INTRODUCTION

在过去的二十年里，德黑兰的建筑经历了荒谬的变化。一方面，行业缺乏盈利能力，另一方面又实施制裁，加剧了首都业已飙升的房地产市场。

Over the last 2 decades architecture in Tehran has experienced absurd transformations. Lack of profitability of industries on one hand and imposed sanctions on the other hand have exacerbated an already soaring real-estate market in the capital.

土地所有者将他们的房产确定为有希望的投资区，土地面积仅为200平方米。(这座城市最小的小地块)拆毁了他们的一户人家的房子，把他们发展成四层和五层的中产阶层公寓。因此，这个城市现在面临着越来越多的填充项目，这些项目的美学挑战一般减少到信封设计上。

Having identified their properties as a promising investment zones, land owners with lots as small as 200 sq. (the city’s smallest size parcels) have demolished their single family houses and developed them into four and five storey middle class apartments. As a result, the city is now faced with agrowing number of infill projects whose aesthetic challenges are generally reduced to envelope design.

在这个特定的项目中，遗址位于一条死胡同的尽头，周围是其他建筑物。它看不到街道，行人也看不到它。这是一个没有突出立面的项目，因此对大多数建筑师来说是微不足道的。

In this particular project, the site is located at the end of a dead-end alley and is surrounded by other buildings. It doesn’t have a view to the street and it is not seen by passersby. It is a project with no prominent façade, and therefore insignificant for most architects.

 © Ali Daghigh

阿里·达格

DESIGN APPROACH

为了应对本项目独特的设计挑战，我们提出了以下方法：

To address the unique design challenges of this project we suggested the following methods:

使用“无视图”为项目创建视图

Creating a View for a Project with No View

该工程位于一条死胡同的尽头，被锁在其他建筑物中，主要面向18米高的水泥墙。

Located at the end of a dead-end alley and locked among other buildings, the main face of the project looks at an 18-meter high cement wall.

 © Ali Daghigh

阿里·达格

受流行儿童故事“最后的叶子”的启发，我们利用街头艺术家的才能，决定在水泥墙上画一幅风景，为居民创造一个新的景观。

Inspired by the popular children’s story, “The Last Leaf”, and utilizing the talent of a street artist, we decided to paint a landscape on the cement wall and create a new view for the inhabitants.

使用现场回收材料

Use of Recycled Material from the Site

该项目不得不更换工地上的一座旧砖房。立面材料的创意来自于对旧建筑砖块的再利用。

The project had to replace an old brick building which existed on the site. The idea for the façade’s material comes from reusing the bricks from the old building.

销毁工作完成后，砖块被分类，并在建筑物的外墙和部分建筑中使用。

When the destruction was complete, the bricks were sorted and used in the façade and parts of the building.

 © Ali Daghigh

阿里·达格

FA ade设计

Façade design

考虑到从巷子里可以观察到的立面大约有3米宽，质量设计的进展是为了邀请过路人向大楼走去。

Considering that the observable façade from the alley is about 3 meters width, designing progress of the mass is intended to invite the passerby toward the building.

 © Ali Daghigh

阿里·达格

 Ground Floor Plan

Architects Arsh [4D] Studio

Location Tehran, Tehran, Iran

Category Apartments

Architect in Charge arsh [4d] studio- Alireza Sherafati, Pantea Eslami

Area 763.0 sqm

Project Year 2015

Photographs Parham Taghioff, Ali Daghigh