The Rabbit Hole Matt Woods Design

2016-01-12 18:00

 © Dave Wheeler

大卫·惠勒

架构师提供的文本描述。马特·伍兹最新项目“兔子洞-有机茶吧”的最新项目“兔子洞-有机茶吧”的最新项目“兔子洞-有机茶吧”的最新项目“兔子洞-有机茶吧”重新创造了疲惫的人。

Text description provided by the architects. Fresh from picking up the Best Restaurant Design gong at the 2015 Eat Drink Design Awards for Beccafico, Matt Woods’ latest project, The Rabbit Hole - Organic Tea Bar, reinvents the tired & clichéd teahouse concept.

 © Dave Wheeler

大卫·惠勒

设计首先利用了以前的工业场所固有的建筑。混凝土地板被抛光；人字形支撑木天花板被挖掘出来；原来的砖墙被展示出来。这种男性建筑的软化是通过对这些新暴露的元素进行白色洗涤来实现的，

The design begins by taking advantage of the former industrial sites inherent architecture. Concrete floors are polished; herringbone strutted timber ceilings are unearthed; original brick walls are revealed. The softening of this masculine architecture is achieved through the white washing of these newly exposed elements, & through the addition of enlarged northeast facing windows, which allow light to flood in to the interior.

 Floor Plan

日本金松木艺术(这意味着加入黄金，是对不完美之美的陶器的庆祝)构成了新的设计元素的基础。这一点在“特种茶展”中最为明显，在那里，像马戏团表演者杆上的旋转板，定制的金苏木碗就在旋转的橡木上面，精致地摆在上面。这种岌岌可危的平衡行为，提出了为什么这些碗需要他们的黄金负载修复工作在第一。Kintsugi的概念通过广泛使用碾碎瓷砖而得到进一步加强，该瓷砖主要出现在咖啡店的服务主导领域，如中央整体零售展示。设计师已经做出了巨大的努力，以确保任何新的特征元素不会陷入非概念复杂性，并在这个瓷砖覆盖的独角石，一个吊灯完全由茶袋(智利艺术家瓦莱里娅布尔戈亚)已安装。

The Japanese art of Kintsugi (which means to join with gold, and is a celebration of the beauty of imperfection in ceramic objects) forms the foundation of the new design elements. This is most apparent in the “Specialty Tea Display” where, like spinning plates on top of a circus performers pole, custom designed Kintsugi bowls sit delicately above turned oak timbers.  This precarious balancing act making the  suggestion as to why these bowls required their gold laden repair job in the first place. The Kintsugi concept is further reinforced with the expansive use of a crushed ceramic tile, which is featured on the service-dominated areas of the café such as the central monolithic retail display.  The designer has made great efforts to ensure that any new feature elements do not get bogged down in non-concept complexity, and above this tile clad monolith, a chandelier made entirely of tea bags (by Chilean artist Valeria Burgoa) has been installed.

 © Dave Wheeler

大卫·惠勒

为了抵消这些高度概念化的特征元素，设计的其余部分在形式上更加卑微，但在设计细节上却绝不谦虚。一个钢制框架玻璃墙，与定制设计的旋转窗勾勒出较小的入口部分，它有自己独特的，但免费的疯狂帽子的美学。再生橡木制造班格座

To counteract these highly conceptual feature elements, much of the remainder of the design is more humble in form, yet in no way modest in design detail. A steel framed glazed wall complete with custom designed pivoting windows delineates the smaller entry section which has it’s own unique, yet complimentary Mad Hatters aesthetic. Reclaimed oak timbers create banquette seats & table frames. These are wire brushed, gently oiled and express dowel joined as to reinforce the quality of the design. A combination of leathers & upholstery fabrics create seat cushions & brass buckled back rests. Century old French oak floor joists are used to create the service counter, while a shark nosed granite top sits effortlessly in the room as a group dining table. Other tables are less ostentatious, and are constructed in timber & fiber cement.  This contrasting materiality is peppered through out the space, with $100 warehouse shelving stand along side & instep with bespoke joinery items.

 © Dave Wheeler

大卫·惠勒

我们已作出进一步的努力，以确保所有赞助者的环境舒适，

Further efforts have been made to ensure the environmental comfort of all patrons, & perorated E0 custom wood panels conceal acoustic wall linings. Sustainability is at the heart of every design decision, with dematerialisation being a key-driving factor.  All timbers are either FSC certified or recycled; all paint finishes are VOC free; lighting is energy efficient or LED: and every material has been assessed for it’s embodied water & energy content. Further to this the project aims to eliminate the need for AC, & looks to take advantage of the natural & passive cross ventilation opportunities on offer.