这座房子位于瓜达拉哈拉大都市区以西的一个封闭社区内的传统土地上。它向北朝向街道，向后向南，在向西的一侧留下一个自由的区域。

The house is located in a conventional land inside a gated community, west of Guadalajara’s metropolitan area. Is has a north orientation towards the street and south on the back, leaving a free area on the side facing west.

 © Carlos Díaz Corona

卡洛斯·迪亚斯·科罗纳

该项目从​​的想法开始，用最少的墙壁建造一座房子，让它从入口处感受到完全透明和开放。我们决定在里面挖个大洞，把原来的西班牙露台带回家，作为故居的主角。

The project begins at the idea of ​​making a house with the minimum of walls to feel it completely transparent and open from the entry. We decided to make a big hole inside that takes back the old spanish patio, being the protagonist of the residence.

 © Carlos Díaz Corona

卡洛斯·迪亚斯·科罗纳

形式概念是建立在一个盲卷，私人部分，和一个开放的卷，这是通过这个巨大的中心空洞相互关联。这座房子在第二层是一个白色的实体，下面的身体比较模糊。一堵皮亚琴蒂纳石墙环绕着房子，一直贯穿南北轴线，它不触及楼板，因此第二层似乎漂浮在底层之上。一个混凝土的身体被固定在前面和边界，连同一个木制的墙，入口前厅。这面木墙被旋转，使入口处通风口，在前厅里建了一个花园，减少了里面的流通面积，而当进屋时会引起一些混乱。

The formal concept is based on a blind volume, the private part, and an open volume, which are interrelated through this large central void. The house appears as a white solid body in second level and an obscurer lower body. A Piacentina stone covered wall confines the house all the way through the north-south axis; it doesn’t touch the slab, thus the second level seems to float above the ground floor. A concrete body is secured to the front and borders, along with a wooden wall, the entrance vestibule. This wooden wall was rotated to vent the entry, make a garden in the vestibule and reduce circulation area inside while giving some chaos when coming into the house.

 © Carlos Díaz Corona

卡洛斯·迪亚斯·科罗纳

入口处是一个宽敞的门厅，游客受到连接三层的巨大空隙的欢迎，一个带有金属格子的玻璃屋顶被放置并机械地打开，以享受里面的自然光。这样，我们就把一个花园带进了家里。

The entry area is a generous foyer, the visitor is greeted by the great void that connects the three levels, a glass roof with a metal lattice was placed and opens mechanically to enjoy natural light inside.  In this manner, we bring in a garden into the home.

 © Carlos Díaz Corona

卡洛斯·迪亚斯·科罗纳

植被是一个极端的主角，在这个中心地区，一棵准时的树坐落在一磅重上，室内绿色的墙从门廊沿边界墙延伸，最后用艺术家Jorge Méndez Blake制作的一块玻璃和乙烯基完成，以更概念性的方式保持植被的连续性。

Vegetation is extremely protagonist, in this central area a punctual tree is located upon a pound and an indoor green wall runs along the boundary wall from the vestibule and finishes with a piece of glass and vinyl made by the artist Jorge Méndez Blake to give continuity to the vegetation in a more conceptual way.

 © Carlos Díaz Corona

卡洛斯·迪亚斯·科罗纳

房子的开发仅由侧壁组成，中间有一个混凝土空间，将厨房和家庭房间与其他空间隔开，但同时也为餐饮、居住和露台区提供服务。厨房的门可以打开，创造一个小甲板，结束在通贝吉的墙壁。以同样的透明理念，住宅被设计成一个开放的空间，露台与生活融为一体。玻璃门的滑动和隐藏在混凝土墙后，折叠和形状壁炉。

The house was developed contained only by the side walls and in the center lies a concrete volume to separate the kitchen and the family room from other spaces but at the same time it gives service to the dining-living and terrace area. The kitchen doors can be opened to create a small deck that ends in a Thunbergias wall. With the same idea of transparency, the residence is designed as an open space, the terrace integrates with the living. The glass doors slide and hide behind a concrete wall that fold and shapes the fireplace.

