“更远的航程”是一项在一片古老的牧场上植入的房屋工程。你可以通过一条森林小径到达那里。地面在山坡上，在一个小村庄的尽头，离树林的边缘只有几米远。这些树林里充斥着当代的和土地上的艺术作品。全世界的艺术家和设计师都来到这个乡村。长期以来的想象中，经过多年的海外旅行，“无忧无虑的航行”反映了客户的各种艺术影响。

“Un Dernier voyage” is a house project implanted on an old pasture land. You can get there by a little forest way. The ground is on the hillside, at the end of a small village and a few meters away from the edge of the woods. These woods are populated with contemporary and land works of art. Artists and designers of the whole world come in this countryside. For a long time imagined, after years of traveling in various overseas territories, “un Dernier voyage” reflects the clients various artistic influences.

 Floor Plan

她写道，他雕刻木头和金属。房子被设计成一个创作的场所，是寻找灵感的理想场所。它是在街面，由一个集装箱建成的雕刻工场.由金属结构承载，体积离开地面，保持其和它的下坡。该计划是一个20米的长方形乘6，广泛开放，有利于流体循环和内部布局的灵活性。卧室和浴室的两边都是起居室和一间由一条宽阔的走廊连接的办公室，可以展示雕塑。音量上增加了两个梯田；在西南，有一个有盖的入口，东北有一个纵向的室外空间，房子的上方是金属结构的天篷。

She writes, he sculpts wood and metal. The house is designed as a place of creation, ideal to seek inspiration. It is at street-level, completed by a container become carving workshop. Carried by a metal structure, the volume gets off the ground and keeps its and its declivity. The plan is a twenty meter rectangle by six, widely open to favor a fluid circulation and a flexibility of interior layout. On both sides of the bedroom and bathroom, are the livingroom and an office connected by a wide corridor allowing to show sculptures. Two terraces are added to the volume; in the Southwest, a covered entrance and to the Northeast an outdoor space lengthwise the house over which goes on the metal structure in canopy.

 © Jelena Stajic

c.Jelena Stajic

根据野蛮人的原则，美丽的物质性具有经济性。这就是为什么，天花板显示了它的金属结构，它的钢板，技术设备和地板它的生混凝土。在外面，黑色金属壁板让人想起集装箱的钢板，这是一个普通的中转物体，但在海外领土上却是实心的和非常常见的。这个黑色的独角石与乡村的景观形成了鲜明的对比。但它又长又矮，站在山上，把它淹没在绿色的背景下。立面是垂直钻的；要么是在长长的露台上打开的法式窗户，要么是在涟漪起伏的小山上打开的窗户，或者是由固定的窗户构成的，这些窗户构成景观的框架，并与规划的横轴玩耍。接着是按相同角度植入的车间容器，房子似乎加倍了。

The beautiful materiality has virtue of economy according to the brutalist principles. That is why; the ceiling shows its metal structure, its steel sheets, technical equipments and the floor its raw concrete. Outside, the black metal siding evokes the steel sheet of a container, a modest transit object but solid and very usual in overseas territories. This black monolith contrasts with the rural landscape. But its lengthened and low shape, its standing on the hill drown it in a green background. The facades are vertically drilled; either by French windows opening on the long terrace and on the rippling hills, or by fixed windows which frame the landscape and play with the crossing axis of the plan. Followed by the workshop-container implanted according to the same angle, the house seems to be doubled.

 © Jelena Stajic

c.Jelena Stajic

“无船远航”是一个原始的房屋，在一个荒野的景观，这与航运公司放弃的集装箱所作的长途旅行相呼应。

“Un Dernier voyage” is a raw housing, in a wild landscape, which echo the long travels made by the containers given up by shipping companies.

 © Jelena Stajic

c.Jelena Stajic