© Brotherton Lock & Rachael Smith

c.布罗瑟顿·洛克(Brotherton Lock)

架构师提供的文本描述。安斯蒂梅花是一个建筑意义重大的房子和工作室在农村威尔特郡，已经经历了一个令人印象深刻的改造和大胆的工作室扩展。

Text description provided by the architects. Ansty Plum is an architecturally significant house and studio in rural Wiltshire that has undergone an impressive retrofit and a bold studio extension.

 © Brotherton Lock & Rachael Smith

c.布罗瑟顿·洛克(Brotherton Lock)

这是一座宝石，由两座雄辩而富有想象力的建筑组成，分别由Ove Arup办公室的前合伙人罗杰·里格比(RogerRigby)在60年代和70年代委托建造。第一间是一间一居室的房子，由大卫·莱维特设计；第二间是彼得和艾莉森·史密森设计的工作室和车库。

It is a gem, consisting of two eloquent and imaginative buildings, commissioned in the 1960’s and ‘70’s by Roger Rigby, a former partner in Ove Arup’s office. The first is a one-bedroom house, designed by David Levitt and the second, a studio and garage designed by Peter and Alison Smithson.

这种密集的维修，升级和重新组织这些建筑物已经减少了80%的能源使用，并导致一个良好的家庭住宅和同样出色的工作室工作空间。

This intensive repair, upgrading and re-organising of these buildings has brought about an 80% reduction in its energy use and resulted in a fine family home and equally outstanding studio workspace.

 © Brotherton Lock & Rachael Smith

c.布罗瑟顿·洛克(Brotherton Lock)

这些建筑坐落在陡峭的树木茂密的山坡上，俯瞰着12层的建筑。砖和木材房屋有一个简单的开放计划，一个单一的平面，矩形屋顶，沿土地的坡度。石和混凝土工作室，篱笆入斜坡，窥视一个古老的林地轨道。

The buildings are radically sited on a steep wooded hillside and overlook a collection of 12thC buildings. The brick and timber house has a simple open plan with a singular plane rectangular roof following the gradient of the land. The stone and concrete studio, hedged into the slope, peeps onto an ancient woodland track. 

在过去的几十年里，房子发生了一些变化，而史密森工作室却因结构损坏、进水和腐烂而被遗弃。

Over the last decades, a number of changes had been made to the house while the Smithson studio had been left derelict having suffered structural failure, water ingress and decay.

 © Brotherton Lock & Rachael Smith

c.布罗瑟顿·洛克(Brotherton Lock)

科潘·多克雷改变了房子。50年来所做的许多连续的改变被移除，以表达最初的房子雄辩地表现出的严谨的建筑品质。他们拆除了晚些时候的浴室和内墙，开辟了主空间，并创造了一个新的卧室和书房。第一次增加了中央和地下供暖系统。其结果是，这个独特的房子再次显示其明确的意图，现在可以舒适地在全年。

Coppin Dockray transformed the house. Many sequential changes made over 50 years were removed to express the rigorous architectonic qualities that the original house eloquently displayed. They opened up the main space by removing a late addition bathroom and internal walls and created a new bedroom and study. Central and underfloor heating systems were added for the first time. The result is that this distinctive house once again displays its clarity of intent and can now be occupied comfortably throughout the year. 

 © Brotherton Lock & Rachael Smith

c.布罗瑟顿·洛克(Brotherton Lock)

Coppin Dockray把演播室的建筑重新投入使用。损坏的屋顶被一个新的绝缘锌屋顶和浇铸混凝土保护层所取代。该结构是托基，坦克和绝缘，服务和暖气第一次增加。工作室现在从精心设计的道格拉斯杉木衬里和细木工身上散发出一种温暖的粉红色。

Coppin Dockray brought the studio building back into use. The failed roof was replaced with a new insulated zinc roof and cast concrete copings. The structure was underpinned, tanked and insulated, and services and heating added for the first time. The studio now glows a warm pink colour from the meticulously detailed Douglas Fir lining and joinery.

