架构师提供的文本描述。平昌位于容固北端的平昌洞，是一家名为“大同米”、“大东坡”和“戴东江”的政府机构，负责收付和支付朝鲜王朝的大米、布和钱币。顾名思义，平昌告诉我们，这一地区由于其高坡地形，作为一个有权力和财富的村庄，不得不修建一座高海拔的土地。在这条路的尽头，我们可以看到一条有趣的小巷，沿着蜿蜒的布坎桑山脊，通向平昌洞的一栋房子。

Text description provided by the architects. Proyect description Pyeongchang-dong at the northern end of Jongro-gu, Pyeongchang was warehouse of Seonhyecheong, a government office which had managed receipt and disbursement of rice, cloth and coin used as means of tax payment in Joseon Dynasty, under the name of Daidongmi, Daidongpo and Daidongjeon each. As its name derived from Pyeongchang tells, this area had to build a ground up high with embarkment because of its high and slope topography as a village of power and wealth. At the end of the road, we can meet an interesting alley leading to a house of Pyeongchang-dong along the winding ridge of mountain Bukhansan edge which shows the views one by one.

这所房子的巨大的罗克沃尔“钢琴在喝，而不是我”于2009年8月在这本杂志上被介绍，它与大自然融为一体，而在雨和风中积累时间，就好像它原来就在那里一样。窗口和墙壁倾斜，摇摇晃晃的曲折，因为他们醉醺醺的声音和歌词汤姆韦茨的歌曲，“钢琴一直在喝酒，而不是我”。整个空间被隐喻性的表达所包围，无论是墙是斜的，还是我是倾斜的。这位设计师多年来新建了这座房子的地下空间。

Huge rockwall of this house 'The piano was drinking, not me' introduced on this magazine in Aug. 2009, is assimilating with nature while accumulating time with rain and wind as if it has been located there originally. Window and wall sloped obliquely stagger zigzag as they are drunk on nature like tipsy voice and lyrics of Tom Waits' song, 'The piano has been drinking, not me'. Whole space was embraced by metaphorical expression whether the wall is sloped or I am sloped. The designer created underground space of this house newly over the years.

 © Jeong Taeho

(郑大豪)

位于首尔市中心容固中心的落基山。山只是远处的山。然而，当它在人们面前传播时，它就成了信仰的对象。由适应时代的花岗岩形成的布汉桑山可能是具有这种能量的山脉之一。Bukhansan是首尔郊区最高的山峰，具有壮丽的地理特征，自古以来就是首尔的守护山，也被称为三邦山和三加克山，因为它由三座山峰组成。(山姆的意思是三座山，Bong的意思是山峰，而Gak的意思是角度，在韩语中)因为它说“著名的寺庙坐落在著名的山上”，布汉桑在这里和那里有相当多的佛像圣地。

Rocky mountain in the middle of Jongno-gu, heart of Seoul. Mountain is nothing but mountain in the distance. However, it becomes an object of faith when it spreads in front of people. The mountain Bukhansan formed by granites adapting to the times may be one of mountains which have such an energy. Bukhansan is the highest mountain in the suburbs of Seoul, has magnificent geographical features, has been guardian mountain of Seoul from old times, and also was called Sambongsan and Samgaksan because it consists of three peaks. (Sam means three, bong means peak, and gak means angle in Korean) As it says 'celebrated temples are situated in celebrated mountain', Bukhansan houses considerable places sacred to Buddha here and there.

 Floor Plan

我想要比平昌洞地区更重视岩石山的能量。在经历了长期苦难的布坎桑松树和岩石中感受到的不光洁的美，与城市中心的美丽和温柔的自然有着不同的感觉。从某种意义上说，借用大自然可能会感到不敬。巨大的岩石山布坎桑拥抱平昌洞和植根于岩石中的松树经受了风雨。与他们的规模相比，我只希望人工自然能随着时代的发展而与自然融为一体。

I wanted to attach the much greater importance to the energy of rocky mountain than the region of Pyeongchang-dong. Unpolished beauty felt from pine trees and rocks of Bukhansan which have endured long-suffering has different feeling from the pretty and tender nature in the heart of city. In a sense, borrowing nature may feel disrespectful. Huge rocky mountain Bukhansan embraces Pyeongchang-dong and pine trees rooted in the rock has endured rain and wind. Compared to their scale, I only hope that artificial nature becomes to assimilate with nature through the times.

