Mercedes House Frazzi Arquitectos
2016-03-01 09:00
© Federico Kulekdjian
c.Federico Kulekdji
架构师提供的文本描述。这所房子位于住宅区内,占据了不同地区(公共-半公共-私人)之间的连续性。
Text description provided by the architects. This house, located in a residential area, occupies the ground posing a succession of continuities between the different areas (public - semipublic - private).
© Federico Kulekdjian
c.Federico Kulekdji
两者之间的关系,是透过通透性而形成的视觉连续性,让玻璃盒透过入口的透明度,透过一层开放的地面将这些空间统一起来,只受这些固定和流动的玻璃板所限制。
The relationship between them, is through the visual continuity formed by the permeability allowing the transparency of glazed boxes from the access, unifying these spaces through an open ground floor, limited only by these fixed and mobile glass panels.
这种空间关系不仅是水平的,而且是垂直的,通过双高、天窗、玻璃桥、凹陷的庭院、斜坡和靠在现有砖墙上的楼梯系统进行空间继承,使其自由,几乎没有接触、拼合和连接不同的层次。
The spatial relation is not only horizontal, but the search is complemented vertically, given by the succession of spaces through double heights, skylights, a glass bridge, sunken courtyards, slopes, and the system of stairs against an existing brick dividing wall, freeing it, almost without touching, articulating and linking the different levels.
© Federico Kulekdjian
c.Federico Kulekdji
物质性强化了延续性的理念,因为我们选择了一个金属截面的结构体系,给人一种轻盈的感觉,在这种结构体系中,复合材料柱作为针头插入不同的层中,梁彼此并排,支撑着它们之间的混凝土板,突出了支撑的关系。
The materiality reinforces the idea of continuity, since we chose a structural system of metal sections, giving a feeling of lightness, where the composite columns are inserted as needles into the different layers and the beams are juxtaposed with each other to support the concrete slabs that lock between them, highlighting the supporting-supported relationship.
© Federico Kulekdjian
c.Federico Kulekdji
与街道的联系预示着未来会发生什么,一堵透水的砖墙似乎漂浮在移动的金属板栅栏上,具有反构造性。
The link with the street anticipates what is to come, with the anti-tectonicity of a permeable brick wall that seems to float on a mobile sheet metal fence.
Architects Frazzi Arquitectos
Location Buenos Aires, Argentina
Category Houses
Project and Site Management Matías Frazzi
Project Area 300.0 m2
Project Year 2015
Photographs Federico Kulekdjian
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