars. As for the interior's palette, the finishing in all the rooms is the same gray (only a few shades lighter than the one used for the facades), working as a perfect backdrop for the rare colored accents, such as the orange couch or the yellow flowerpot.