架构师提供的文本描述。我们的目标是创建一个独特的“坎伯兰”酒店，既响应格里芬最初的愿景，也响应它作为通往堪培拉机场的门户的独特地位。在研究了格里芬的堪培拉计划之后，我们利用他的圆圈和轴线的几何结构，创建了通往新机场航站楼的大门。内部是与酒店的建筑表达美学结合，创造了一个整体的方法，建筑表达。

Text description provided by the architects. Our aim was to create a uniquely “Canberran” hotel that responds both to Griffin’s original vision and its unique position as the gateway to the Canberra Airport. After studying Griffin’s plan of Canberra we worked with his geometry of circles and axes to create a gateway to the new airport terminal. The interior is aesthetically integrated with the architectural expression of the hotel, creating a holistic approach to the building expression.

 © Brett Boardman

布雷特·博德曼

为了创建一个具有里程碑意义的网关，我们使用了一个大胆的、全方位的圆形形式，它标志着终端入口，无论采用什么方法，从路过的车辆上看到移动时都是戏剧性的。与圆周切向一条直线边缘与端子电路对齐，加强端子的入口轴。第二切线从机场航站楼辐射，使对角线视图能够进入航站楼。一个免费的小圆圈完成了形状的顶端，给它一个欢迎的几何图形从终端的进场。几何学创造了一个全方位的形式，是连贯的和整体的。

To create a landmark gateway we used a bold omnidirectional circular form that marks the terminal entry regardless of approach and is dramatic when viewed in motion from a passing vehicle. Tangential to the circle a straight edge aligns with Terminal Circuit, reinforcing the terminal’s entry axis. A second tangent radiates from the airport terminal enabling diagonal views into the terminal. A complimentary smaller circle completes the form at the apex of the shape, giving it a welcoming geometry on approach from the terminal. The geometry creates an omnidirectional form that is cohesive and holistic.

 © Anson Smart

(3)安森·斯马特(Anson Smart)

曲线形式在终端复合体中有其独特的同一性。交替的宽和窄的立面模块创造住宅比例的‘框架’窗口的房间，而外部，使一个平滑的曲线可以由直线部分。这款玻璃外墙采用了一个圆形戒指的屏幕，为客人创造了隐私，不会让客人失去视线。从外部看，它把正面统一成一种独特的表情，强调其标志性的品质，同时屏蔽窗帘对酒店表情的影响。(鼓掌)

The curvilinear form has its own unique identity within the terminal complex. Alternating wide and narrow façade modules create residential scaled ‘framed’ windows to the rooms, while externally enabling a smooth curve to be made from straight sections. The glass façade incorporates a screen of circular rings creating privacy for the guests without loss of view.  Externally it unites the facade into a singular expression, emphasising its landmark quality, while screening the effects drapes have on the expression of the hotel.  

 © Anson Smart

(3)安森·斯马特(Anson Smart)

酒店的重点是一个戏剧性的圆形室内空间，将房间整合在一起。白色圆形栏杆与黑暗的循环空间形成鲜明对比，允许客人谨慎地进入自己的房间，同时为室内营造一种高度戏剧性的氛围。一个随机的圆形天窗星座向内部投射戏剧性的光线，同时确保空间有一种封闭感。

The focus of the hotel is a dramatic circular interior space that unites the rooms together.  White circular balustrades contrast with darkened circulation spaces allowing guests to discretely access their rooms while creating a heightened drama to the interior. A constellation of random circular skylights casts dramatic beams of light to the interior, while ensuring the space has a sense of enclosure. 

 © Anson Smart

(3)安森·斯马特(Anson Smart)

底层包含酒店的社会功能，并可用作公共空间的功能。室内元素是参照建筑的圆形几何设计的。酒吧和休息区使中庭底部充满活力。周边有一家餐厅和壁炉可供观赏。降低的天花板高度和杆屏幕提供亲密，同时保持与主要空间的联系。

The ground floor contains the social functions of the hotel, and can be used as a public room for functions. Interior elements are designed referencing the circular geometry of the building.  A bar and lounge areas animate the base of the atrium. A restaurant and fireplace are located on the perimeter for views. The lowered ceiling height and rod screens provide intimacy, while maintaining connection with the main space.

 © Anson Smart

(3)安森·斯马特(Anson Smart)

封闭的功能，包括接待、行政、厨房和会议室，都包含在金色的舱内。外部的金色百叶窗在保持隐私的同时提供视图。酒店顶上的一个大型圆形功能房宣布从航站楼进入。

Enclosed functions, including reception, administration, kitchen, and meeting rooms, are contained in golden clad pods. Gold louvres on the exterior provide views while maintaining privacy. A large circular function room at the apex of the hotel announces the entry from the terminal.

 © Anson Smart

(3)安森·斯马特(Anson Smart)

房间的径向几何学最大限度地连接到视野。房间内部漆黑的墙壁增加了景色的戏剧性。全高度的玻璃窗被镶上框架以保持人体的比例。温暖的天然材料，包括皮革，木材和石灰华创造了一个永恒的内部，通过使用红色和橙色的织物。

The radial geometry of the rooms maximises connection with the view. Darkened walls in the room interior heighten the drama of the view. Full height glass windows are framed to maintain a human scale. Warm natural materials including leather, wood and travertine creates a timeless interior, heightened by the use of reds, and oranges in the fabrics.

 © Brett Boardman

布雷特·博德曼

Architects Bates Smart

Location Canberra ACT 2601, Australia

Category Hotels

Architect Bates Smart

Design Team Philip Vivian, Matthew Allen, Robert Graham, Jeffery Copolov, Tonie Maclennan Tanya Gordon, William Miller, Claire Pettitt

Area 12000.0 sqm

Project Year 2015

Photographs Brett Boardman, Anson Smart