© Nelson Kon

(Kon)

架构师提供的文本描述。圣路易斯体育

Text description provided by the architects. The São Luís Sports & Arts Gymnasium is part of an architectural planning carried out and implemented over 12 years in various school sectors, in order to better adapt it to their educational principles.

 © Nelson Kon

(Kon)

体育界的重组客观上要求增加体育设施和活动的供应-在一次项目简报中，包括在现有建筑群中不增加任何区域，并且不中断学校的日常活动。

The reorganization of the sports sector objectively demanded the increase in the supply of sports facilities and activities - in a project briefing that included adding no areas to the existing complex and without interrupting the daily activities of the school.

 © Nelson Kon

(Kon)

体育馆占据了前一栋建筑的同一区域，完全被拆除，体育馆的运动场已从一个扩大到四个-两个是在顶板上的草地足球场，另两个是在可伸缩看台滑进一堆看台时透露的。

Occupying the same area of the previous building, completely demolished for this project, the gym has expanded from one to four its sports courts - two as grass soccer fields in the top slab and two others revealed when retractable bleachers slides into a stack.

 © Nelson Kon

(Kon)

可伸缩看台的选择只允许通过正面与城市直接进行视觉交流-特别是在新建体育馆的拐角处周围的大树上。

The option of retractable bleachers on one side only allows direct visual exchange with the city through the facades – specially with the huge trees that surround the corner where the new Gymnasium is built.

 © Nelson Kon

(Kon)

 1st Floor Plan

一楼图则

 © Nelson Kon

(Kon)

气候控制是这座新建筑的主要特点之一。舒适的温度和空气交换是通过立面的设计特点来实现的。战略位置的永久开口为法庭带来了新鲜空气，而特殊的玻璃面板控制着入射的太阳辐射。

Climate control is one of the main features of the new building. The comfortable temperature and air exchange are accomplished by the design features of the facades. Strategically positioned permanent openings brings fresh air to the courts, while special glass panels control the incoming solar radiation.

 © Nelson Kon

(Kon)

打开建筑物北面所有滑动门的可能性，可以控制四季的风力强度。遮阳罩的角度设计，除了减少建筑物内太阳辐射的发生率外，在不暴露学生雨天的情况下，增强了持续的通风能力。

The possibility of opening all the sliding doors towards the north facade of the building manage to control the intensity of the winds over the seasons. The angled design of the brise-soleil enhance the constant ventilation without exposing the students on rainy days, besides reducing the incidence of solar radiation inside the building.

 © Nelson Kon

(Kon)

天然阳光充足进入体育馆，每块立面的玻璃板都经过不同的处理方法过滤，所有雨水都被收集在一个60，000升的蓄水池中，再用于建筑物的维护。

Natural sun light is abundant into the gymnasium, always filtered by different treatments of the glass panels in each facade; all the rain water is collected in a reservoir of 60,000 liters and reused in the building maintenance. 

整幢大楼都接受了声学处理，不仅是为了容纳体育赛事，还包括学校定期安排的机构和文化活动。在一个完整的剧院基础设施的支持下，该空间有其声音混响和隔音的精确设置，为任何预定用途；该建筑提供了高标准的舒适和卓越，不干扰附近地区。

The whole building received acoustic treatment to accommodate not only sporting events, but also institutional and cultural events regularly programmed in the school. Backed by a complete theater infrastructure, the space has its sound reverberation and acoustic insulation precisely set for any intended use; the building presents high standards of comfort and excellence, without disturbing the neighborhood.

 © Nelson Kon

(Kon)

整个环境旨在鼓励社会互动-把球场、看台和所有连接空间变成客厅，不断融入城市的视觉存在。

The entire environment is designed to encourage social interaction – turning courts, bleachers and all the connection spaces into living rooms, constantly integrated to the visual presence of city.

圣路易斯体育馆(So Luís Gymnasium)经过十年的建筑改造，标志着该机构漫长历史上的一个新阶段。一所传统上与周围社区有联系的学校，现在不仅为他的学生，而且也为整个城市的体育和文化活动提供了一个欢迎的庇护所。

Crowning a decade of architectural renovation, the São Luís Gymnasium represents a new phase in the long history of the institution. A school traditionally connected with the community around it, now offers a welcoming shelter to sports and cultural events not only his students but also the entire city.

Architects Urdi Arquitetura

Location São Paulo, São Paulo - State of São Paulo, Brazil

Category Gymnasium

Architect in Charge Alberto Barbour, Alexandre Cavalheiro Liba

Design Team Larissa Castellani Selingardi, Flávia Neves Saccardi, Fernando Martins, Karen Miyabe Ueda; Thiago Kubo, César Rodrigues dos Santos; Marilia Toledo, Marina Simões Frade

Area 9062.0 m2

Project Year 2015

Photographs Nelson Kon

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