© Kristian Hoekman

克里斯蒂安·霍克曼(Kristian Hoekman)

架构师提供的文本描述。Leeuwarden的Neushoorn(Rhinoceros)是一个流行的音乐场所和一所学校，都在一个建筑里。与3 To合作，DP6建筑工作室设计了一座可以在刺激创造力的同时进行一些粗糙处理的建筑。一个充满活力的建筑，适合其城市环境，并发挥其作为音乐场所和学校的功能。

Text description provided by the architects. Neushoorn (Rhinoceros) in Leeuwarden is a popular music venue and a school, all in one building. In collaboration with 3TO, DP6 architecture studio has designed a building that can take a bit of rough treatment while stimulating creativity. A dynamic building that fits into its urban context and delivers its function as a music venue and school.

 © Kristian Hoekman

克里斯蒂安·霍克曼(Kristian Hoekman)

Neushoorn是Leeuwarden的文化核心，它容纳了同名的流行音乐场所和咖啡馆以及弗里斯兰学院的创意教育部门D‘Drive。在它的存在和材料的用途，建筑表达了这些功能的动态。在het建筑中值得注意的细节包括打捞被拆除建筑物的部分和从重新使用的砖墙上剪下的涂鸦样本。

Neushoorn is the cultural lynchpin of Leeuwarden, accommodating the eponymous pop music venue plus café as well as the Friesland College’s creative education branch, D’Drive. In its presence and material use, the building expresses the dynamics of these functions. Notable details in het building include salvaged parts of demolished buildings and samples of graffiti cut from repurposed brick walls.

 © Jonathan van Dijk

C.Jonathan van Dijk

城市语境

Urban Context

新的Neushoorn建筑群位于老Ruiterskwartier和Haniasteg的拐角处，位于Leeuwarden的历史中心。该设计建立在原有的小规模城市形态，其蜿蜒的街道和车道。建筑师克里斯德维耶尔(DP6建筑工作室)：“这是一个相当大的挑战，但我们真的想保护旧的建筑物和现有车道的气氛，同时把他们变成新的东西。”Ruiterskwartier 41的部分现有房地被保留，现在已成为主建筑的一部分。主建筑被设计成紧凑的，所以在房子的后面可以找到空间，为历史上的哈尼亚夫增加一个广场，并创造一个公共的开放空间。德维耶尔：“通过这种方式，纽霍恩的另一边也活了过来”。

The new Neushoorn complex is located at the corner of the old Ruiterskwartier and the Haniasteeg in the historic centre of Leeuwarden. The design builds on the original small-scale urban morphology with its winding streets and lanes. Architect Chris de Weijer (DP6 architecture studio): “It was quite a challenge, but we really wanted to preserve the old buildings and the atmosphere of the existing lanes while at the same time turning them into something new.” Sections of the existing premises at Ruiterskwartier 41 were retained and now form part of the main building. The main building was designed to be compact so room could be found at the rear of the premises to add a square to the historic Haniahof and create a public open space. De Weijer: “In this way the other side of Neushoorn also comes alive”.

动态设计

 Dynamic Design

Neushoorn的设计提供了大规模的场地和更亲密的区域，包括两个阶段：咖啡厅、彩排室和文化生产设施，以及车间和教学室，这是弗里斯兰学院的实用教育部门D‘Drive的教学室。

The design of Neushoorn provides for large-scale venues as well as more intimate areas, including two stages, a café, rehearsal rooms and cultural production facilities, as well as accommodation for workshops plus teaching rooms for D’Drive, the practical education branch of Friesland College.

 © Kristian Hoekman

克里斯蒂安·霍克曼(Kristian Hoekman)

在哈尼亚斯蒂格角的主要建筑，Ruiterskwartier 41，被保存下来，它的底层容纳了联合入口大厅加上门厅和衣帽间。从入口大厅通往D‘Drive教学设施和Neushoorn办公室的楼梯被玻璃屋顶覆盖，阳光可以穿透整个大楼。在现有建筑旁边添加了一个新的部分，创建了一个分隔和连接两者的“新车道”。这个带门厅和书房景观的中间地带建立了一个清晰的功能纽带，同时也提供了前往剧院、工作室、更衣室、教学设施和办公室的短途路线。项目负责人KerstinTresselt(DP6建筑工作室)：“音乐场地和学校之间有一种真正的自然流动”。Schavernek沿岸的一些老建筑也被保留了下来。他们的正面被赋予了略显明亮的色彩，隐藏了流行场所的更衣室和绿色房间。