 © Carlos Díaz Corona

卡洛斯·迪亚斯·科罗纳

里面的庭院里也有唯一的垂直循环，这是一个非常微妙的梯子，它似乎漂浮在真空的中心，中间有光束和玻璃栏杆。金属播种机形成英镑，并与艺术和地下室墙壁融合；想法是，少数元素，编织和捆绑水平和垂直沿房子。

The inner patio also contains the only vertical circulation, a ladder that is conceived in a very subtle way, it seems to float in the center of the vacuum with a central beam and glass railing. The metal planter forms the pound and merges with the piece of art and basement walls; the idea is that the few elements, weaves and ties up horizontally and vertically along the house.

车库入口穿过地下室。这个层次上的环流区域被涂成灰色，以表现光与暗之间的二元性；当上升到阶梯上时，强调二分法，发现光线，并将视线指向绿色区域。在地下室层，有一个大的游戏室，包括酒吧，台球桌和一个娱乐电视区。这是一个专为大型聚会而设计的空间，不影响家庭隐私。同样在这个层次上，服务区和洗衣区正朝着空旷的方向展开。

The garage entry is through the basement. The circulation area in this level was painted gray to manifest the duality between light and dark; when going up the ladder the dichotomy is emphasized discovering light and directs the view to the green areas.  In the basement level, there is a large game room, containing a bar, pool table and a TV area for entertaining. It is a space designed for big gatherings without interfering with the home privacy. Also on this level, the service area and laundry are located unfolding towards a void. 

 © Carlos Díaz Corona

卡洛斯·迪亚斯·科罗纳

卧室放在第二层，只有一条走廊把所有房间连接起来，以优化流通区域，中间有一堵木墙，隐藏着亚麻布壁橱。在前面有两个卧室，有一个共同的浴室区域，但每个房间都有自己的壁橱区域。在北方，有一个卧室，有自己的浴室和衣柜，主卧室，一个宽敞的空间俯瞰花园。浴室、浴缸、卫生间和水槽周围都有梳妆台和壁橱。这个区域的屋顶更高，给人一种宽敞的感觉，并从上面得到自然光。

The bedrooms are placed on the second level; a single corridor links all the rooms to optimize the circulation areas, in the center there is a wooden wall that hides the linen closet. At the front there are two bedrooms with a common bathroom area but each has its own closet area. To the north, there is a bedroom with its own bathroom and wardrobe and the master bedroom, a generous space overlooking the garden. The dressing and closet areas surrounds the shower, tub, toilet and sink. The roof of this zone is higher to give the feeling of spaciousness and receive natural light from above.

 © Carlos Díaz Corona

卡洛斯·迪亚斯·科罗纳

这座房子是用很少的材料建造的，用的是一些体积的混凝土墙、抹灰墙、皮亚昆蒂娜石和一些覆盖物中的库马鲁木。木匠是用水平的木纹在帕罗塔做的，用这种非凡的木材制造出戏剧性的用途。房子不会有太多的家具，因此一些元素被纳入建筑，其中之一是餐具，一个光泽很高的白色木质身体，其调制与石材覆盖有关。

The house is made with few materials, concrete walls in some volumes, plastered walls, Piacentina stone and Cumarú wood in some coverings. The carpentry was made in parota with horizontal wood grains to produce a dramatic use of this extraordinary wood. The house wouldn’t have much furniture; therefore some elements were incorporated to the architecture, one of them being the sideboard, a high gloss white wooden body, whose modulation is related to the stone covering. 

底层的窗户是无框的，以使内外沟通更加透明。露台甲板以一种非常微妙的方式展开并形成一个酒吧。盖子是一个钢结构和格子，顶部有玻璃，允许在雨季打开门，同时保护大露台。在后面，一些树木被放置，以完成景观，同时给房子的隐私。

The ground floor windows are frameless to make the inside out communication much more transparent. The terrace deck unfolds and forms a bar in a very subtle way. The cover is a steel structure and lattice with glass on top, which allows having the doors open in rainy season while protecting the large terrace. At the back some trees were placed to finish the view while giving privacy to the house.

 © Carlos Díaz Corona

卡洛斯·迪亚斯·科罗纳