架构师提供的文本描述。Don Bosco教堂是一个新的教区中心的一部分，位于Pohorje Massif下的Maribor住宅区。该网站以俯瞰Pekrska Gorca山而自豪。

Text description provided by the architects. The Don Bosco Church is part of a new parish centre, located in a residential quarter of Maribor, under the Pohorje Massif. The site boasts a view towards the Pekrska Gorca Mountain.

 Floor Plan

属于慈幼会社区的宗教建筑群被设计成一个封闭的建筑岛，位于一个小公园内，保护附近两条道路的建筑群。建筑本身是一个清晰的矩形建筑质量与一个内向的中央庭院与内殿和钟楼上升在上面。当进入沉思的庭院，装饰着一棵古老的林登树，教堂突然变得可以看到对面的门廊。一目了然，你就能感觉到，从地面到整个建筑群下部的屋顶，一直延伸到代表皇冠的檐上。内凹的体积被设置到下一层建筑的结构中。它的统一砖正面是装饰的装饰，代表七个十字架，由琉璃砖制成。

The Religious Complex belonging to the Salesian community is designed as a closed building island, placed inside a small park, which protects the complex of two nearby roads. The building itself is a clearly articulated rectangular architectural mass with an introverted central courtyard with the nave and the bell tower rising above it. Upon entering the contemplative courtyard adorned by an old linden tree the church suddenly becomes visible across the portico. At a glance one can feel the extent of the nave from the ground over the roof of the lower part of the complex all the way to the cornice that represents a crown. The volume of the nave is set into the structure of the lower one story building. Its uniform brick facade is embellished with ornaments representing seven crosses made of glazed bricks.

 © Miran Kambič

c Miran Kambič

内凹的形状是由一个有圆角和边的三角形导出的。内殿是内向沉思的地方，所以唯一的视野是朝向天空。因此，最神圣的地方是强烈的光体验。我们用不同的光质量来强调拥抱的形状。我们编排了一出灯光戏：从圆形天窗发出的生动的自然光，干扰了暗光的扩散。更柔和的自然光来自老人院和后方唱诗班的后面。这个简单而又复杂的设计让建筑超越了它的实际存在，成为光的容器。

The shape of the nave is derived from a triangle with rounded corners and sides. The nave is the place for introverted contemplation therefore the only view out is towards the sky. The most sacred place is thus marked by an intense experience of light. We used different qualities of light in order to accentuate the hugging shape of the nave. We choreographed a play of light: vivid natural light emitting from the round skylight interferes with diffused light of the nave. More soft natural light is coming from behind the presbytery and the rear choir. This simple yet so complex design allows the building to transcend its physical presence, becoming a mere container of light.

 © Miran Kambič

c Miran Kambič

软形混凝土的塑性强化了结构的原始、无装饰的表现形式。椭圆形周边的内殿具有水平的横向凹槽，其中包含了教堂与帐幕，入口的圣礼，忏悔，侧和后方合唱团和一个地方的圣餐祈祷。这些开口会让人感觉到围绕着中央卵圆形旋转的平静感。

Pristine non-decorated expression of the structure of the nave is accentuated by plasticity of softly shaped concrete. The oval perimeter of the nave features horizontal lateral recesses, which house the chapel with the tabernacle, entrance to the sacristy, confessionals, side and rear choirs and a place for communion prayers. These openings induce a feeling of peaceful rotation around the central oculus.

 © Miran Kambič

c Miran Kambič

教堂在木制长椅上坐300人。下面的地板是巨大的橡木地板，而100个手工粘土灯形成地平线上方。温暖的材料，如橡木配件和粘土灯，为教会社区创造了一种避风港的感觉。我们还设计了所有的礼拜设备，如祭坛，安博，帐幕，圣杯，长凳和艺术作品的布局。

The church seats 300 people on wooden benches. The floor below is covered massive oak wood floor while 100 handmade clay lamps form the horizon above. Warm materials such as oak wood fittings and clay lamps create a feeling of safe haven for the church community. We also designed all the liturgical equipment, such as the altar, the ambo, the tabernacle, sedilia, benches and layout of the artworks.

 © Miran Kambič

c Miran Kambič

帐幕，放置在侧礼拜堂，是一个三联，外面的翅膀遮住中央的橱柜。帐幕分两个顺序打开：当翅膀关闭时，它们会露出一个漂浮的金色长方形。在打开两侧的翅膀，内部与神秘的光源-永恒的光-被揭示。里面的帐幕装饰有一个珍贵的图标-前帐幕门，从大教堂的夫人帮助基督徒，在都灵，这是由约翰博斯科建造。

Tabernacle, placed in the side chapel, is a triptych with outer wings veiling the central cabinet. The tabernacle opens in two sequential steps: when the wings are closed, they reveal a floating gold rectangle. Upon opening the two side wings the interior with the mysterious light source – the eternal light - is revealed. The inner tabernacle is adorned with a precious icon – former tabernacle doors from the Basilica of Our Lady Help of Christians, in Turin, which was built by John Bosco.

 © Miran Kambič

c Miran Kambič