Most of the main building at the corner of the Haniasteeg, Ruiterskwartier 41, was preserved, its ground floor accommodating the joint entrance lobby plus foyer and cloakroom. The stairs leading from the entrance lobby to the D’drive teaching facilities and the Neushoorn offices are covered by a glass roof that allows daylight to penetrate all the way into the building. Next to the existing building a new part was added, creating a ‘New Lane’ that separates and connects the two. This intermediate zone with the foyer and the study landscape establishes a clear functional link and at the same time makes for short routes to the theatres, studios, changing rooms, teaching facilities and offices. Project leader Kerstin Tresselt (DP6 architecture studio): “There is a real natural flow between the music venue and the school”. Some of the old buildings along the Schavernek have also been kept. Their facades, which have been given a slightly brighter colour scheme, hide the pop venue’s changing rooms and green room.

 Ground Floor plan

音乐会场馆本身就位于大楼的后面，所以门面可以保持透明，让过路人直接进入大楼，观察里面的喧嚣和熙熙攘攘的景象。德维耶尔：“这个场地的特别之处在于它在白天也在使用。我们想要使这些动态可见，这就是为什么底层的外观是支持流行咖啡厅和一楼特色舞蹈和戏剧演播室作为一个玻璃盒子“。

The concert venues themselves are located at the rear of the building so the facades could be kept transparent to allow passers-by to see straight into the building and observe the hustle and bustle inside. De Weijer: “The special thing about this venue is that it is also in use during the day. We wanted to make these dynamics visible, which is why the ground floor facade is backed by the pop café and the first floor features a dance and drama studio presented as a glass box”.

 © Kristian Hoekman

克里斯蒂安·霍克曼(Kristian Hoekman)

材料的使用包括现有的和打捞的元素，以及大量的形状和材料，包括玻璃、Corten钢和各种类型的木材。被拆除建筑物的一些砖块在新立面上被重新使用。德维耶尔：“由于所有的碎片和碎片的大小不同，我们没有办法结束一个顺利的完成，所以我们选择了裸露的砖块”。

The use of materials includes existing and salvaged elements as well as a wealth of shapes and materials including glass, Corten steel and various types of wood. Some of the bricks from the demolished buildings were reused in the new facades. De Weijer: “As all the bits and pieces varied in size, there was no way we could end up with a smooth finish, so we opted for bare brickwork”.

 Sections 01

Sections 01

音响可以决定或破坏一个音乐场所。对音乐舞台的使用者来说，好的声音才是最重要的，这就是为什么建筑的声音产生功能被设计成独立的“盒子”，最大限度地提高了隔音效果。声学在墙的选择中也发挥了重要作用，在建筑物内，角墙形成了一个主题，而主楼梯旁边的墙壁则是由DP6专门设计的一个声学面板。

The acoustics can make or break a music venue. A good sound is all that matters to users of a music stage, which is why the sound production functions of the building have been designed as free-standing ‘boxes’ that maximise sound insulation. Acoustics also played a major role in the choice of walls, with the angled wall forming a theme within the building, while the wall next to the main staircase doubles as an acoustic panel specially designed by DP6.

艺术家、观众和学生都喜欢这个新的音乐场地。Neushoorn老板扬·皮尔·布兰兹：“这个设计在边缘周围保持了一些粗糙，而且效果很好。每天晚上都是派对之夜，建筑物白天也会渗出能量“。

Artists, audience members and students alike love the new music venue. Neushoorn boss Jan Pier Brands: “The design has been kept a bit rough around the edges, and that works really well. Every night is party night, and the building oozes energy during the day as well”.

 © Jonathan van Dijk

C.Jonathan van Dijk

Architects DP6 architectuurstudio + 3TO architects

Location The Netherlands, Ruiterskwartier 41, 8911 BP Leeuwarden, Netherlands

Category Schools

Area 4304.0 m2

Project Year 2016

Photographs Jonathan van Dijk, Kristian Hoekman

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