设计团队加布里埃尔Cáceres，丹尼尔拉索合作者Alejandra Sepúlveda，约翰米勒结构工程罗德里戈布拉沃Novoa。建筑公司预算500.000美元制造商装货.=。多规格少规格

Design Team Gabriel Cáceres, Daniel Lazo Collaborators Alejandra Sepúlveda, John Miller Structural Engineering Rodrigo Bravo Novoa. Construction Roberto Carrillo - Constructora RCN Budget USD 500.000 Manufacturers Loading... More Specs Less Specs

 © Pablo Casals Aguirre

(Pablo Casals Aguirre)

架构师提供的文本描述。在20世纪早期的房屋底盘上，提出了一个与几何、颜色和特征相关的物体星座。

Text description provided by the architects. Over the chassis of an early 20th century house a constellation of objects, related in geometry, color and character, is proposed.

 © Pablo Casals Aguirre

(Pablo Casals Aguirre)

他们的战略位置-有时扰乱了现有的逻辑-改变了房子的内部结构，迫使每个程序组件的角色重新定义。拆除一些内部分隔墙的土坯覆层放大了这一变化，使橡木结构骨架裸露，并产生新的和意想不到的视觉连接，在一种建筑脱衣舞。

Their strategic placement –sometimes disruptive to the logic of what already exists- transforms the interior of the house and forces a redefinition of the role of each program component. Removal of adobe cladding from some interior dividing walls amplifies this change, leaving bare the oak  structural skeleton and generating new and unexpected visual connections,  in a sort of architectural striptease.

 First Floor Plan

一层平面图

 Exploded Axonometric

爆炸轴测

使用上的变化-从住宅到
文化，从私人到公共-新物品的规模(门、窗、家具、照明装置等)就是明证。这是对这个新秩序的回应和预期，它反映了发生在这里的事件的情节性质。

The change in use –from residential to
 cultural, -private to public- is evidenced by the scale of the new objects (doors, windows, furniture, lighting fixtures, etc.) that respond to and anticipate this new order, as a reflection of the episodic nature of the events that take place here.

 © Pablo Casals Aguirre

(Pablo Casals Aguirre)

操作中最引人注目的部分是将一座200个座位的小型晚宴剧院插入到原来的建筑中，这个空间之前被一系列的小而不稳定的扩建所占据。剧院本身也被视为另一个对象：从外部看是单一的、内向的，只有三个开口打断了它的信封。相反，内部是柔软和富有表现力的，这是由于在现场制造的声学皮肤与不同大小和截面的木材板条。

The most dramatic part of the operation is the insertion of a small 200- seat dinner theater in the space previously occupied by a series of small, precarious expansions to the original building. The theater itself is treated as another object: monolithic and introverted from the exterior, just three openings interrupt its envelope. On the contrary, the interior is soft and expressive, courtesy of an acoustic skin manufactured on-site with timber slats of varying sizes and sections.

 © Pablo Casals Aguirre

(Pablo Casals Aguirre)

这所房子和剧院一样，都是音乐和舞蹈的舞台。表演者和客人一起，从“昆丘”-一个由空间中心烧烤坑上方6米高的烟囱重新定义的内部庭院-搬到媒体画廊，然后是主要活动的晚餐剧院。

The house as much as the theater works as a stage for music and dance. Performers move, along with the guests, from the “quincho” –an inner- courtyard redefined by a 6-meter high chimney over a barbecue pit in the center of the space- to a media gallery, and then the dinner theater for the main event.

 © Pablo Casals Aguirre

(Pablo Casals Aguirre)

最终的结果是建筑的东西，其中新的-单色和抽象的设计-在不断紧张的历史主义建筑的现有房子，在一个深思熟虑的游戏对比。

The end result is an architecture of things, where the new -monochrome and abstract in design- is in constant tension with the historicist architecture of the existing house, in a deliberate game of contrasts.

 © Pablo Casals Aguirre

(Pablo Casals Aguirre)

Architects SCL – Studio Caceres Lazo

Location Bellavista, Recoleta, Recoleta, Región Metropolitana, Chile

Category Extension

Area 715.0 m2

Project Year 2015

Photographs Pablo Casals Aguirre

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