© Leonardo Finotti

莱昂纳多·芬诺蒂

架构师提供的文本描述。Maxita Yano-Claudia Andujar画廊是Inhotim当代艺术博物馆的一部分，旨在为瑞士出生的巴西摄影师Claudia Andujar的作品提供庇护。这座建筑位于一个密密麻麻的斜坡上，通过植被之间的小径进入。地形决定了一个小海角，揭示周围的景观。这个位置通知了关于其位置的设计策略：重新设计了站点的较高部分，以接收嵌入的卷，从而使它成为一个不显眼的方面。相反，建筑物的其余部分被分成三个街区，突出在斜坡上，每个街区面向不同的森林景观。

Text description provided by the architects. The Maxita Yano – Claudia Andujar Gallery, part of Inhotim Contemporary Art Museum, was designed to shelter the works of the swiss-born Brazilian photographer Claudia Andujar. The building is located on a densely wooded slope, accessed by trails amongst the vegetation. The topography defines a small promontory that reveals the surrounding landscape. This location informed the design strategy concerning its placement: the higher portion of the site was redesigned to receive the embedded volume, granting it an unobtrusive aspect. Contrarily, the rest of the building was divided in three blocks projecting over the slope, each one oriented toward different sight of the woods.

 © Leonardo Finotti

莱昂纳多·芬诺蒂

一个嵌入的部分和三个突出的卷之间的区别追求一种微妙的平衡，在必要的酌处的建造量和显着的特征的存在，具体的画廊在网站上。画廊空间被安排在一个单一层次的展览室，这些空间是按照与Inhotim的策展人严格合作确定的顺序排列的。展区分为三大类，以过渡空间为中介，以自然和艺术作品为中介。通过相互反省和对场地的开放来保证展区的多样性；这样，可以看到树林和内部露台，宽敞而密密的房间，自然和人工照明轮流进行。纹理的研究反映在狭小的材料调色板和手工砖块的外部表面，响亮的密度和不同质量的阳光透过树叶过滤。(鼓掌)

The distinction between an embedded portion and three overhanging volumes pursues a subtle balance between the necessary discretion of the built volume and the presence of remarkable features that pinpoint the gallery on the site. The gallery spaces are organised in a single level of exhibition rooms, which were arranged on a sequence defined by strict collaboration with the curators on Inhotim. The exhibition area is divided in three main groups by transitional spaces that mediate nature and artwork. The diversity of the exhibition areas is guaranteed by interchanging introspection and openness to the site; in such way that sights to the woods and the internal patio, vast and intimate rooms, natural and artificial lighting take turns. The investigation of textures is reflected on the narrow material palette and the handmade bricks on the external surfaces, resounding the shades of density and different qualities of the sunlight filtered through the foliage.  

 © Leonardo Finotti

莱昂纳多·芬诺蒂

 © Leonardo Finotti

莱昂纳多·芬诺蒂

该画廊被命名为‘Maxita Yano’，意思是‘粘土房子’，在雅诺马米语言-由参加开幕式的土著美国人。因此，它通过其重要性，提出其空间和照明的性质，扩大对建筑、自然和景观之间潜在关系的认识。

The gallery was christened ‘Maxita Yano’ – meaning ‘clay house’ in Yanomami language - by the native americans that attended the opening ceremony. It proposes, accordingly through its materiality, the nature of its spaces and lighting, a widened perception of potential relationships among architecture, nature and landscape.

 © Leonardo Finotti

莱昂纳多·芬诺蒂

Architects Arquitetos Associados

Location Brumadinho, Brumadinho - MG, Brazil

Category Gallery

Area 1683.0 sqm

Project Year 2015

Photographs Leonardo Finotti