架构师提供的文本描述。这个项目是一个委员会，负责修复尼格拉岛巴勃罗·涅鲁达博物馆的蜗牛收藏展览。

Text description provided by the architects. This project was a commission to renovate the Snail collection exhibit in the Pablo Neruda House Museum in Isla Negra.

 © Pablo Blanco

帕布洛·布兰科

我们将开发一个现代线条的展览方案，创造一个中性和发光的环境，以充分欣赏蜗牛微妙的细节和多样的几何图形。

We were to develop an exhibit proposal with contemporary lines that generates a neutral and luminous environment to fully appreciate the snails’ delicate details and varied geometries.

这个地方的现有条件是一个灯光昏暗的房间，房间里挂着钢制和玻璃展示柜，上面挂着不同高度的萝卜。显示的标准或多或少是随机的。

The existing conditions of the place consisted of a dimly-lit room equipped with steel and glass display cases hung at various heights from the rafters. The criteria of the display was more or less random.

 © Pablo Blanco

帕布洛·布兰科

在博物馆的背景下，蜗牛室位于参观线路的尽头。位于聂鲁达的储藏室之后，第一次手术是创造一条通道，明确规定博物馆与这间展览室之间的界限，这间展览室具有鲜明的特点，需要一定的亲切感，才能将其与房子其他部分的建筑语言区分开来。

In the context of the House Museum, the Snail room lies at the end of the visitor circuit. Located after Neruda’s storage room, the first operation was to generate an access that established a clear limit between the house museum and this exhibition room that had a distinct character and required a certain intimacy to differentiate it from the architectural language of the rest of the house.

 © Pablo Blanco

帕布洛·布兰科

这是通过两个偏移元素来实现的，它们创造了一个弯曲的入口，可以让一个人看到房间。

This was achieved with two offset elements that create a curved entrance that allows one to see into the room.

考虑到空间的长而窄的几何学，这个策略包括创建一个信封，将收集的空间沿周界定位，从而使房间的中心自由流通。反过来，周边展示箱与地板分开，而金属结构则被现有的房间墙壁所限制。

Given the long and narrow geometry of the space, the strategy consisted of creating an envelope to locate the collection along the perimeter thus leaving the center of the room free for circulation. In turn, the perimeter display cases are separated from the floor surface with metal structures confined by the existing walls of the room.

 © Pablo Blanco

帕布洛·布兰科

提出了一个不完全对称的空间，其中两个连续展示箱，细微的细微差别和大小的变化，以适应不同类型的蜗牛，并组成电路的叙事。照明完全采用LED技术，并考虑直接照明的显示器和间接照明的房间，无论是在天花板和地板。在一起，蚀刻玻璃是背光，以产生深度和细微的光解释水浸。

An imperfect symmetry was proposed for the space in which two continuous display cases, with slight nuances and variations in size accommodate the different kinds of snails and to compose the narrative of the circuit. The lighting is conceived entirely with LED technology and considers direct lighting for the displays and indirect lighting for the room both in the ceiling and the floor. In conjunction, etched glass is backlit to generate depth and nuances of light that interpret the aquatic submersion.

 © Pablo Blanco

帕布洛·布兰科

在铺装地板上，提出了一种能反映砂的质地和壳的坚固性的磨光砂砾混凝土地板。

For the paving floors a polished concrete floor with exposed gravel was proposed that reflects the texture of the sand and the solidity of the shell.

 © Pablo Blanco

帕布洛·布兰科

一段插入到显示系统中的视频梦幻般的显示了我们Neruda正沉浸在沿着海岸散步的过程中，也就是房子所在的海滩。

A video inserted into the display system dreamily shows us Neruda immersed in a walk along the shore, the same beach on which the house stands.

Architects Shift Arquitectos

Location Isla Negra, El Quisco, Valparaiso, Chile

Category Museum

Project Year 2015

Photographs Pablo Blanco