 © Jeong Taeho

(郑大豪)

大阳三鬼最初计划作为展厅，但经过几年来对办公室、公司培训机构、演播室、餐厅和咖啡厅的几次改造，它是作为私人休息室创建的。大阳三鬼是客户休闲和与熟人聚会的场所。它也有一个舞台的夹层为性能。从字面上说，它是一个空间，可以容纳每一个事件，保持自然的感觉。因此，它被命名为大杨三鬼。(大杨在韩语中的意思是多样性)可以说，大杨山鬼是以前项目的一个插曲。在之前的项目中，我在自然车的激励下表达了人工混凝土，而岩石山中茂密的松树是这个项目的主题。我想展示一些天然的原材料，如石头和树木。人造自然无疑是一种模仿。我承认这是一种模仿，并希望它看起来像仿制品。因此，我的目标是通过展示加工材料的性质来实现天然材料和人工材料的基本结合。我无意中放置家具，就像没有任何有意的计划而形成的自然一样。

Dayang Sanghoi was planned as exhibition hall at first, but it is created as private lounge through several changes of plan to office, company training institute, studio, restaurant and cafe for some years. Dayang Sanghoi is a space for client's leisure and party with acquaintances. It also has a stage on mezzanine for performance. Literally, it is a space which can hold every events diversely and keeps the natural feeling as it is. Therefore, it is named Dayang Sanghoi. (Dayang means diversity in Korean) It can be said that Dayang Shanghoi is an episode of previous project. While I expressed artificial concrete motivated by natural rook at the previous project, dense pine trees in the rocky mountain are the motif of this project. I wanted to show the natural raw materials such as stone and tree as they are. Artificial nature is doubtedly an imitation. I admitted it is an imitation and wanted it to look like an imitation. Therefore, I aim at fundamental meeting of natural stuff and artificial stuff by showing the processed material property. I placed furnitures unintentionally just like the nature formed without any intentional plan.

 © Jeong Taeho

(郑大豪)

我把一年生的松树年轮做成层层胶合板。一棵悬挂的松树也被计算出来更直接地表达一棵小松树。密室是用镜子盒完成的，并由粗略修剪的松树支撑。地下空间非常潮湿，因为它已经空了好几年了。我用金属的角度把它的墙围起来，用炭和石头填充它，使潮湿的空气流通，并配有隔音装置。在粉刷工作时，我直观地把岩石放在地板上，而滨水区的内部岩石和外部岩石则起到拆除内外边界的作用。

I recreated annual rings of pine trees as layers of plywood. A hanging pine tree was also calculated to express a gnarl more directly. Secret room is finished with mirror box and supported by pine tree trimmed roughly. Underground space was very humid because it has been empty for years. I enclosed its wall with metal angles, filled it up with charcoals and stones to circulate humid air, and equipped soundproofing. I placed rock on the floor intuitively while plastering work, and inner rock and outer rock of waterfront play a role to demolish the border between inside and outside.

 Elevation B

标高B

我进行了“钢琴在喝酒，而不是我”的项目，只是通过施工图，没有任何总体计划，大约有一年。自从这本杂志被引进以来，地下空间已经空了4年了。与此同时，未完成的“钢琴在喝酒，而不是我”一直是我脑海中的一种负担，但现在我似乎把它摘下来了。

I have proceeded the project ‘The piano was drinking, not me' only through shop drawing without any master plan about for a year. Underground space has been empty for 4 years after being introduced on this magazine. Meanwhile, the unfinished 'The piano was drinking, not me' has been a burden in my mind, but now I seem to take it off.

 © Jeong Taeho

(郑大豪)

Architects TUNEplanning

Location Pyeongchang-dong, Jongno-gu, Seoul, South Korea

Category Exhibition Center

Area 84.47 sqm

Project Year 2013

Photographs Jeong Taeho