架构师提供的文本描述。这座房子位于瓦拉塔湾镇的高处，取代了上世纪80年代的一个项目住宅。

Text description provided by the architects. Located high above the township of Waratah Bay this house replaces a 1980s project home.

 © Rhiannon Slatter

c.Rhiannon Slatt

从瓦拉塔大道驱车后，北部高地的长长的低矮轮廓迎接了游客。一个现代化的盒子与强烈的屋顶线，高亮的窗户和相对坚实的正面这个立面故意保护你从戏剧性的观点，留下的揭示，直到你进入。在其琉璃砖墙中，使用了两种色调，并创造了一种图案。对M.C.埃舍尔的“变形记III”三角形的解释从西向东移动，当它们到达终点时开始发生变化。当你沿着建筑的东面和南面移动的时候，这些三角形就会变成鸟，飞向生活/用餐的地方。一种逃避的比喻，这与家庭作为一个工作日的目的是一致的。

The long low silhouette of the northern elevation greets visitors after the drive up from Waratah Avenue. A take on the modernist box with a strong roof line, highlight windows and relatively solid facade this elevation deliberately shields you from the dramatic view, leaving the reveal until you enter. In its wall of glazed bricks two tones have been used and a pattern created. An interpretation of M.C. Escher's 'Metamorphosis III' triangles move from west to east beginning to transform as they reach the end. As you follow the building around the east and south these triangles transform into birds, flying up towards the living/dining. A metaphor for escape that is in keeping with the home's purpose as a weekender.

 © Rhiannon Slatter

c.Rhiannon Slatt

 Floor Plan

 © Rhiannon Slatter

c.Rhiannon Slatt

与此形成鲜明对比的是，居住/就餐亭被黑色银灰色覆盖，并向南扫去，这两种方式都将你引向视野，并创造出一本与宏伟的景色相匹配的书。从南方看，它创造了两半的房子，生活和睡觉。

In contrast to this the living/dining pavilion is clad in black Silvertop Ash and sweeps up to the south, both leading you towards the view and creating a volume to match the grandness of the outlook. Viewed from the south it creates a house in two halves, living vs sleeping.

刻意的黑暗，隐藏在植被中，这是一个逃避的地方。

Deliberately dark, to hide amongst the vegetation, this is a place to escape.

 © Rhiannon Slatter

c.Rhiannon Slatt

Architects Hayne Wadley Architecture

Location Waratah Bay, Australia

Category Renovation

Design Team Andrew Hayne, Katherine Wadley

Area 210.0 sqm

Project Year 2015

Photographs Rhiannon Slatter