架构师提供的文本描述。KKI糖果销售精美的手工制作的法国摩丝蛋糕，小博士商店提供艺术和设计驱动的小巧。他们在新加坡的艺术学院(Sota)大楼里共用一个空间。虽然设计简略很简单-这两个品牌共用一个店面，因此他们需要保留自己独特的身份，但看起来并不像两个完全独立的实体-但关键的挑战在于，如何创造出符合获奖Sota建筑标准的合适作品，并创造出一些新的东西，尽管受到这样一种制胜式建筑的影响。

Text description provided by the architects. Kki Sweets sells beautifully handcrafted Japanese-inspired French mousse cakes, and The Little Dröm Store offers art and design driven knick-knacks. And they share a space at the School of the Arts (SOTA) building in Singapore. While the design brief is simple – the two brands share a storefront, and thus they need to retain their distinctive identities and yet not look like two completely separate entities – the key challenge is to create an appropriate work that meets the standards of the award-winning SOTA building, and to create something new despite the influence of such a commanding piece of architecture.

 © Edward Hendricks, CI&A Photography

爱德华·亨德里克斯(Edward Hendricks，CI)

 © Edward Hendricks, CI&A Photography

爱德华·亨德里克斯(Edward Hendricks，CI)

解决之道在于美国文学评论家哈罗德·布鲁姆的“影响力焦虑”。布卢姆曾警告说，不要让年轻的诗人不可避免地受到麻痹的痛苦、怀疑和自我意识的影响，并提出了克服这场斗争的六种创造性隐匿的方法。

The solution lies in American literary critic Harold Bloom's ‘Anxiety of Influence’. Bloom had warned against the paralysing anguish, doubt and self-consciousness that masterful precursors inevitably instil in young poets, and offered six methods of creative misprision to overcome this struggle.

 Floor Plan

使用布卢姆的两种方法-“达蒙化”(或“反崇高”，它着眼于灵感的原始来源，自然将取代先导)和“Apophrades”(或称“死人的回归”，即直接参与对抗原始设计的最终目标)索塔的结构，并寻求不仅制定另一种解释的建筑类型，但提供一个图表，从SOTA可以阅读。

Using two of Bloom's methods – ‘Daemonisation’ (or “counter-sublime” which looks at the original source of inspiration that will naturally supersede the precusor) and ‘Apophrades’ (or "return of the dead" which is about direct engagement with the end objective of confronting the original design) – PRODUCE taps into the deep structure of SOTA and seeks not only to formulate an alternative interpretation of the building typology but to provide a diagram from which SOTA can be read.

 © Edward Hendricks, CI&A Photography

爱德华·亨德里克斯(Edward Hendricks，CI)

其结果是为KKI Swets和Little Dr m Store提供了一个商店空间，这是Sota建筑的精益求精，成为其最基本的图表-一个基准平面和它所分隔的体积(即Sota建筑的本质是一个三层结构的部分，在基础上和教室顶部都有性能考场。中间层，基准面，是一个开放的阁楼，俯视观众席)，车间内的基准面被设计成一个多孔的格子，这样就可以从内部观察和体验整个图。在KKI甜甜节中，平面以上的卷暗示着想象中的情景，而下面的卷则适应饮食和商品的实际需要，形成桌子和架子，贴心的内饰和紧贴的外观。

The result is a shop space for Kki Sweets and The Little Dröm Store that is a distillation of the SOTA building into its most essential diagram – a datum plane and the volumes that it segregates (i.e. the essence of SOTA’s architecture is a triple-layered parti with performance auditoriums at the base and classrooms on top. The middle layer, the datum plane, is an open mezzanine looking down at the auditorium foyers).  The datum plane within the shop is designed as a porous trellis so that the entire diagram can be observed and experienced from within. In the Kki Sweets section, volumes above the plane hints at the imaginary while the volumes below are adapted to practical requirements of eating and merchandising, forming tables and shelves, intimate interiors, and close-knitted exteriors.

 © Edward Hendricks, CI&A Photography

爱德华·亨德里克斯(Edward Hendricks，CI)

飞机逆流进入小德伦商店。它没有形成空洞，而是占据了形成“树屋”地板的体积(一个与品牌密切相关的主题)。

The plane continues into The Little Dröm Store inversely. Instead of forming voids, it occupies a volume that forms the floor of a “tree house" (a theme closely related to the brand).

 © Edward Hendricks, CI&A Photography

爱德华·亨德里克斯(Edward Hendricks，CI)

有了更高层次将两家商店连接起来的基准平面的想法，这些商店实际上被认为是地面上独立的独立实体。他们被视为占据了一个开放的空间，被一条“内街”隔开，从正门进入，他们的正面和标志朝对方倾斜。这条街道般的空间延伸到了KKI，蜿蜒在房间的体积之间。

With the idea of the datum plane linking the two shops at a higher level, the shops are actually conceived as separate and independent entities on the ground. They are seen as occupying an open space, and separated by an “internal street" leading in from the main door with their frontage and signage orientated toward each other. This street-like space extends into KKI, meandering between the volumes of rooms.

 © Edward Hendricks, CI&A Photography

爱德华·亨德里克斯(Edward Hendricks，CI)

主要材料是枫木贴面胶合板的体积和实心松木条的格子。选择他们的浅色，这样结构就像一块空白的帆布，两家商店可以用不同的产品填充颜色。浅色的枫树和松树也有助于与更深颜色的Sota中庭形成对比。

The primary materials used are maple veneered plywood for the volumes and solid pine strips for the trellis. They are selected for their light colour so that the structure acts like a blank canvas on which the two shops can fill with colours with their variety of products. The light coloured maple and pine also helps contrast with the darker colours of the SOTA atrium.

 © Edward Hendricks, CI&A Photography

爱德华·亨德里克斯(Edward Hendricks，CI)

尽管木材体积传达的视觉轻盈，但实际上是钢空心框架内。支撑到地面是伪装成桌子腿和门框，以达到“提升”的效果。

Despite the visual lightness the timber volumes convey, there are actually steel hollow section framework within. Supports to the ground are disguised as table legs and doorframes to achieve a “lifted” effect.

 © Edward Hendricks, CI&A Photography

爱德华·亨德里克斯(Edward Hendricks，CI)

Architects PRODUCE WORKSHOP

Location 1 Zubir Said Dr, Singapore 227968

Category Interiors Architecture

Design Team PAN Yicheng; LOH Jian Hao, Jay; Don YAP; Stanley TAN; TEO Xiao Wei; CHUA Hong Zhi; Iven PEH; Chantal TAN

Area 136.0 sqm

Project Year 2014

Photographs Edward Hendricks, CI&A Photography