© Santiago Escribano Martínez

(圣地亚哥·埃斯切巴诺·马丁内斯

架构师提供的文本描述。位于布尔戈斯(西班牙)的圣胡安修道院建于11世纪，当时它是一群建筑的一部分，围绕在城市原有城墙外的一座本笃会修道院周围。对于朝圣者来说，修道院是一个里程碑，他们沿着圣詹姆斯的道路走，就在圣胡安对面的旧城入口处。

Text description provided by the architects. The Monastery of San Juan in Burgos (Spain) was raised in the 11th century as part of a group of buildings around a Benedictine monastery outside the original walls of the city. The monastery is a landmark for the pilgrims taking up the route of the Way of Saint James just before the entrance to the old city across the Arco de San Juan.

 © Santiago Escribano Martínez

(圣地亚哥·埃斯切巴诺·马丁内斯

该项目涵盖圣胡安修道院教堂的废墟，目的是保护圣胡安寺的建筑遗迹，同时创造一个新的受保护的空间，以庆祝文化活动，无论天气如何。

The project to cover the ruins of the church of the Monastery of San Juan, is intended to protect the architectural remains of the temple and at the same time to create a new protected space to celebrate cultural activities regardless of weather conditions.

新屋顶的形状是一个大的折叠式平面，它使我们从它的本质中唤起并带我们到原来存在的三殿神庙的教会类型学。在褶皱面上增加了两个水平面，以覆盖山腰和西北地区。这套计划，融合了当代的视野和对教堂遗骸的尊重，似乎“漂浮”在废墟之上，作为一个独立的结构，保持对建筑遗迹的看法不变。

The new roof takes the shape of a large folded plane that evokes and takes us from its essence to the ecclesiastical typology of the three-nave temple that originally existed. Two horizontal planes have been added to the folded surface in order to cover the apse and the northwest area. This set of plans, blending the contemporary vision with the respect for the remains of the church, seems to "float" above the ruin as an independent structure keeping the perception of architectural remains unaltered.

 © Santiago Escribano Martínez

(圣地亚哥·埃斯切巴诺·马丁内斯

从建筑的角度来看，这一建议是对建筑遗骸的强烈尊重。为了确保古建筑得到保护，覆盖面的范围超出了废墟的界限，延伸到墙壁上方。为了尽可能地减少对考古基材的影响，覆盖支撑被缩小到最小，柱位于中心凹处。限制教堂内柱子的数量，提供了一个干净而清晰的理解观点，这是由于缺少能够隐藏原始柱或墙壁正面细节的元素。

From a construction point of view, this proposal is strongly respectful towards the architectural remains. The planes of the cover are extended beyond the limits of the ruins, above walls, in order to ensure that the ancient architecture is protected. So as to affect as little as possible the archaeological substrate the cover support is reduced to a minimum with pillars located in the central nave. Limiting the number of pillars inside the church gives a clean and clear understanding view resulting from the absence of elements that could hide details of original pilasters or wall fronts.

在任何情况下，无论是室内还是室外，屋顶平面的实现都是一样的。它的基础是一个永久隐藏的钢结构，外面涂上了一层光滑的半透明饰面夹层玻璃，而内部则涂上了木板条制成的吊顶。半透明玻璃和木制格子都软化了进入空间的光线，从而产生了有趣和合适的场景效果。木质衬里作为一个过渡之间的强大的古代性质的教堂废墟和当代直几何与建议覆盖的玻璃包覆。

 The realization of the planes of the roof is the same in any case, whether seen from indoors or outdoors. It is based on a steel structure permanently hidden as the outside is coated with a matte translucent finish laminated glass and the inside is coated with a suspended ceiling made of wooden slats. Both the translucent glass and the wooden lattice soften the light entering the space, which causes an interesting and suitable scenographic effect. The wood lining acts as a transition between the strong ancient character of the church in ruins and the contemporary straight geometry with glass cladding of the proposed cover.

 © Santiago Escribano Martínez

(圣地亚哥·埃斯切巴诺·马丁内斯

照明是干预的关键。在室内，天然光线透过木格子，突出了这一建议的遮盖精神，并突出了废墟的价值。然而，在夜间，仔细的现场照明的建筑遗迹和非间接投影一般照明的木材衬里提供了一个暗示性增强的巨大空间。从外面看，从里面照出来的半透明的玻璃折叠平面就像一个灯笼，揭示了强烈的内在文化活动。

Lighting is key in the intervention. Inside, the natural light filtered through the wood lattice accentuates the covered-uncovered spirit of the proposal and highlights the value of the ruins. However, at night a careful spot lighting of the architectural remains and anindirectly projected general lighting of the wood lining gives to the monumental space a suggestive enhancement. From the outside, the translucent glass folding plane illuminated from inside acts as a lantern that reveals the intense inner cultural activity.

随着圣胡安修道院教堂的这一新的掩护，除了确保建筑遗迹的巩固和保护外，布尔戈斯市将有一个新的多用途和文化交流空间，面积为1.300平方米，用于组织不同的活动。

With this new cover for the church of Monastery of San Juan, besides ensuring the consolidation and protection of the architectural remains, the city of Burgos will have a new multipurpose and cultural exchange space of 1.300m² for the organization of different activities.

 © Santiago Escribano Martínez

(圣地亚哥·埃斯切巴诺·马丁内斯

Architects BSA

Location Plaza San Juan, 09004 Burgos, Burgos, Spain

Category Restoration

Architects in Charge José Manuel Barrio Eguíluz y Alberto Sainz de Aja del Moral (BSA)

Area 200.0 sqm

Project Year 2015

Photography Santiago Escribano Martínez