架构师提供的文本描述。瓦德森住宅建在瓦拉登的一个发展良好的住宅区，格里姆斯塔德俯瞰城市和峡湾向南，从第一层，一个紧凑的花园和自然森林向西。由于场地狭小，必须把房子贴在现存的树木之间，尽量靠近西侧的公路，尽量朝北走。这座房子是为底层轮椅的使用做好准备的，因此培养这层楼的短距离、局部品质、景观和自然光是很重要的。日常起居室的组织与一个流动的室外空间相连，令人印象深刻的是，这个地方比它的实际规模要大得多。景色延伸到草地上，一直延伸到美丽的山脊和落叶森林，距离很远-从心理上说，它变成了一个私人空间。

Text description provided by the architects. The Vardåsen house was built into a well-developed residential area on Varåden, Grimstad overlooking the city and fjords towards south from the 1.st floor, and with a compact garden and natural forest towards west. Because of the small site, it was essential to stich the house in between existing trees and as close to the road on the west side and towards north as possible. The house is prepared for ground floor wheelchair use, so it was important to cultivate short distance, local qualities, views and natural light for this floor. The organization of the daily living rooms connects to a fluid outdoor space, imposing that the site is much bigger than it really is. The views stretches over a grass field all the way up to the beautiful ridge and deciduous forest some distance away – psychologically making it into a private space.

 © Jonas Adolfsen

乔纳斯·阿道夫

底层墙是由廉价的挪威建筑隔膜墙，大致和半透明的“袋抹灰”，抛光的混凝土地板和H gan的Porcellenato马赛克瓷砖制成的。一楼都是木制的墙壁，上面覆盖着白色的涂有蜡油的俄勒冈州松木胶合板。(鼓掌)

Ground floor walls are made from cheap, Norwegian, constructive diaphragm tile-walls, roughly and semitransparent “bag-plastered”, polished concrete floors and Höganäs porcellenato mosaic tiles on all bathrooms. First floor are all wooden walls clad with white waxoiled Oregon pine plywood boards.  

 © Jonas Adolfsen

乔纳斯·阿道夫

一楼所有的木地板都是实心橡木地板。

All wooden floors at first floor are solid oak.

底层粗糙、触觉的物质性与第一层木质胶合板表面的精确细节相匹配，将它与温暖和微妙的精致结合在一起，而不昂贵。内部的空间布置使房子充满活力和透明度，创造个人空间，并在移动时改变体验。

The rough, tactile materiality of the ground floor gently matches the precise detailing of the 1.st floor wooden plywood surfaces, brings it all together with warmth and subtle sophistication without being expensive. The internal spacial arrangement makes the house dynamic and transparent, creating personal spaces and changing experiences when moving around.

 © Jonas Adolfsen

乔纳斯·阿道夫

南光从卧室的窗户流进房子的核心，通过连接双高度起居室到第一层的内部玻璃。地板流体空间轻轻地暴露了你在第一层可能发现的东西。南面的墙是一堵袋砌的砖墙，一直延伸到屋顶，在视觉上支撑着第一层的身体，向峡湾伸出悬臂。

The southern light streams into the core of the house from the bedroom windows, through the internal glass connecting the double height living room to the 1.st. floor. The fluid space is gently revealing what you might find on the 1.st floor. The southern wall is a bag-plastered brick wall all the way to the roof, visually holding the 1.st floor body cantilevering towards the fjords.

外墙覆盖着可持续的、直透着深褐色的皇家浸渍木板，墙壁和屋顶都是如此。一个狭窄的玻璃槽隔开了两层，让光线进入房子的黑暗区域，而不暴露一切。这所房子有双重存在。除了入口处，它向不那么有趣的北部和东部的方向有一个封闭的外观，并且从厨房、餐厅和客厅区域以一种更加分散和个性化的方式开放。中央的室内-室外壁炉和烘焙烤箱布置在悬臂式的天篷下，将不同的生活区结合在一个高高的烟囱下。

Outer walls are clad with sustainable, straight through ochre-coloured Royal impregnated wooden boards, both walls and roof. A narrow glass slot separates the two floors and lets the light flow into the dark areas of the house without revealing everything. The house has dual presence. It has a closed appearance towards the less interesting north and east, except for the entrance situation, and opens up in a much more fragmented and personalized way from the kitchen, dining room and living room areas.  A central indoor-outdoor fireplace and bakery oven arrangement under the cantilevering canopy binds the different living areas together under a tall chimney.

 © Jonas Adolfsen

乔纳斯·阿道夫

除了明显的汽车房外，车库也是通往北方邻居、花园棚和车间的一道屏障。

The garage also serves as a barrier towards the neighbour towards north, garden shed and workshop in addition to the obvious house for cars.

 © Jonas Adolfsen

乔纳斯·阿道夫