 © Brotherton Lock & Rachael Smith

c.布罗瑟顿·洛克(Brotherton Lock)

演播室扩大了，用树篱遮住了小山。它创造了一个与世隔绝的、喜怒无常的混凝土和石头洗手间，它可以看到一堵由多产的乡土蕨类植物组成的两米高的墙。这间屋子闪烁着生机勃勃的绿色，尤其是在夜晚，灯光已经被放置在建筑物外面，将灯光射入青苔的蕨类植物河岸。

The studio was extended and hedged into the hill. It has created a secluded and moody concrete and stone washroom that looks into a 2m high wall of prolific native ferns. This room glows a vibrant green, particularly at night as the lighting has been placed outside the building punching light into the mossy fern bank.

 © Brotherton Lock & Rachael Smith

c.布罗瑟顿·洛克(Brotherton Lock)

通过查阅史密森夫妇的一些原始施工图，Coppin Dockray可以解释许多锌、石头和木材的细节，这样做创造了一个独特和意想不到的扩展，既保留了建筑的精神，又不损害其功能。采用传统合同和一套全面的细节，加上当地的小工匠，确保了从传统石匠到精细金属制品和内部细木工的细节质量。

Access to some of the Smithsons’ original working drawings allowed Coppin Dockray to interpret many of the zinc, stone and timber details, and in so doing have created a unique and unexpected extension that preserves the spirit of the building without compromising its functionality. Using a traditional contract with a comprehensive set of details together with small local craftspeople ensured the quality of the detailing from traditional stonemasonry to fine metalwork and internal joinery.

 © Brotherton Lock & Rachael Smith

c.布罗瑟顿·洛克(Brotherton Lock)

这所房子和工作室坐落在一处历史遗迹周围-一座由塔克先生在他的梅园里建造的残缺不全的小屋。在图克斯先生的“小屋”里面有一个池塘，它被重新建造成了一个自然游泳和野生动物的池塘。在整个遗址的其余部分，原始的硬质景观得到了恢复，并开始了大量的本土种植，主要是蕨类植物、狐狸手套、蓝铃和野生大蒜地毯，以重新引入和扩展房子后面的古老林地。

The house and studio are located around an historic ruin - an incomplete cottage built by a Mr Tucker in what was his plum orchard. Inside Mr Tuckers ‘cottage’ is a pond that has been re-built as a natural swimming and wildlife pond. Throughout the rest of the site, original hard landscaping was restored and extensive native planting has begun, mostly ferns, foxgloves, and carpets of bluebells and wild garlic to reintroduce and extend the ancient woodland behind the house.

 © Brotherton Lock & Rachael Smith

c.布罗瑟顿·洛克(Brotherton Lock)

安斯蒂梅花是建立在一个低预算和很高的雄心。科潘·达克雷的作品延续了这一传统，保留了这两座小而重要的建筑。他们对材料和细节的一贯大胆和朴实的做法，确保了这些建筑保持了永恒的品质。这位建筑师已经证明，这座房子的能耗仅略高于1400英镑/平方米，已经显著减少了80%，现在全年都适合居住，在一个古村的背景下，它是一座出人意料的、令人愉悦的现代建筑。

Ansty Plum was built on a low budget with high ambition. Coppin Dockray’s work continues this tradition in their preserving these two small yet significant buildings. Their consistently bold and unpretentious approach to materials and detailing has ensured the buildings retain their timeless qualities.   The architect has demonstrated that for little over £1,400/m2, this house has reduced its energy use by a remarkable 80%, is now habitable throughout the year, and is an unexpected and delightful piece of modern architecture within the context of an ancient village.

Architects Coppin Dockray

Location Ansty, United Kingdom

Category Houses

Project Year 2015

Photographs Brotherton Lock & Rachael Smith