House B e2a

2016-01-20 05:00

设计团队Piet Eckert，Wim Eckert与Sebastian F.Lippok和Mireya Sanchez Gomez，Laure Fries，Kirstyn Lindsay，Alexander Sack，Rafal Wójcik Construction Management Cont居Baumanmanagement AG，Structure Engineering Gruner Wepf Ingenieure AG Fa ade Planning Buri Müller合作伙伴GmbH BuildingServices W

Design Team Piet Eckert, Wim Eckert with Sebastian F. Lippok and Mireya Sanchez Gomez, Laure Fries, Kirstyn Lindsay, Alexander Struck, Rafal Wójcik Construction Management Continium Baumanagement AG, Structural Engineering Gruner + Wepf Ingenieure AG Façade Planning Buri Müller Partner GmbH Building Services W&P Engineering AG Model Photographs Jon Naiman Manufacturers Loading... More Specs Less Specs

 © Rasmus Norlander

C.Rasmus Norlande

架构师提供的文本描述。沿着苏黎世湖的黄金海岸，个别地区在郊区景观的紧密联系中失去了一种清晰的认同感。通用建筑决定了任何剩余开放空间的直接背景，即来自前农业区的土地储备，这在这种原本单调的节奏中创造了一个受欢迎的停顿。

Text description provided by the architects. Along the Gold Coast of Lake Zurich, individual localities have lost a clear sense of identity amongst the conti-nuity of the suburban landscape. Generic architecture determines the immediate context of any remaining open spaces, land reserves from former agricultural zones, which create a welcome pause in this otherwise monotonous rhythm.

 © Rasmus Norlander

C.Rasmus Norlande

一个简单的草甸空间明显受益于密密麻麻的一排排单户家庭的城市化进程。一般来说，花园是由个别房屋之间的剩余空间组成的，在不同程度上成功地执行了这些空间。总之，他们代表的是在一所房子被破坏后遗留下来的东西-仅此而已。

A simple meadow space visibly benefits the densely packed rows of single-family home urbanization. In general, gardens comprise the leftover spaces in between individual houses, executed with varying degrees of success. All in all, they represent that which remains behind after a house has been con-structed – nothing more.

我们的干预采取了不同的立场，创造了一个界限明确的地方。周围有墙和篱笆：外部领土和硬，内部一个柔软的私人绿地。房子反映了内外之间的这种关系。

Our intervention takes a different stance, creating a place with clear boundaries. A perimeter exists through walls and hedges: externally territorial and hard, internally a soft, private green space. The house reflects this relationship between the inside and the outside.

 © Rasmus Norlander

C.Rasmus Norlande

创建了两个新的私人户外空间-一个入口庭院和一个花园庭院。中间是房子的正门和花园公寓。楼梯通向上面的地板，有一个露台，可以看到毗邻地段的开阔空间，湖面和山脉在远处。位于中心位置的厨房周围是餐厅，以及从东北方向亮起的类似工作室的双高起居室。

Two new private outdoor spaces are created – an entry court and a garden court. In between is the part of the house with the main entrance and a garden apartment. A stair leads to the floor above with a terrace and view to the open space of the adjacent lot, with the lake and the mountains in the distance. Positioned around the centrally located kitchen are the dining room as well as the atelier-like, double-height living room lit from the northeast.

 © Rasmus Norlander

C.Rasmus Norlande

所有的房间都直接进入露台，楼梯通向花园的庭院。在这些公共空间上方的地板上，有一个通往客厅的画廊的工作室。东面的主卧是一个带有浴室、更衣室和办公空间的单元，就像一套独立的套间插进了住宅。

All of the rooms directly access the terrace and a stair leads down to the garden courtyard. A studio with a gallery to the living room is located on the floor above these common spaces. The east-facing master bedroom works as a unit with the bathroom, dressing room, and an office space; it is like an autonomous suite interposed into the residence.

 © Rasmus Norlander

C.Rasmus Norlande

表面粗糙、板状的混凝土墙和大的、悬吊的、从地板到天花板的开口的直线是外观的特征.只有一个突出的窗口在北侧与一个坚实的克里特岛框架显示实际规模和大小的房子。否则，与周围环境的喧闹相比，这座房子依然安静而专注。

The straight lines of rough-faced, board-formed concrete walls and large, suspended, floor-to-ceiling fenestra-tion characterizes the exterior appearance. Only a protruding window on the northern side with a solid con-crete frame reveals the actual scale and size of the house. Otherwise, the house remains muted and focused compared to the garrulousness of its surroundings.