架构师提供的文本描述。语境

Text description provided by the architects. Context

这个独立的剧院把自己定位在一个具有巨大个性的地方，定义它，唤醒记忆。这样做有助于振兴特定的城市地区。

This independent theater positions itself on a site with great personality, defining it, awakening memories. By doing so,  it helps reviving that specific urban area.

 © Radu Malașincu

(C)Radu MalașIncu

现在主持这一重点项目的19世纪的房屋被加固、修复、扩建，并盖上了曼沙德屋顶。因此，这所房子包括一个地下室，一个底层和一个人造板屋顶。此外，物业拥有一个长而狭窄的庭院，沿着建筑物的两侧发展。

The 19th century house that now hosts the POINT project was consolidated, restored, extended and mansard roofed. Therefore, the house comprises of a basement, a groundfloor and a mansard roof. Additionally, the property holds a long and narrow yard that develops along two sides of the building.

 © Radu Malașincu

(C)Radu MalașIncu

这个项目的启动是像素(点)概念.我们使用像素作为度量单位(模块)，从而生成一系列模块化和多功能对象，帮助获得灵活性。这些结果是包围和视觉统一整个空间，同时分离和概述某些领域。

The start-up for this project was the pixel (POINT) concept. We used the pixel as a unit of measurement (module), thus generating a series of modular and multifunctional objects that helped obtain flexibility. These ended up enveloping and visually unifying the whole space, whilst separating and outlining certain areas.

 Floor Plan

 © Radu Malașincu

(C)Radu MalașIncu

底层有门厅的功能，也可以单独举办文化活动。地下室是酒吧/俱乐部，有时也是一些非传统戏剧的表演场所。实际的剧场大厅包含在门厅屋顶上，是对大厅的现代诠释，强调灵活性。剧院大厅也受益于有盖露台。狭长的院子把自己定义为门厅的延伸，特别是在温暖的季节。院子里两旁都是房子，旁边是常春藤树冠，还有沿着击剑长凳种下的树枝，以作保护。

The ground floor has the function of a foyer and is also able to host cultural events all by itself. The basement works as a bar/club  and sometimes as a performance room for some unconventional plays. The actual theater hall is contained in the mansard roof and is a modern interpretation of a hall, stressing on flexibility. The theater hall also benefits from having a covered terrace. The long and narrow yard defines itself as an extension of the foyer, especially during the warm seasons. The yard embraces the house on two sides, togheter with the ivy canopy and the branches of the trees planted along the fencing bench for protection.

 Floor Plan

 © Radu Malașincu

(C)Radu MalașIncu

多功能对象、材料

Multifunctional objects, Materials

点书柜是模块化的，由钢条和随机放置的桦木胶合板组成，看起来像素。这不是你的传统书柜，因为除了书，它还有植物，甚至瓶子和玻璃杯。除了存储和展示的目的，点书柜作为半不透明的隔墙，以一个有效的分区。书柜正在往上爬，用水平的轴移动垂直轴，在天花板的表面展开。这样，它们就成为电缆和通风轴的视觉过滤器，胶合板盒被用来安装灯和扬声器。

The POINT Bookcase is modular and made of steel bars and randomly placed birch plywood boxes that look like pixels. It is not your traditional bookcase for, besides books, it holds plants and even bottles and glasses. Besides the storage and display purpose, the POINT bookcases work as semiopaque partition walls for an efficient zonation. The bookcases are working their way up, shifting their vertical axis with a horizontal one and unfolding on the ceiling’s surface. This way, they become visual filters for the cables and ventilation shafts and the plywood boxes are used to incorporate lights and speakers.

 © Radu Malașincu

(C)Radu MalașIncu

点扶手椅是一种桦木胶合板和泡沫扶手椅，主要用作剧院座椅。它可以通过简单的翻转，变成一张咖啡桌，甚至是一个床头柜。底层的酒吧显示了一个点标志在它的正面。它是从生锈的钢板上切割出来的，产生了一种视觉效果，就像一滴水银聚集在中间。

The POINT Armchair, a birch plywood and foam cushions armchair, is mainly used as a theater seat. It can be transformed with a simple flip, into a coffee table or even a nightstand. The groundfloor bar shows a POINT logo on it’s front. It is cut from a raw rusty steel plate, creating a visual effect similar to drops of mercury that clump towards the center.

 © Radu Malașincu

(C)Radu MalașIncu

在剧院大厅里，楼梯和后台(演员舱)被嵌入两个弯曲的波纹钢板中，构成舞台的框架。保留了现有的内部空间。这就是混凝土覆层作为地下室和底层背景的原因。新的人造板屋顶的结构暴露了出来，用胶合板把横梁和萝卜之间的空间封闭了。

In the theater hall, the staircase and the backstage (actors cabin) were embedded in two curved corrugated steel sheets, framing the stage. The existing finishings of the inside space were kept. This is how concrete cladding resulted as background for the basement and the groundfloor. The structure of the new mansard roof was exposed, closing the space between the beams and rafters with plywood pannels.

 © Radu Malașincu

(C)Radu MalașIncu

由于它在城市空间中的能见度很高，十九世纪的这座房子的盲墙是由当代艺术家(甜蜜的破坏者)画的。

Because of it’s high visibility from the urban space, the blind wall of the XIX’th century house was painted by contemporary artists (Sweet Damage Crew).

要点项目内部的矛盾之处在于，统一是通过分割(像素化)来实现的。粗糙的装饰、结构和装置，3D强调的空间和体积的感觉，由植被、曲线(十九世纪的细节)、半不透明的滤镜、墙壁和城市感觉上的灯光和阴影的方式，聚集在一个非传统的剧院项目中。

The paradox inside the POINT project is that unity is achieved by fragmentation (pixelation). The crude finishings, structures and installations, the 3D accentuated perception of space and volumes, balanced by vegetation, curved lines (details of the XIX’th century), semi-opaque filters, the way lights and shadows are shed on the walls and the urban feel, gather up inside a nonconventional theater project.